- Crew of the Kahuna

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[MUSIC]

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>> Another day, another arson.

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Lord Jesus, it's a fire.

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Somehow the crew managed to convince Lord and

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Lady Highhill that they were insurance inspectors here to inspect the security of the house.

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Chuckles tried to make a move on the less than impressed Lady Highhill.

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While Squish and Patches ditched them and snuck off to further con her father.

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At one point, Chuckles had the opportunity to push the woman out of the window.

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But remembering his dear uncle Shylock's word, murder is wrong.

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He instead withheld his darker- >> Smart man, lies.

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>> Which convinced Lord Highhill to turn over his security key.

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He passed it off to Patches, then went outside.

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Lady Highhill, again suspicious, began climbing out of the room.

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The door was locked by a turnip.

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Squish kicked her off the wall and she landed safely, albeit on top of Chuckles.

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Meanwhile, Patches pulled off his best military impression and

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convinced the guard to let him into the vault tower.

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He saw the large chest too big to carry on his own.

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He thought of a cunning plan and would you believe it,

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he summoned him in to set the house ablaze.

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So surprise, surprise, the house is on fire again.

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The guards have surrounded it on the chest and all chaos is about to break loose.

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>> Will they rescue the harp in time?

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>> Probably.

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>> I mean.

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>> I can only assume.

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>> I have to, can you guys hear me?

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>> Yes, yes, we can hear you.

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>> Okay, I gotta say, my notes for last week, I didn't take very many.

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It only says we are working security for a hot goblin mama.

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>> Unhelpful and inaccurate.

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>> Yep.

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>> Yeah, so again, just to quickly recap things.

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Captain, you are in the vault room surrounded by, let's see, we hear one, two, three,

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five guards.

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You have joined their ranks in surrounding the giant chest,

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which holds the harp that the captain, the real captain desperately wants.

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Squish, you are climbing the wall up to the second floor.

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And Chappels, you are underneath a demon woman who has fallen on the top of you outside.

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>> That's my second biggest fetish.

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>> What?

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>> I don't wanna know what the first one is.

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Hotman, you have unleashed patches, you have unleashed Hotman into the floor below you,

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and the second floor, just to be clear.

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And he has started lighting things on fire.

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Now, smoke has billowed up into the tower, and smoke is starting to make its way downstairs.

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The alarms have just gone off.

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So where all of you are currently, you just start hearing this blaring like,

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and all of the guests are getting a little panicky and looking around.

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They're kind of drunk at this point.

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It's late into the evening.

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It's quite late into the evening at this point, it's nighttime.

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And yeah, take it from there.

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Has anybody got a place to start?

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>> Jockel should probably climb out from under the woman.

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>> Never.

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>> Fair point.

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>> Never, he screams underneath her.

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Lady Highhill rolls off of you.

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You have, hold on, let me get us back outside.

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>> Was that as good for you as it is for me?

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>> Stop it, she pushes off of you and she goes, he's climbing back up the wall.

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>> Who?

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>> Your inspector friend, do you even know this guy?

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>> The red one?

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You know, sidebar, she says in character, I'm also red.

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A lot of demons are red.

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>> Yeah, yeah, racist.

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>> Yeah, red.

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>> I don't know, I think that's a loaded term.

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>> What?

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>> Yeah, no, we're, yeah, he's just a safety inspector.

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And by the way, what the hell is that noise?

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>> But those are the alarm systems that are going off.

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The security system you were supposed to check in on, it's now going off.

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>> Oh, shit.

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It's not a fire alarm, is it?

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>> It's an everything alarm, something's going on.

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My dad's still in there, my father, and she starts running into the house.

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She's planning on going through the front or the side door.

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I guess you're close enough to the kitchen, so you could probably sneak into the back.

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She can get into the back door and into the house.

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>> Can I grab her before she runs away?

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>> Yes.

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>> I grab her like on the back and I say, you can't just go running in there.

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That's an everything alarm.

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>> It is an everything alarm.

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>> Yeah, no, we can't just go barging in the front.

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>> What am I supposed to do?

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>> Do you want to go through the back door?

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>> No.

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>> Your dad can get out on his own.

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You know what can't get out on his own?

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Black harps, or probably any harp.

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>> What are you saying?

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>> We should save the harp.

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>> Okay, well, we still have to get inside the house for that.

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>> Well, how do we do that?

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So if we take a look at a character.

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So you have fallen.

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Actually, let me just delete a few people here.

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He'll get you guys out of here.

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So you have fallen.

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You fell out of the bedroom window, which is here on the side of the house.

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I've placed you there.

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>> All right.

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>> I can't stack you on.

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Oh, yeah, there you go.

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You're stacked.

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You guys have fallen up here.

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There is a door to the kitchens, which is on the right side of the screen.

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There's also a door in the front of the house.

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So she's going to make her way over towards the kitchens.

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>> All right, so we're going to go to the kitchen then.

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>> Yes, so you start heading towards the kitchen, chasing after Lady High Hill.

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Squish, you are climbing up the side of the wall.

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What are you doing?

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>> I'm on the first level though, still.

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I didn't get very far.

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>> Yeah. No, you didn't get very far.

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You kicked her down, actually.

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>> That sounds about right.

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>> But I also kick Squish.

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Let's not forget.

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>> Yeah, no, I did not.

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>> Yeah, Squish never forgets.

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>> Squish does not like to be squished.

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>> Are you coming up back to the top of the floor then?

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>> No, I want to try because I won't be able to get out of that door because there's a turnip jammed in the lock.

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>> Oh, there is a turnip jammed in the lock.

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What did that?

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>> I think that was me.

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So no, I would just like to look for an open window on the first floor to try to get in.

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>> Go ahead and roll your survey.

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>> It's pretty good.

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>> Oops, sorry.

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>> Looped.

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There you go.

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Yeah, so I'm going to just quickly, I'm bouncing around here.

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I apologize for that.

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So this is where you guys were before.

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I'm just going to give you an idea of Squish.

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Let me put you in here.

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So this room right here with the bed where you're standing at now,

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that's the room you guys came in on or went out the window of.

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I'm going to say probably at the very end here where the captain is like he's in the guard tower,

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the room before that where the smoke is really billowing out of and where

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Hotman is going around flaming things.

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That window is also open.

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So there's smoke.

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You can see the smoke billowing out of the house from this open window.

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>> I bet I know who I'm going to say hi to when I go into that window.

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So I would like to climb through that window.

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>> You climb in and it's really hard to see anything.

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It's just thick, thick smoke at this point.

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He has started, Hotman has lit some of the chairs on fire,

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just like the furnishings, the walls, everything is starting to get ablaze.

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It's not like a rip roaring flame.

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Not everything is like it's not like completely on fire.

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They're like engulfed in flames.

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But there's a lot of smoke billowing out and you see within the smoke,

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just this red figure just like laughing gidiously, just like having the time of his life.

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And you just see like fire just shooting out of his fingertips.

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And he sees you and he goes, hey.

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>> Hey, hey, Hotman.

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Hotman, let's, do you tone it down just a little bit for right now?

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>> Control me.

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>> No, that's why I asked.

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>> Well, no way.

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He is not listening to you.

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As I recall, he was told to, what was it?

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Go for it?

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What was it?

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>> I told him to relax.

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>> Cut loose.

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He said cut loose just a little bit.

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>> I said get exactly what I said.

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Cut loose just a little bit.

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>> That should work.

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>> I, just a little bit.

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Well, he's not listening to the little bit.

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He is completely not listening to anything.

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>> Is he listening to the cut loose part?

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>> Well, you guys, maybe keep the bottle up all the time.

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He's got, kids got to cut loose every now and then.

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>> Yeah, you can take him out of the bottle to play with at any point in time.

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Doesn't have to be words.

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>> On a cool dad.

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>> On a cool, inside the mansion.

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We were just in a forest.

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You could have brought him out there and burned down the jump for it.

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>> Listen, I know we make jokes about how I let a lot of fires,

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but I do want you guys to recognize that I have a hot fire demon as my go-to option here.

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>> Who could have foreseen this comment?

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>> Yeah, I didn't ask you how big the house was.

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I said cut him loose.

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Yeah, so, Hotman's not listening.

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He is completely oblivious to your concerns whatsoever.

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>> All right, well, I tried.

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All right, I would just like to walk past that and try to go to the, where the harp is.

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>> You walk up the steps and you see, as you do.

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As you walk in, you see this round room.

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We've been here before.

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At the center of it is a very large chest.

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It is a chest that requires two people to lift and to maneuver.

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It's not big.

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Like it's not super heavy, but you can't.

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Like it's too wide for one person to hold and walk at the same time.

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There are five guards around this.

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They back to the chest.

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They're swords out.

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They are ready to defend this chest.

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You also see the captain in a similar position,

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not in any military uniform.

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He's just standing there, sword out.

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Well, you didn't tell me.

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>> Grey as hell.

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>> Grey as hell.

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Pact, did you tell me what you're doing?

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>> I imagine Squish is just kind of looking from guard to guard to guard.

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And it's pan air claws.

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And all of a sudden he just kind of sees me.

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And I hope he doesn't draw attention to me.

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>> I see this.

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I go, oh, I slowly closed the door.

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>> All right.

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No, don't cancel.

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What am I doing?

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All right.

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Downstairs.

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>> Chuckles, you are in the kitchens now with Lady Highhill.

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>> All right.

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Now we got to get up to that harp and we got to save it from fire.

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I have to assume it's very flammable.

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It's made of bones I hear.

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>> It is made of bones.

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How did you know?

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Did I tell you that it was made out of bones?

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>> I know, I've just learned books.

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>> She is, despite in this moment, slightly impressed with you.

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You're either my listening or my reading.

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>> Both at this point are pretty admirable for her.

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>> Let's hope this never comes up again.

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>> She's had a bit of a shock being pushed out of the window,

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or not being pushed out of the window,

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falling off of the wall and landing on you.

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So she is a little shook up.

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So, you know, but she's a bit concussed and I'm about to take advantage.

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Yeah, this may surprise you, ma'am,

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but I am quite accustomed to burning buildings.

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This is not my first rodeo.

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But what we can't do is go in here and start running around.

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We have to go in here orderly and with a plan.

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And the plan is to get that harp.

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>> Yes, you're absolutely right.

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And she shakes her head and she's like,

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of course, of course, right this way.

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>> It's the only irreplaceable thing in here.

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>> Yes, that might my father.

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Do you mind if we check in on him real quick?

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>> He'll be fine.

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He has feet.

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I bet he's pretty nimble.

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>> I'm not saying that.

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I've grown.

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>> She leads you from the hallway,

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from the kitchen into the hallway,

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the stairs that lead, you know, ironically upstairs.

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You get to the top of the stairs.

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Now, this is where a picture of her and her mother

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and her father are, you know, the two big pictures side by side,

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right, where you insulted and said her mom was a whore.

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>> Well, I mean, I didn't say in so many words.

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I just said that there is no way that, you know,

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she would have sex with a little goblin man.

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>> And it's wiki.

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>> But I would never say that again.

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>> Right, right.

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The flames are heavier in this part of the house, right?

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Because it's the top part of the house,

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and you guys are heading towards the area

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where there is the most flames.

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At this point, it is very difficult to see,

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and you guys start coughing and you're like,

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like, the house is burning, you know?

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In fact, the photo, the picture that she was admiring earlier

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has now started to like burn and crisp at the edges.

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Yeah, and she's coughing and she's like,

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[COUGHING]

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>> See.

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All right, here's where you got to bend over.

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>> What?

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>> Get on all fours, woman.

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>> That sounds like a command.

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>> Yeah, are you commanding her to get on all fours?

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>> Well, I am, but I don't care if she lives.

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I'm going to go on all fours.

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I love to crawl around, as we all know.

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>> Okay.

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>> Most people have fight or flight.

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I have fight or get on all fours.

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Fight or four, that they call it.

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>> Fight or four is very nice.

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You drop to all fours, and are you going to keep heading towards the vault?

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>> Yeah, I'm going to crawl through her legs and just go forward.

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Now let's go.

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>> She sees you and she watches you for a minute

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before she realizes what you're doing.

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And she in turn actually does too.

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She drops onto her knees, onto her all fours.

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She has to hike up her skirts a little bit

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so she doesn't step on them.

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And she follows you as you walk into the room at the base of this tower.

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When you walk in there, the room is like hot.

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It is burning at this point.

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You can feel the flames hit your face.

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And you hear this like cackling, just gleeful after as Hotman sees you like walking

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through the smoke.

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And she goes, hey, here he goes.

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>> God damn it, haven't added again.

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Did someone cut you loose?

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>> Lady in high heels between con things.

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She's like, do you know this?

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Is this part of the test?

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>> Yes, this is our fire auditor and I wink at Hotman.

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>> And Hotman just goes, whew.

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>> Fire, fire, fire.

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>> Absolutely.

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He goes, am I doing a good job?

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>> Yes, you're doing great.

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But you don't need so much fire.

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I think you're doing a great job.

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>> Did you say more fire?

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>> No, I said cut back.

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I just a little bit.

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Just cut back.

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>> That was maybe, yeah.

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>> No, no.

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>> Cut back, let it go.

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>> Oh boy, yeah.

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This is the problem with these fire auditors.

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They are real pyromaniacs.

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We really need to get another one.

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>> You make it to the stairs.

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Let's do this be easier.

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You make it to the base of the stairs and when you climb up the stairs,

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you see squishes there already and patches who is standing with you.

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>> No, no, squishes.

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Yeah, squishes on the other side of the door.

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>> Right, the door is closed.

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Did you lock it?

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>> No.

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>> Oh, squish.

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You're here already.

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>> I look down and you go, oh, it's on the floor.

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What is it?

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>> I crawled through his legs and I cracked the door open and take a look inside.

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>> I looked down at just your ass between my legs.

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And then I wind up and I punch him right in the ass.

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>> Oh, what was that for?

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>> You kicked me, you dick.

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>> Well, that was all part of the audit.

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>> You don't do it to another auditor.

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Just let the man cook.

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And by the man, I mean me.

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Can I scan the room and look at all of the guards and then also see the captain

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and his electrical hook just proudly in the air, just ready.

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And then I close the door.

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>> You want to gain some insight from looking at all of these guards?

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>> Is that a possibility?

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>> Yes, of course.

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>> All right.

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You're not going to make me roll for that, are you?

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>> Yes, I would.

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I would make you roll a, we'll say, survey.

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>> Survey says.

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>> How about Tinker?

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>> Heard.

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>> You take a look around at these guards and you're not able to discern much about the guards

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themselves like any particular weakness.

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But they do seem relatively fit, very strong, well-equipped guards.

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These are not new.

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They were put here specifically for this purpose to guard this harp.

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It's clear that they are not going to be easily pushed over or convinced or anything like that.

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And in fact, as you survey them, they're looking at you.

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Because one inspector just came in with a key and now the building's on fire.

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Now there are two more people here as well.

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>> You got some honky guards out there, Lady Isle.

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>> Aren't they the best?

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These are some of the most well-trained demon guards that you can find outside of T.

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T. Ros.

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I'm so proud of them.

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>> Really passing this audit.

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The guards are aware, let me put this way, they are only not attacking the two of you

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because Lady High Hill is standing there.

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Patches managed to convince them he was part of the audit, but you two have not.

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But they can't really leave their post at this point.

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So they turned you and they look at both of you in squish and truffles and the one in the front

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here.

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He says, what are you two doing here?

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>> You don't have authorization.

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You need to be downstairs.

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>> We're yelling through the closed door.

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>> Yes, you are.

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>> What are you doing here?

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>> I do a flashback real quick.

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>> Yeah, of course.

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>> All right.

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I'd like to be on the ship and I go up to Juckles and I go, hey, I know exactly what's

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going to happen on this heist.

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>> It's almost as if you can see the future.

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>> It's almost like you've lived through it already.

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If our past heist had taught me anything, there will be fire.

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>> Yeah.

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>> Can you make us some smoke masks?

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>> I'll do you one better.

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How about some explosion masks?

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>> Are those ones that explode or protect you from explosions?

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>> No, they explode.

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They're like masks, but when you put them on, they explode.

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>> You know what?

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Make five of those and three regular gas masks.

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>> I'm starting to think these flashbacks are a little crazy.

00:22:01

>> I mean, I could do that, I guess.

00:22:06

So exploding masks.

00:22:09

>> Yes, we'll need around five, but if you can't make that many, that's fine.

00:22:17

>> But definitely the three smoke.

00:22:19

>> I'll make 10.

00:22:20

I'll make 15 or 20.

00:22:21

It doesn't matter to me.

00:22:22

I got enough of a time on this boat.

00:22:24

I'm bored.

00:22:24

I've been just playing solitaire.

00:22:26

I don't even have a full deck.

00:22:27

I mean that in two ways.

00:22:28

>> How does that even work?

00:22:31

Do you ever win?

00:22:34

>> Rarely.

00:22:36

Also, I can't read.

00:22:37

>> Yeah, that would help.

00:22:39

>> It's been an ongoing thing.

00:22:41

>> I'll learn someday.

00:22:44

>> Not today.

00:22:46

>> Are you timing us?

00:22:49

>> No.

00:22:50

>> You brought a little sand timer.

00:22:52

Like is that our improv timer?

00:22:54

>> No, it's just on the table.

00:22:57

I was just fiddling with it.

00:22:58

If you want to make these masks, I will let you, but you're going to have to roll your

00:23:04

tanker and it's going to be increased difficulty since this is a highly specific flashback.

00:23:09

>> Well, it's funny because I just meant to this a joke that he wanted like a smoke bomb.

00:23:14

And I said, yeah, because I thought it was a nonsensical thing, a mask that explodes

00:23:18

when you put it on.

00:23:18

That doesn't make any sense.

00:23:20

Why would you do that?

00:23:21

>> You'll find out.

00:23:23

>> All right.

00:23:25

This is what I get for joking.

00:23:29

So which one do I change?

00:23:33

Position to desperate or effects to, that's not going to be it.

00:23:37

A modifier minus 1D?

00:23:40

>> Yeah, let's do that one.

00:23:42

>> All right.

00:23:43

Let's do 1D because this is a highly specific.

00:23:45

>> That's perfect.

00:24:00

>> Okay.

00:24:01

How many masks did you make?

00:24:06

>> I don't know because I also have to carry them.

00:24:10

>> Yeah.

00:24:12

>> Yeah.

00:24:12

>> I'll carry some too.

00:24:14

>> Okay.

00:24:16

Let's see what you got.

00:24:17

You don't have much.

00:24:20

I would say that feasibly because you also have to hide these on your person, right?

00:24:24

>> Right.

00:24:25

No one noticed them up until now.

00:24:27

>> Right.

00:24:28

>> I'm going to say you can each carry two.

00:24:31

>> Yeah, that makes sense.

00:24:34

I got two pockets.

00:24:34

>> Right.

00:24:35

>> Two of the exploding ones.

00:24:38

Or did you make the smoke ones?

00:24:40

Or just the explode ones?

00:24:42

>> Oh, it's a grab bag.

00:24:45

I didn't label them either.

00:24:46

>> Yeah, I like this.

00:24:48

I like this.

00:24:49

>> Why would you not label them?

00:24:51

>> You have four masks.

00:24:53

Some of them are exploding.

00:24:55

Some of them are gas masks and you are unaware of which is which.

00:24:59

I like this.

00:25:00

This will work.

00:25:01

>> Wait a second.

00:25:02

That could kill us.

00:25:03

>> It could.

00:25:05

>> Or horribly disfigure one of us.

00:25:08

One of us is hands up.

00:25:11

>> Yeah, and the other one is chuckles.

00:25:13

>> Oh, boy.

00:25:16

>> Okay.

00:25:16

Four masks.

00:25:17

>> Oh, when you said gas mask, you mean a mask that protects you from gas?

00:25:20

>> Yes.

00:25:22

>> Not one that makes gas?

00:25:23

>> Yes.

00:25:25

>> We should do another flashback.

00:25:29

I say this as we're standing there before the door.

00:25:31

>> And you pull out your masks.

00:25:36

What goes which?

00:25:37

>> Ooh.

00:25:39

I would have labeled that if I had some sort of writing.

00:25:46

>> And some of them emit smoke?

00:25:48

>> No, I'm going to say some of them explode and some of them function as regular gas masks.

00:25:56

But which is which?

00:25:57

We're not sure yet.

00:25:59

>> All right.

00:26:04

Flash forward.

00:26:06

>> Okay.

00:26:08

>> Future?

00:26:08

To the press.

00:26:10

>> Flash forward.

00:26:11

We die of old age.

00:26:12

>> Turns out.

00:26:15

>> Turns out.

00:26:16

I have surrounded by tiny little green goblins.

00:26:23

Yes?

00:26:24

>> Yes, because they lynched you.

00:26:25

Give me those masks.

00:26:29

>> Well, all right.

00:26:31

The ones that I have, yeah, here's the ones that I've been carrying.

00:26:34

There are two here.

00:26:34

>> Do you know what they do?

00:26:36

>> No.

00:26:40

>> Okay.

00:26:42

So they, okay.

00:26:43

All right.

00:26:44

>> They either protect you or kill you.

00:26:48

It's a real Russian roulette situation here.

00:26:50

I would have labeled them if only I knew how to write.

00:26:53

>> You could have made them look different.

00:26:57

>> Yeah, but then they would clash.

00:27:04

>> We're going to have to have a long talk, but all right.

00:27:08

I open the door and I, I can't hear you.

00:27:18

>> Can't hear you.

00:27:21

>> Oh, I thought it was just noise.

00:27:28

Canceling at first, but now, oh my gosh, she looks worried.

00:27:30

Oh, she's gone.

00:27:31

We're on our own.

00:27:32

Let loose, boys.

00:27:34

Meet time and then you start throwing fireballs.

00:27:38

Turns out I made 15 masks.

00:27:42

Mask for everyone.

00:27:43

Who knows what they do.

00:27:44

No, she's back.

00:27:45

Oh, I know she's not.

00:27:49

>> No.

00:27:52

>> Be still.

00:27:57

>> Now?

00:27:59

>> Yeah.

00:28:00

A little bit.

00:28:00

>> Okay.

00:28:01

>> Okay.

00:28:02

Yeah.

00:28:02

I don't know what happened.

00:28:03

I didn't do anything, but anyway.

00:28:06

So you open the door and I heard yelling from the other room.

00:28:11

You forget, Bryn and I are in the same physical location.

00:28:14

>> Allegedly.

00:28:15

>> Allegedly.

00:28:17

All right.

00:28:19

Uh, yeah.

00:28:20

So you open the door.

00:28:21

>> All right.

00:28:22

And then I start passing out the masks to all the guards.

00:28:26

>> There's five guards in there.

00:28:30

>> Yeah.

00:28:31

So one of them is screwed.

00:28:32

>> Well, well.

00:28:33

>> Three of them are screwed.

00:28:35

The two are probably going to be healthier if we have to fight them.

00:28:38

>> There's five guards and one captain.

00:28:44

So you pass out four of the masks to the guard, the four guards.

00:28:49

>> Are you telling them?

00:28:49

>> Yeah.

00:28:50

>> You kind of have to.

00:28:51

>> You have to convince them to put these masks on.

00:28:54

>> Well, yeah.

00:28:54

Yeah.

00:28:55

So I'm kind of rolling.

00:28:56

>> I'm running and passing them on going,

00:28:58

there's fire over there.

00:28:59

There's a lot of smoke.

00:28:59

We're used to it.

00:29:00

We're fire out-inners.

00:29:01

It's fine.

00:29:01

We'll be okay.

00:29:03

Just put the masks on so you guys will be safe.

00:29:05

>> They take the mask and they look at them.

00:29:10

They are highly suspicious of this whole thing.

00:29:13

They look to Lady Hyatt Hill who kind of just is like shrugs.

00:29:18

She's like, I don't know.

00:29:20

>> Come on.

00:29:23

It's going to save your guys' life.

00:29:24

I would like to sway them to do it.

00:29:26

>> All right.

00:29:28

>> I sway.

00:29:30

>> Okay.

00:29:36

>> Success.

00:29:36

>> Did you succeed?

00:29:44

Sorry.

00:29:45

It's just showing on Ticker is the last thing I did.

00:29:47

Okay.

00:29:47

>> I see it.

00:29:49

>> Yeah.

00:29:50

Six, four and three.

00:29:51

>> Okay.

00:29:52

Awesome.

00:29:55

>> So they look to you patches and they say, commander,

00:30:01

could you convince them that you're a high-ranking military officer?

00:30:05

One of them hands a tunes.

00:30:07

He says, commander, I beg of you please for your own life.

00:30:11

>> No, I'm good.

00:30:13

>> Lady Hyatt Hill and he hands one of the masks to Lady Hyatt Hill who does put it on her face.

00:30:24

>> So three of the guards have the mask and Lady Hyatt Hill has the mask.

00:30:32

>> Does the great captain, does he know about this?

00:30:36

Because he wasn't in the flashback.

00:30:37

He just didn't want to wear the mask because he thought we were up to no good.

00:30:42

>> Mask.

00:30:43

>> No, those things look different.

00:30:45

>> They interfere with your mustache.

00:30:46

>> They don't clash or they do clash.

00:30:50

>> I think I've been doing pretty well.

00:30:54

I mean, I've since being here, I'm now part of this nice little charter guarding crew.

00:30:59

>> I imagine Squish and I look at each other when Lady Amoria puts a mask on and we both suck

00:31:04

air through our teeth.

00:31:05

>> I don't know.

00:31:10

>> No, this.

00:31:11

>> I do not like these odds.

00:31:13

>> Hopefully she didn't hear you say that though.

00:31:16

>> No, I'm sure she didn't.

00:31:20

>> She's sleeping.

00:31:24

>> That was just a thought.

00:31:26

>> Visually with our face.

00:31:28

Face thoughts.

00:31:30

>> Yeah.

00:31:30

All right, so are you going to make them explode now?

00:31:33

Are we going to fight these guys or?

00:31:35

>> What do you mean?

00:31:36

>> Yeah, blah, blah, blah.

00:31:36

>> How do you convince Lady Hyatt to convince them to move it out for us?

00:31:44

>> Oh my God, I would love not to have to carry this.

00:31:53

>> You could try to convince Lady Highhill.

00:31:55

Sidebar, how do the masks explode if they work to work?

00:32:00

Just with the exploding mechanism.

00:32:03

Just my own education.

00:32:06

>> Just so I know what's going to happen here.

00:32:09

>> Well, they look like those World War II or like painters masks.

00:32:13

You know, they have like the two cylinders on the side.

00:32:16

Well, some of those cylinders are filters and the other ones are fire.

00:32:22

>> Bombs.

00:32:22

>> Bombs in the face, yeah.

00:32:25

>> Bombs.

00:32:25

Are they triggered by like a timer or is it like a pressure?

00:32:33

>> A talky walky.

00:32:33

>> Or what triggers the explosion?

00:32:35

Okay, a talky walky, perfect.

00:32:37

Let me just.

00:32:39

So they're triggered by airwaves.

00:32:44

>> Yes, radio waves to be specific, which in this world I think are filled with ghosts.

00:32:50

>> That is true.

00:32:53

Okay, so through the guard to have masks on, Lady Highhill has put her mask on.

00:32:59

To say regardless of whether or not you have an exploding mask, it does allow you to probably

00:33:04

breathe a little bit easier.

00:33:06

So she is not aware if she has a mask and no one can tell who has what kind of mask on.

00:33:10

>> I just want to take a break and just say, man, what a strange situation to be in.

00:33:15

The house is on fire, we're in a treasure trove and we have a series of masks that

00:33:20

we're not sure which ones are going to blow up or not.

00:33:22

>> Yeah, the Russian roulette masks.

00:33:23

>> Yeah.

00:33:23

>> This is like really strange.

00:33:26

>> What's strange is I'm not even either.

00:33:30

>> Chuckles, you're literally screwed us again.

00:33:34

>> I've got to get you hooked on phonics, man.

00:33:40

>> Hooked on monkey phonics.

00:33:42

>> Hooked on monkey phonics.

00:33:45

>> Flashback, there's Dee Dee with Chuckles trying to point to a picture book.

00:33:51

All right, yeah, so you're going to convince Lady Highhill, that's the plan.

00:34:01

>> Yeah.

00:34:03

>> Chuckles, how good is your sway?

00:34:06

>> Not very good, I don't think.

00:34:07

I have really maxed my tinker to the detriment of everything else.

00:34:15

>> Yeah, we love it though.

00:34:19

>> My sway is zero, but she loves me.

00:34:23

>> Okay, why?

00:34:23

>> She really does like you now, actually, her feelings has changed.

00:34:28

>> Wow.

00:34:29

>> All that nagging has paid off.

00:34:30

>> As does.

00:34:33

>> Yeah, then you yelled at her to get on all floors.

00:34:37

>> I told her to bend over and then she didn't.

00:34:40

>> Oh, I called her.

00:34:40

>> And so I crawled through her legs and then she bent over, so get your fact strike.

00:34:45

>> Boy, I'm sure this is going to sound all great when I clip it out of context.

00:34:50

>> Do we get memes this week?

00:34:52

I don't think we did.

00:34:53

>> I have some, but they were like a minute and a half.

00:34:57

The Bloomer conversation was great.

00:35:00

>> Now, I got to defend myself on the Bloomer thing.

00:35:04

I said Bloomer, okay, because that's what I thought Bloomers were.

00:35:07

I was talking about those short pants that George Washington wears.

00:35:11

That's what I was talking about.

00:35:13

>> But he wears Bloomers.

00:35:14

>> Yeah, I don't know.

00:35:16

>> All I'm saying is that my clip ended with, why are you even talking to me?

00:35:22

Somebody talk to somebody else.

00:35:25

>> All right, now I forgot where we were.

00:35:31

Oh, I'm talking to Lady High Hill.

00:35:33

And oh, I'm Lady High Hill.

00:35:36

>> Do you think I should try this?

00:35:37

>> No, she's not going to listen to you.

00:35:39

She's only going to listen to me because she's my girlfriend now.

00:35:43

>> Lady High Hill.

00:35:46

>> She's my girlfriend.

00:35:47

>> Lady High Hill, babe.

00:35:48

We got to get this out of here.

00:35:50

This is your legacy.

00:35:55

This is your family heirloom.

00:35:57

And we need to get out of this burning money pit.

00:36:00

Treasure house.

00:36:03

>> The inspection.

00:36:06

Is their house really on fire?

00:36:07

>> Sometimes you got to burn a few eggs to make a scrambled egg.

00:36:12

>> Sometimes you got to peel a couple of onions.

00:36:18

>> Sometimes you got to eat a rutabaga to have fun.

00:36:23

>> Sometimes you got to nut punch.

00:36:24

>> Don't even get me started.

00:36:29

>> Amphibly, that's not going to work.

00:36:33

Lady High Hill, as you can see, she has no testicles.

00:36:37

>> How could I see that?

00:36:38

Oh my God, is she wearing-

00:36:39

>> They didn't run in between their legs.

00:36:41

>> She did fall.

00:36:42

You did go between her legs and she also fell on you.

00:36:45

So I'm sure you have to feel.

00:36:46

Okay, go if you want to- >> Claws over that.

00:36:51

>> If you want to sway, you can sway.

00:36:54

I'll also give you a plus one since you've built up a rapport with your girlfriend.

00:36:57

>> Plus one for love.

00:36:58

>> Plus one for love.

00:37:01

>> Sway.

00:37:02

>> Is there a way I can help them out or that'll give me stress, right?

00:37:07

>> Yes, it'll give you some stress.

00:37:09

So if you want to give a stress, you can give them another plus one for that.

00:37:12

>> How is he going to stress to help me do better on this role?

00:37:15

>> Yeah.

00:37:18

>> That doesn't make any sense.

00:37:20

>> What can you say that will add to-

00:37:21

>> Because of the implication?

00:37:22

>> No, I could just back up your claims

00:37:29

of telling her that there's a real fire there.

00:37:36

Like, yeah, I just walked by, there's a demon back there.

00:37:38

He set fire to everything and giggling while doing it.

00:37:43

>> We saw the fire.

00:37:44

>> I did see a good length fire demon.

00:37:46

>> Yeah, that's the auditor.

00:37:49

He goes a little crazy sometimes with the test,

00:37:52

but we really need to get that harp out of here if that's what you really want to say.

00:37:55

And not your father.

00:37:58

>> Oh, screw that guy.

00:37:58

He's almost dead already.

00:37:59

I don't say aloud.

00:38:02

>> Yeah, you can get another plus, so it'll be plus two for your sway.

00:38:09

And then, yeah, Squish, take a stress.

00:38:13

>> No way, I'll lose that.

00:38:14

He takes so much stress.

00:38:15

He must have like 100 stresses.

00:38:17

>> I'm the only one that does.

00:38:19

>> That's one for love.

00:38:23

>> That's one for love.

00:38:24

>> Okay.

00:38:25

>> Sounds like a darkness song.

00:38:30

He hesitantly agrees.

00:38:33

She goes, okay, you four.

00:38:36

She points to the four guards sitting at kind of the cardinal points.

00:38:40

Take this, yes, take the chest.

00:38:46

We're going to go to my rooms and we're going to move it there.

00:38:49

If the house truly is on fire, it's easier to get out from that place

00:38:55

rather than this death trap of a tower.

00:38:58

So she orders the four guards to pick up the chest.

00:39:06

They are going to walk it down the stairs.

00:39:08

>> Captain, I'm assuming she's gonna, no, she's gonna lead you guys all to her personal bedroom.

00:39:15

It's gonna be her, Chuckles, Squish, the four guards, Captain, and then one other guard behind

00:39:24

him.

00:39:24

So that's kind of the lay out here as they walk down the stairs.

00:39:28

She leads you through this smoking area.

00:39:33

Now the rest of the house is starting to also catch a blaze at this point.

00:39:37

But beyond her dad's room, there is another bedroom.

00:39:42

I'm just going to go ahead and put her there so you guys can see where that's at.

00:39:45

Oops.

00:39:49

>> Nice.

00:39:49

>> So her bedroom is going to be in the center area and there are going to be

00:39:56

all of the guards, hold on.

00:40:01

>> Swing.

00:40:03

>> One, three, four, five, Chuckles.

00:40:12

And the captain.

00:40:17

Oops.

00:40:19

And the mission.

00:40:24

Okay, so she leads you down to her bedroom and she opens the door and it is the most like bright,

00:40:30

really pink, like velveteen for poster bed. Just like tons of lace and kind of just,

00:40:39

it's really at odds with her up to this point, very kind of like stiff personality.

00:40:44

And it's a large enough bedroom that you guys aren't cramped, but there are like

00:40:50

nine of you in here at this point.

00:40:53

So it is pretty plus this very large chest.

00:40:56

She's moved you into the bedroom where there is less smoke.

00:40:59

She still has her mask on and the guards still have their masks on,

00:41:03

but you're not in immediate danger of burning.

00:41:06

>> So this is your room.

00:41:12

>> Yes, this is my room.

00:41:17

>> Wow, I see.

00:41:19

>> Okay, well, yes.

00:41:25

I'm gonna have the guards stay here.

00:41:29

Would one of you be able to go check on my father and make sure that he's okay or

00:41:33

we probably should evacuate the house or something?

00:41:38

I don't know what to do.

00:41:39

>> Yeah, we should evacuate.

00:41:41

>> Right.

00:41:42

You're right.

00:41:45

I'm sure the chest will be fine here during the fire.

00:41:48

>> No, I mean, we should toss it out the window.

00:41:51

>> Toss the chest out the window.

00:41:54

I like this plan.

00:41:55

>> I don't like that plan.

00:41:56

>> We can't break the heart.

00:42:00

>> It's in a chest.

00:42:02

>> The chest is not made out of bubble wrap.

00:42:06

>> It's probably a heart made from the chest you're made from.

00:42:09

>> Yeah, it's not made out of glass.

00:42:12

It's bones.

00:42:14

>> It is bones in delicate wood.

00:42:17

>> In delicate wood.

00:42:19

>> Can I pull juggles aside?

00:42:24

Well, actually juggles in, Captain.

00:42:26

>> Oh, God.

00:42:26

>> All patches.

00:42:27

Sorry.

00:42:27

>> All right.

00:42:28

No, it's all right.

00:42:29

I'm Captain Patches now.

00:42:30

>> Should I engage?

00:42:31

Should I blow the masks?

00:42:34

>> Yeah, when do you think we should?

00:42:36

>> Should I go rob the old man?

00:42:38

>> What you should do is rob my girlfriend of her mask and then put it on and then I'll

00:42:45

blow the masks.

00:42:46

>> What are you talking about?

00:42:51

>> He doesn't know about the masks.

00:42:54

>> What mask?

00:42:56

Why is everyone wearing masks?

00:42:58

Where's my mask?

00:43:00

Why are you checking my mask?

00:43:01

>> Get down.

00:43:01

>> I didn't, I turned it because it looked silly.

00:43:03

>> You know what?

00:43:04

Go take yours off the lady high, or go take Lady Hiles.

00:43:07

>> No, no, I don't want it.

00:43:08

No, I don't want it.

00:43:09

No, no, no.

00:43:10

>> I'm upset.

00:43:11

>> I don't know what your contents--

00:43:12

>> I want to go rob children.

00:43:14

>> Children can't get those.

00:43:15

>> Masks are exploding.

00:43:17

They're exploding masks.

00:43:19

It's my new invention.

00:43:20

>> Sure.

00:43:20

And why would you give one to the broad?

00:43:23

>> Well, here's the other thing.

00:43:25

Two of them don't explode, and two of them do explode.

00:43:30

We just don't know which.

00:43:31

>> Oh, thank God.

00:43:31

What?

00:43:33

>> I would have labeled them, but I don't know how to write.

00:43:40

>> Do you know how to put a piece of string of a different color?

00:43:45

On that so you know which one would be different?

00:43:47

You know, do you know how to make any distinguishing marks at all?

00:43:50

>> High-Tide is 2020.

00:43:52

Yes, there's a hundred things I could have done,

00:43:54

but I didn't.

00:43:55

I was too busy being excited for making an exploding mask.

00:43:58

I invented the exploding mask.

00:44:00

>> Don't stay there too long.

00:44:01

>> All I'm going to say, all I'm going to say,

00:44:03

all I'm going to say is you better get your exploding mask off that hot mama over there,

00:44:07

or she's going to explode.

00:44:07

>> Excuse me.

00:44:08

You will address her with respect.

00:44:09

That is my girlfriend and future wife.

00:44:11

And probably--

00:44:12

>> I am trained to save her life.

00:44:14

>> Mother of my future goblin children.

00:44:16

You take it back.

00:44:19

>> It's fine.

00:44:21

I'm just telling you, you need to save him.

00:44:24

You need to get that mask off of her before it explodes,

00:44:28

because our luck is not good.

00:44:30

>> All right.

00:44:31

But we got to save the harp,

00:44:35

or we got to check on that stupid goblin man.

00:44:37

He's probably dead already, right?

00:44:38

Let's just tell her he's dead.

00:44:40

>> Yeah, probably.

00:44:40

>> No, we probably should not tell her that.

00:44:46

>> Okay, then let's just lie to her and tell her that he's safe.

00:44:48

Wait, no, I feel like that's going to blow up in my face later.

00:44:50

No pun intended.

00:44:52

>> Yeah.

00:44:52

>> Let's grab the old man.

00:44:53

>> Grab the old man.

00:44:53

>> Grab the hot mama.

00:44:54

>> He might literally blow up in her face too.

00:44:56

>> Let's grab the old man, take the mask off the hot mama,

00:44:59

hope give it to one of these other guards,

00:45:00

and just assume that all the masks are bad.

00:45:03

Grab her father, get his key,

00:45:05

and then ditch both and get the harp.

00:45:07

>> I have the key.

00:45:07

>> You have the key.

00:45:09

>> Yeah, you have the key.

00:45:09

>> What are the chances that the harp has fire extinguishing features

00:45:14

if we just play it?

00:45:15

>> Does it talk the harp?

00:45:18

Can we really look at it?

00:45:18

>> Can I sew it into my jacket?

00:45:20

>> Can it give us any advice at all about the do what to do here?

00:45:26

>> Yeah, let's ask the lion.

00:45:27

Does the lion have any thoughts?

00:45:29

>> Paul, can I ask Paul what's going on?

00:45:32

Paul, what any advice on the situation?

00:45:34

>> Did you look at the chest that it's in?

00:45:39

>> Let's go look at the chest real quick.

00:45:41

>> I've been looking at her chest.

00:45:42

>> That's not what I meant, and you know it.

00:45:46

>> So when you were in the keep or the treasure room patches,

00:45:55

you did notice there were a lot of incantations and things written on the walls and on certain things.

00:46:03

You can see that these are also on the chest as well.

00:46:08

>> A lot of incantations on this chest, boys.

00:46:10

>> So what?

00:46:12

>> Yeah.

00:46:12

>> You're going to read it?

00:46:14

>> No, no, no.

00:46:16

I just think a lot of warning signs here, a lot of maybe stay out.

00:46:21

>> Stay out of the--

00:46:22

>> Guys think we should go in?

00:46:23

>> Go into the harp?

00:46:24

>> Maybe.

00:46:25

>> No, take a look into the chest of the harp.

00:46:28

>> Are you saying you want to open up the chest and see the harp that's inside?

00:46:33

>> Yeah.

00:46:34

>> Okay.

00:46:36

You walk towards the chest where the four men are still holding onto it,

00:46:41

and they immediately take their bayonets and cross it in front of them, and they say,

00:46:45

"Sorry, sir, under orders."

00:46:47

There's no one allowed to touch this chest except for Lord High Hill.

00:46:50

>> What about Lady High Hill?

00:46:52

He's right here.

00:46:52

>> They look at Lady High Hill and she looks back at them, and she just,

00:46:58

you don't need to see that.

00:47:00

>> All right, let's get the goblin, man.

00:47:05

>> I am really wanting to open this harp now.

00:47:07

>> I want to know what's up with this.

00:47:10

This is my new mission.

00:47:12

We got to get this chest guys.

00:47:12

>> All right, the question, what are we doing?

00:47:13

>> Let's blow up the masks, kill all the guards, and steal the chest.

00:47:20

>> Possibly, my girl.

00:47:21

>> So I'm assuming the masks--

00:47:22

>> I am.

00:47:22

>> I'm assuming the masks have a--

00:47:24

>> I know you are.

00:47:24

>> Are the masks timed?

00:47:27

Do they have a button?

00:47:28

That nation's--

00:47:29

>> That's radio.

00:47:30

>> Yeah, it's my talky walky.

00:47:30

>> Radio.

00:47:31

It's the talky walky.

00:47:33

So if he says whatever over the talky walky,

00:47:36

we'll-- the air radio waves will make the masks explode.

00:47:40

And again, we have four masks.

00:47:43

We don't know how many explode and how many are safe or who has what.

00:47:47

>> Oh, so it could be all four of them are exploding.

00:47:49

>> It could be.

00:47:51

It could be all four of them are just regular masks.

00:47:53

>> Boy, I am real stupid.

00:47:55

>> You are really, yeah, you really fucked us up.

00:47:58

>> I say we need Lady High Hill out of here.

00:48:02

We tell the four guard-- the five guards to get out of here with the harp,

00:48:07

make them take her mask, lead her out of here, and then, you know,

00:48:12

just hopefully those and then blow those little suckers up.

00:48:14

>> Why can't we just blow them up now?

00:48:16

>> Because Lady High Hill, you know,

00:48:19

Juckle seems to be fine with her.

00:48:20

>> Yes.

00:48:21

>> Yeah, he's fine of anything that stands on two feet

00:48:25

as not testicles he can punch.

00:48:27

>> Wow, that's awfully reductive.

00:48:29

>> I don't--

00:48:32

>> But you know--

00:48:33

>> No, don't squish.

00:48:35

Look what you did.

00:48:36

You hurt the lad's feelings.

00:48:37

Look at his face.

00:48:37

He's upset about that.

00:48:38

>> Yeah.

00:48:38

>> He knows his feelings.

00:48:39

>> Yeah, I'm a sensitive boy.

00:48:40

>> It's fine.

00:48:41

>> All right.

00:48:41

Lady High Hill, babe, darling,

00:48:45

have you ever seen one of those movies

00:48:49

where they toss someone out the window to save them from fire?

00:48:52

>> I've heard stories about this, yes.

00:48:57

>> We're going to do that to you right now.

00:48:59

Yes, it's the only way to save you.

00:49:02

>> We have to demonstrate you.

00:49:05

>> I just go down the stairs.

00:49:06

The side of the house is an--

00:49:07

>> There's no time.

00:49:09

You're hysterical.

00:49:10

>> No time.

00:49:10

>> I have a mask.

00:49:11

I should be fine.

00:49:12

>> Jesus, everyone grab her.

00:49:13

Toss out the window.

00:49:14

>> Yeah, and give me that mask.

00:49:15

We got to save it for the guards.

00:49:17

Because we got to carry this out of here,

00:49:18

and you're just going to slow everyone down.

00:49:20

Listen, it's for your own good.

00:49:21

>> Is there a window nearby?

00:49:22

Is there a window nearby?

00:49:24

>> Yes, there is.

00:49:26

I don't know if you guys saw it.

00:49:28

Hold on.

00:49:29

Let me put this in the--

00:49:30

This is her bedroom.

00:49:32

>> All right.

00:49:33

Define a straighter.

00:49:33

>> Yep.

00:49:34

>> Toss her out the window.

00:49:35

That's what I mean.

00:49:35

>> Squish.

00:49:36

That's your job.

00:49:37

And make sure you take the mask off of her,

00:49:38

because we need to give it to the other--

00:49:39

You have to give it to the guards

00:49:40

so they can carry out this.

00:49:42

They can carry this harp out.

00:49:43

This is through the--

00:49:44

>> She's got a team effort.

00:49:45

We got to throw her out the window.

00:49:47

>> Yeah, that's why you're bigger than she is.

00:49:48

>> Am I?

00:49:51

>> Yes.

00:49:51

>> All three of us should do this.

00:49:53

This is a team effort.

00:49:54

Just throw it out the window.

00:49:56

>> Yes.

00:49:56

>> If all three of you want to do this,

00:49:58

you all have to roll your finesse roll,

00:50:00

and you have to work together to pick her up

00:50:02

and chuck her out the window.

00:50:03

>> All right.

00:50:03

>> Group roll it.

00:50:05

>> You'll thank me someday.

00:50:06

>> I do not like this idea.

00:50:09

I really don't like this idea.

00:50:13

>> Oh, no.

00:50:14

>> What do you mean?

00:50:14

You were ready to blow her up.

00:50:16

>> Yes.

00:50:17

It would have been a lot simpler.

00:50:20

>> Did we all fail?

00:50:22

>> Did you roll?

00:50:22

>> Oh.

00:50:23

>> Yeah, we all failed.

00:50:24

>> Oh, no.

00:50:25

>> Excellent.

00:50:26

>> So you all like--

00:50:27

>> She punches off the window.

00:50:30

>> She like wraps her.

00:50:30

[laughter]

00:50:31

>> And all she does is scream and just bats you away.

00:50:35

Like, you know, just like, "Pah!"

00:50:38

"Sing with you!"

00:50:40

>> All right.

00:50:41

>> "No, seriously, that pisses me right the hell off."

00:50:43

>> No, I was hugging you.

00:50:44

Because I'm so scared.

00:50:47

>> Lady.

00:50:48

>> Lady, hold on.

00:50:49

>> Did you just bone brush me?

00:50:50

>> Can you lady--

00:50:52

Lady, can we open those windows for a second?

00:50:55

Let me tell you this.

00:50:56

This plan of ours is a good one.

00:50:58

We just need to recalibrate.

00:51:00

Can these windows open?

00:51:01

>> Listen, all right.

00:51:02

You see, are you afraid of it?

00:51:04

>> Open their windows.

00:51:04

>> Yes.

00:51:05

Okay, fine.

00:51:06

I'll go first.

00:51:07

Throw me out first, and I'll show you how safe it is

00:51:09

to be thrown out the window.

00:51:11

>> All right.

00:51:13

I grabbed--

00:51:13

>> Who's throwing him out the window?

00:51:15

>> I grabbed chuckles to throw him out the window.

00:51:18

[laughter]

00:51:19

>> All right.

00:51:19

>> Who's throwing this sack of cabin boy?

00:51:20

>> All right.

00:51:23

Go ahead.

00:51:24

>> Can I ask--

00:51:25

>> Let's--

00:51:25

>> Wreck it.

00:51:27

You're right.

00:51:28

>> Well, the window is open now.

00:51:30

>> Yeah, the window is open.

00:51:33

I'm going to say that you two--

00:51:36

Are you two working together to show her

00:51:38

how easy it is to throw her out the window to be safe?

00:51:40

>> I'm doing my best plank.

00:51:42

I'm just being real straight and real easy to throw.

00:51:44

>> I think Andy's frozen.

00:51:47

>> Oh, no, he needs to come back.

00:51:50

>> He's really-- he needs to come back.

00:51:54

I just thought he was really annoyed with us for the last one.

00:51:57

[laughter]

00:51:58

>> Okay.

00:52:00

So what I'm going to say is you're not going to throw your finesse.

00:52:04

Instead, when you are going to roll chuckles,

00:52:06

since you need to survive this,

00:52:07

is I'm going to have you try to roll your prowess, which is three,

00:52:12

to see how well you survive getting thrown out the window.

00:52:16

>> Wait, wait, wait.

00:52:16

Prowess?

00:52:17

Oh.

00:52:18

>> Yeah, so that's like a defensive roll.

00:52:21

>> Okay.

00:52:22

>> We never use--

00:52:23

>> But it's just three.

00:52:25

So just throw three, 3D.

00:52:26

>> Right.

00:52:41

So Captain picks you up.

00:52:46

He tosses you out the window.

00:52:48

chuckles, how do you land?

00:52:49

You survived the landing.

00:52:51

How do you land?

00:52:52

[laughter]

00:52:53

>> I don't know.

00:52:54

I was going to say, I land right on my head.

00:52:56

I need to take some damage from being thrown out the window.

00:53:00

I don't know if I knocked out or like just injury.

00:53:06

I'm definitely--

00:53:07

>> No, no, you landed on a-- you landed on a rose bush.

00:53:10

>> Oh my god.

00:53:11

You're-- I land-- you throw me right onto a cactus.

00:53:14

>> No, like some kind of easy bush that's going to catch you.

00:53:18

>> Yeah, rose bushes, famous for being full of thorns.

00:53:20

[laughter]

00:53:22

Oh wow.

00:53:23

>> All right, I'm in a rose bush.

00:53:25

I'm going to fetch it.

00:53:26

>> He looks-- Lady Highhill looks out over you and she goes,

00:53:32

"Yeah, I mean, I guess-- are you okay?"

00:53:35

>> Well, look how--

00:53:36

>> You're next.

00:53:37

>> Look how brave I was.

00:53:38

[laughter]

00:53:41

>> When you pop your head out, you have like a rose between your teeth,

00:53:45

like real romantic life,

00:53:46

but really it's just your mouth is full of thorns.

00:53:48

>> You have covered in blood.

00:53:50

[laughter]

00:53:52

>> Yeah, you're real cut up.

00:53:53

But she is smitten.

00:53:58

She goes, "Okay, well, if you promise it won't hurt."

00:54:02

>> Oh, it's going to hurt.

00:54:03

I mean, it's not-- you'll be fine.

00:54:05

>> I promise.

00:54:06

>> All right, who's going to throw Lady Highhill off-- out of the window?

00:54:11

Because she will be convinced now that she saw chuckles do it.

00:54:14

>> Squish, you want the honors?

00:54:16

You want me to do it?

00:54:17

[silence]

00:54:21

>> Oh.

00:54:22

>> Oh, that's not his listening face.

00:54:24

[laughter]

00:54:28

>> Well, I guess this is all up to me.

00:54:30

[laughter]

00:54:31

All right, Lady Highhill, get on my shoulders.

00:54:34

[laughter]

00:54:39

>> Do I toss her?

00:54:41

>> I didn't go back.

00:54:43

>> What did you say you broke up?

00:54:45

>> Nope.

00:54:46

>> You're going to wait for Andy to come back?

00:54:48

>> Maybe we should.

00:54:48

>> Oh.

00:54:49

>> Yeah.

00:54:50

>> Fine.

00:54:53

>> But you can toss her if you want.

00:54:57

>> No, I'm good.

00:54:58

I'll wait.

00:54:59

[laughter]

00:55:07

>> Strange that tossing someone out of window has happened, like occurred twice.

00:55:10

[laughter]

00:55:13

>> Oh, he's back.

00:55:14

>> There he is.

00:55:14

>> He's pissed.

00:55:15

He hates this plan.

00:55:17

>> All right.

00:55:19

>> I went head first and go at Rose Bush.

00:55:22

>> Yes, and so now Lady Highhill has been convinced to let someone else toss her.

00:55:31

Capt.

00:55:32

Patches, were you going to truck her over?

00:55:34

>> I think Squish would help me out if he can.

00:55:36

>> Do you both want to assist her out the window?

00:55:40

>> Yeah, Squish, you want to assist me with tossing the lady out the window?

00:55:44

>> The lady's never going to get thrown out of window.

00:55:50

>> He's frozen again.

00:55:51

>> Oh, no.

00:55:53

>> All right.

00:55:54

We're, all right, I'm pulling rank here.

00:55:57

I'm throwing her out the window.

00:55:58

Like it's like a fireman toss.

00:56:00

It's not graceful or anything.

00:56:01

It's just me throwing her out the fucking second cabin boy.

00:56:05

>> So no skill whatsoever?

00:56:07

>> No.

00:56:08

>> Okay, roll your wreck.

00:56:10

>> Roll your wreck.

00:56:14

>> Hell yeah.

00:56:17

>> No.

00:56:19

No.

00:56:21

It's real bad.

00:56:21

>> Instead of you suffering harm, you just like push her essentially out the window.

00:56:29

And she goes screaming into the Rose Bush.

00:56:33

Were you able to take her mask?

00:56:35

Did you decide if you're taking her mask?

00:56:36

>> He was supposed to.

00:56:38

He was supposed to.

00:56:39

>> I looked at her and I go, well, your turn.

00:56:43

Grab her mask off and give her a good push out the window.

00:56:45

>> You only this where you're going, right in the Rose Bush.

00:56:48

>> But if this is a failure of a push, I like fall over as I'm pushing her.

00:56:53

Like it's like, it's like if like, it's like if Kramer pushed somebody out of a window.

00:56:56

>> Yeah.

00:56:57

So here's what your complications going to be.

00:57:01

The guards have seen this and they are absolutely no longer convinced by your bullshit anymore.

00:57:08

They've watched this shenanigan go on long enough.

00:57:11

They saw you push.

00:57:12

They saw you all attempt to gang rush her and push her out the window.

00:57:17

They saw chuckles go in head first over the window.

00:57:20

They just saw you just biff her out.

00:57:22

Guards absolutely do not believe anything.

00:57:26

>> All right.

00:57:28

>> You're about to say.

00:57:28

>> It's time for the explosions.

00:57:30

>> I say I throw the mask I have in my hand right at whoever doesn't have one.

00:57:35

Hey catch and then juggles.

00:57:38

It's time for some spottables.

00:57:40

>> All right.

00:57:42

>> Should we take a break, let Andy get back to this and everyone can go get a drink.

00:57:48

>> Yeah.

00:57:48

[MUSIC]

00:57:57

>> Oh, she threw 4D D2s.

00:58:01

>> 4D2s.

00:58:04

>> Yeah.

00:58:05

If you double click the D2, it'll tell you what the answer was.

00:58:10

You can see there are three twos and one one, which means.

00:58:15

>> These are really good or really bad.

00:58:19

Did you convince Lady High Hill to take her mask off?

00:58:22

>> Thankfully, Boo remembers to take her mask off after he was reminded that that was what he

00:58:31

was supposed to have done.

00:58:32

And he ripped it off of her face.

00:58:34

>> And then he tucked her out the window.

00:58:35

>> Oh yeah.

00:58:36

Yeah, he just pushed her and she flipped over and hit her head on the side of the building.

00:58:42

Fell into the roast.

00:58:45

>> Mask over tea kettle.

00:58:47

>> It was ungraceful and now we're both bloody.

00:58:53

It's not a good way.

00:58:54

>> Did she lay it on top of you?

00:58:57

>> Indetermined at this point.

00:58:59

All I know is I'm out of time.

00:59:01

>> So you just want me and Patches to take these guys on?

00:59:09

>> When you say it that way, it makes me sound cowardly, but I feel like I was being really brave.

00:59:15

>> You were a real Mac right then.

00:59:20

>> Real Mac.

00:59:21

I told you, hey, I got us out of that jam.

00:59:24

You've got the masks on the guards now and I am covered in blood and thistles.

00:59:29

>> Yeah, and we might be covered in more than blood when we got a fight.

00:59:34

Possibly five of these guys.

00:59:39

>> They're all going to explode.

00:59:41

>> Well, one's going to do something different.

00:59:47

>> And that's the one we punch.

00:59:51

>> I'm just going to have you roll a quick tinker throw for me if you don't mind.

00:59:56

>> Juckles?

00:59:57

>> Yes, chuggles.

00:59:59

>> I talked with a wrong tinker.

01:00:01

>> Just standard, nothing fancy.

01:00:25

Partial.

01:00:26

>> Can't hear you.

01:00:32

>> Can you hear me now?

01:00:35

>> Yes.

01:00:35

>> Okay, sorry.

01:00:37

All right, yeah, so just to recap, yes.

01:00:41

Chuggles went over the...

01:00:43

Chuggles went over the window into the rose bush.

01:00:55

And then moments later, he had Lady High Hill just again land straight on top of him.

01:01:02

Because it was such a bad roll of a failure.

01:01:07

Chuggles, I'm going to have you take, yeah, level two love concussion, perfect.

01:01:11

Because you are, this is the second time this woman has landed on you.

01:01:18

But this time you were not at all prepared for it.

01:01:20

And she hits you hard.

01:01:22

You do get a little bit of a concussion, but she's fine.

01:01:26

And her love for you grows day by day.

01:01:28

So I figured out the mask situation, or is that what you're going to do now?

01:01:38

You're going to make these masks explode?

01:01:40

>> Yeah.

01:01:40

>> Okay, so as a reminder, Captain Squish, you are in a room with five armed guards.

01:01:49

Four of them are attending to the crate.

01:01:52

They have one hand on the crate.

01:01:54

All four of them are wearing masks.

01:01:57

One of them is holding the mask that Lady High Hill just tossed them, or tossed you.

01:02:01

You tossed it to him.

01:02:02

So let me know what do you do next?

01:02:06

>> That's going to be a exploding juggles.

01:02:09

>> Oh, so you're going to radio down to me?

01:02:11

>> Yeah.

01:02:13

Juggles, explode.

01:02:16

>> All right.

01:02:17

I pull out my, yeah, I hear that coming from my pocket.

01:02:21

And yeah, I'm a little slow because I'm, can cost.

01:02:26

And I pull out my radio and I push the button.

01:02:30

>> When he pushes the button, three of the men wearing the mask,

01:02:38

so three of the people holding the crate, their masks explode.

01:02:42

>> Okay.

01:02:45

>> It's a pretty sizable damage.

01:02:47

These are pretty strong guards, but you have done some significant damage to them.

01:02:52

So I'm going to just move the, thank you.

01:02:55

Do you see these clocks on the sides of the screen?

01:03:01

Perfect.

01:03:01

So your explosion is they are, these are like level, or they have six, I should say.

01:03:07

Explox, oops.

01:03:15

So of the three wearing explosions, they are immediately like not to the ground.

01:03:20

They're just between a mixture of the explosions in their face,

01:03:26

they're concussed, they drop the chest, they drop to the ground.

01:03:29

They're not completely dead, but they have been severely immobilized.

01:03:34

The other two see what has happened and they look at you and their swords are already drawn,

01:03:42

but now they've come into attack.

01:03:44

They go to attack both you, one takes captain, one takes squish.

01:03:49

What are you two doing?

01:03:51

>> I'm going to shoot him.

01:03:53

>> Awesome.

01:03:54

>> I got a gun.

01:03:55

>> Yeah.

01:03:58

>> You might have helped me out, but.

01:04:00

>> Bush always has a gun.

01:04:01

>> Yeah, go ahead and roll your, roll your, well, what kind of gun are you using?

01:04:08

Describe it a little bit.

01:04:10

It's going to be that rifle at first.

01:04:12

While he's coming in to like charge in, I'm going to use the rifle

01:04:15

that Juckles tinkered for me.

01:04:19

>> All right, it all comes back to Juckles.

01:04:23

I don't never forget that.

01:04:24

>> Yeah.

01:04:24

>> Chuck Daddy.

01:04:26

>> Chuck Daddy.

01:04:27

>> I shoot him.

01:04:35

>> You, you.

01:04:40

It's one of the guards and point blank just immediately goes down.

01:04:44

So take care of this guy.

01:04:47

Oops.

01:04:48

What's he doing over here, Mr.

01:04:51

The other one that closes into you and he has his own sword.

01:04:57

While you shoot him, he is going to go and try to like.

01:04:59

Slice and hit at you.

01:05:02

Let's see your right here.

01:05:06

>> Do I have a dodge?

01:05:08

>> I don't think so.

01:05:09

>> You have a finesse though.

01:05:12

You could probably like use that to dodge.

01:05:13

If you would prefer.

01:05:15

>> You know who did have dodge?

01:05:16

>> Dodge.

01:05:18

>> Sorry.

01:05:19

>> Maybe that's what I'm thinking of.

01:05:22

Yeah, I thought there was something I had where I could dodge, but.

01:05:27

No, no, I'm not going to dodge.

01:05:31

I'm not, I can't really afford much more stress.

01:05:34

>> Okay.

01:05:36

He swings.

01:05:38

Well, Patches, what about you before this other one attacks?

01:05:41

What are you doing?

01:05:42

>> Where is Hotman at?

01:05:49

>> Hotman's on the other side of the building.

01:05:52

>> All right, I'm quickly glancing around for him and I am looking for someplace to hide.

01:05:58

How many guys are in front of me and which ones are about to attack me?

01:06:07

>> What is laying down dead?

01:06:08

Three of the guys are, well, severely incapacitated.

01:06:15

They had an explosion mask on their face.

01:06:18

One guy is heading towards Squish because he's obviously seen him shoot.

01:06:22

There are other guards on this floor and they are responding to the explosion and the gunfire.

01:06:30

>> Okay, can I use my hook chain thingy?

01:06:35

Like I didn't normally use for Ghost, but I used it as like a lasso and catch the guy

01:06:39

that was going after Squish.

01:06:40

>> Yeah.

01:06:42

>> All right then.

01:06:44

>> What's the thing called?

01:06:45

>> All right, roll your thing.

01:06:47

>> Yeah, electro hook.

01:06:49

I'm going to electro hook that bitch.

01:06:51

>> A lightning hook.

01:06:52

>> That's cool.

01:06:54

>> That's even better.

01:06:55

>> Yeah, roll your finesse.

01:06:58

>> That's the fuck of this guy.

01:07:01

>> Partial success.

01:07:07

>> Imagine- >> So the guy that's running,

01:07:09

yeah, you managed to like, I think grab his leg and kind of trip him up a little bit so he stumbles.

01:07:18

So he's not able to take his sword and like immediately like hit Squish.

01:07:22

He kind of, you just like, do you see what I'm saying?

01:07:25

He like, catch him on the leg with your hook, kind of pull his leg forward and he stumbles.

01:07:29

So he's not able to hit Squish right away.

01:07:33

One of the car, couple of the guards are, they pulled their mask off of them.

01:07:38

You can see that they're very badly burned underneath.

01:07:41

Like their skin is just completely like red and scalding and it smells and there's like

01:07:46

the bad smell of bad air.

01:07:48

These guys are demons, so they are a little bit tougher than like an average human.

01:07:54

One of them is getting to their feet and they're stumbling towards you patches.

01:07:59

>> No, no.

01:08:00

Go away, shoo, shoo, what do I do?

01:08:06

Is he coming at me fast?

01:08:12

>> No, he's definitely heading towards you, but he is again, very badly burned.

01:08:19

So he's in a lot of pain.

01:08:22

>> All right, well, I'm gonna just casually like get out of his way.

01:08:27

>> Just side step in?

01:08:32

>> Yeah, side step him, but I imagine he's so fucked up,

01:08:34

he's not gonna even try to touch me because he's all burnt.

01:08:38

>> Okay, yeah, I guess that's another finesse to see you side step that guy.

01:08:45

>> Side step.

01:08:46

>> Sashay.

01:08:51

Like I got my hands in the air like he's like covered in germs like whoa, whoa, whoa, whoa,

01:08:55

and he like wonders right by me. >> Yeah, you side step him and he stumbles

01:09:03

to the ground in pain as you side step him.

01:09:08

Squish, the guard that stumbled is now back to his feet and he is also heading for you.

01:09:15

These other two guards are splitting up, one is gonna head towards Squish,

01:09:18

one is gonna head towards Captain. These two guards are though are the ones that are also very

01:09:22

badly burned. >> Well, I got one that's not burnt though, right?

01:09:27

>> Right, right, so what was able was stumbled was not badly burned,

01:09:32

but the other badly burned one is also heading towards your direction.

01:09:36

>> All right, well, I'm gonna pull out the, let me see what's my,

01:09:45

I guess I'm just gonna pull out a pistol and shoot at him.

01:09:47

>> Okay. >> So I start blasting.

01:09:51

>> At the burnt one. >> At the burnt ones.

01:09:56

>> Yeah, yeah, shoot that, shoot that burnt boy.

01:10:00

>> Oh, God. >> You miss and the non-burnt one

01:10:12

tries to tackle you to the ground. He just like rushes towards you and goes to tackle you.

01:10:17

>> Squish, look out. >> Said that I get tackled.

01:10:22

>> As you get tackled, also Captain Patches,

01:10:26

as you scream that you are also tackled to the ground by these two men.

01:10:28

>> Me, look out. >> Junkals, how are you saying that on the radio?

01:10:37

>> I'm screaming it. >> You're right here, where are you?

01:10:41

>> I'm in the, >> He's out the window.

01:10:43

>> You threw me out the window. >> I forgot.

01:10:50

>> Yeah, so from on the ground while you're trying to recover, you have heard

01:10:57

screaming, clattering, gunshots, and so has the rest of the guards in this area. Also, the house is

01:11:05

on fire, so the outside of the house is just a buzz of activity. Let's just go there very quickly.

01:11:12

Oops. We're right back where we started over here.

01:11:20

Yeah, so her bedroom's more towards the front of the house. So you can see out of the front door,

01:11:26

there are people like streaming out of the house. They're a little panicky, but they're also a little

01:11:31

drunk, so everyone's bringing their drinks with them, and they're kind of stumbling around and

01:11:36

milling. But as they leave the house, they can see the flames better now, because now they can

01:11:41

actually see the exterior of the house, that's a fire. And there are tons of people rocking around

01:11:47

you. People don't seem to have noticed that you have fallen out of the window. You're just kind of

01:11:52

caught up in the swell and push of people. I stumble up and I said, oh, God. Oh, God. And Lady

01:12:04

High Hill's going to look at the house and just be like, oh, my God, my father, my dad. Oh, God.

01:12:11

And I run into the flames. All right. Wow. Have you run into the flames?

01:12:22

Yes. Oh, the road is safe. Oh, the high hill. I'm looking. I'm looking. I'm looking for the

01:12:31

red captain. What? What about the gray captain? You're upstairs and you're in distress. You're

01:12:39

not going to be able to help you. If you could help you, you wouldn't need me.

01:12:42

You're right. I definitely. But we do need you. So you should help us.

01:12:51

You, you run. Are you going on about pushing people out of the way? Like George Costanza

01:12:56

looking for. Yeah. You run into this ballroom as people are trying to like push their way out.

01:13:01

Smoke has filtered down to the main floor now and it's starting to get hazy.

01:13:05

You just see a bunch of people kind of just running all over the place.

01:13:09

This is the last spot. Well, you actually, I don't think you saw the Lord High Hill down here. That

01:13:16

was the other two, but this is where everyone is kind of trying to either they're trying to push

01:13:21

out. You're trying to push in. It's chaos. All right. Can I survey to see if I can see the red

01:13:28

captain? I guess I always think the red captain is big, but he's not going to be a big compared to

01:13:32

a bunch of demons. No, but he is one of the few humans here. So yeah, you can survey to see if

01:13:39

you find him.

01:13:50

You see the red captain. He's kind of in the back of the of the of the room,

01:14:08

but he is, he has spotted you and he is glaring at you. He's just standing there like as the crowd

01:14:15

were like, yeah, he's pissed and he's just like larger than life at this point glaring at you as

01:14:23

you come in. Oh boy. I was running to him and then I saw that he was glaring and I'm starting to back

01:14:28

up at all. Maybe this wasn't a good idea. Are you backing out of the room? No, I well,

01:14:38

I am backing like out of the room, but I don't think that I have like time because I imagine

01:14:46

he's going to be he's going to have a purpose after he sees me. So I don't think I'm not going to be

01:14:50

trying to get away just narratively, I guess. Oh, he's he's pissed. Okay. Yeah. So he starts

01:14:56

striding over to you and he grabs your arm and he shakes you and he goes, well, have you done?

01:15:02

Well, you see, we started a fire.

01:15:08

You started a fire. This was supposed to be easy in and out fun little game and you started a fire.

01:15:17

Tactically, we didn't start the fire. It's it's always been burning since the world's been turning,

01:15:26

but in a real sense, hotman started the fire and it was the great captain, not me. I told him not

01:15:32

to do it or I would have a fire there, but he didn't ask me. Wow. There's that bus and here's me

01:15:39

being thrown right underneath. You're not here. But yes, I'm throwing you under the bus.

01:15:45

Yes.

01:15:47

The captain kind of sputters. He's like, the great catches. This is painful. Where is he?

01:15:56

Well, funny you mentioned that I was looking for you. Actually, I was going to save you.

01:16:01

I was here. I'm here to rescue you actually. So I feel like I should get some credit for that.

01:16:06

Listen, when I'm finished, you guys are the Floyd's are going to be the one who need wrestling

01:16:13

rescuing. Yes. Yes. No, we need we need rescuing. Well, I don't need rescue rescuing. I was fine.

01:16:18

I probably should have just left all this behind, but my stupid conscious. Yes, he's upstairs and

01:16:27

yeah, he could use a little bit of help, at least judging by his girlish screams earlier.

01:16:31

The captain storms away. You also chuckles after the captain storms away. You do see

01:16:42

Lord Highhill. He's cowering underneath the table like this front table here. Okay.

01:16:47

But I see him. He's got his hands up to his ear. You do see him mostly because he has his hands

01:16:53

up to his ears and he's just like, oh, the noise. I don't know what bed we ordered, but this is just

01:17:00

dreadful. I peek my head under and I say, Hey, buddy.

01:17:09

Been going. You guys are doing pretty good. I feel like you're reacting very well to this fire.

01:17:15

Well, you know what they say when there's a fire duck. No, no one says that.

01:17:21

But they say when there's a fire, juke. That's me. It's sort of for juggles.

01:17:27

I'm here to save you, sir. Oh, we lost you.

01:17:36

It leads you to save my daughter. Where is she? That brings me to my next point. I'm here to save

01:17:40

you and also ask you for your daughter's hand in marriage. Well, well, one thing at a time,

01:17:48

I suppose. Well, let's get out of here first and we'll ponder the second question in just a moment.

01:17:54

No, I feel like the second question is contingent on the first. Wait, no, strike that reverse it.

01:18:01

I'm threatening you. No, I'm not threatening you. I am offering you salvation. I would save you

01:18:07

if I can marry your daughter.

01:18:11

Yeah. I don't really believe in the whole, you know, controlling my daughter thing,

01:18:18

but yeah, sure. If she gives you the go ahead, that's fine. I really like to get out from under

01:18:22

this table. I was just testing you and you passed. Now let's go. You little green goblin man.

01:18:30

Yeah. Well, how do you how do you lead him out of the ball?

01:18:33

Is he still wearing that hat? The chef hat? He is. He is. Oh, cool. I don't know. I just wanted to know.

01:18:40

I was going to say I was going to pick him up, like throw him over my shoulder,

01:18:45

like a continental soldier, but I realized he's probably roughly the same size as me.

01:18:52

He is. You could like do a fireman's carry if that's what you were interested in.

01:19:00

Um, maybe I'll just throw my hand around. I'm like a drunk man's carry.

01:19:04

Okay. Uh, yeah. So you kind of like lead him with your arm underneath his like his.

01:19:12

Yeah. Just so that he feels like he's doing half of the saving of himself.

01:19:16

Yeah. And he's pretty tipsy too. So I think he told the goes along with it.

01:19:24

He, uh, he kind of like he's giggling as you're leading him because in his head,

01:19:29

this is all just like part of the party. Um, he's, you know, you know, he's, he's a fool.

01:19:36

He thinks it's a drill. Yeah. Yeah. He's convinced this is a fire drill.

01:19:41

You lead him out to the exterior of the house. While you do that, back upstairs.

01:19:52

I am inhaling quite a bit of smoke, by the way. Yes.

01:19:56

Because I'm a took my mask. The house is very smoky. Yes.

01:19:59

All right. Am I being, am I being told by this guy?

01:20:05

Yeah. So these, uh, captain, you were being just so we're clear. You're being attacked by

01:20:12

two men who have been badly burned. Um, and one that you cites up and fell over. But, uh,

01:20:19

yeah, you both are kind of like dealing with two attackers at once and they have you on the ground.

01:20:24

I would like to, uh, not kick him. The guy who's on top of me.

01:20:29

Okay. A little spin on a classic.

01:20:32

Yeah. You know, you know, I'm being, I'm being wrecked right now. I need to wreck him. So is I

01:20:37

rock right? Yep. Rack. Oh, I missed. Oh, he missed and kicked yourself in the nuts. That's not how it happened.

01:20:49

Is it? Is it? You do try to go and kick this guy in, in the nuts, but he's able to give,

01:20:56

like, block it and kind of like shoves your knee back into your chest. So I'm going to say you're

01:21:02

going to take one damage, uh, winded. Oh my God.

01:21:06

Gwys, how about you? Well, I'm being, because the burnt guys tackled me, right?

01:21:24

Yes. You are being attacked by a burnt man and one man who, uh, is not,

01:21:29

who just stumbled a little, so they're not. All right. Yeah. Yeah. The, the burnt man is like

01:21:36

tackled me. I still got the pistol in my hand. I would like to shoot the guy that's standing on,

01:21:41

on burnt one. Sure.

01:21:44

I shoot him. You shoot him.

01:21:56

Uh, preferably right in the heart. Yeah. No, you get him good. Uh, there's, I'm going to say

01:22:05

shooting is not something that most people are going to, going to survive. Uh, so you, you shoot

01:22:10

him good. Uh, he goes down, but you still are dealing with like the one guy that's kind of

01:22:14

grappling with you. He's trying to throw in some punches. Uh, captain, there are patches.

01:22:20

Uh, I'm on the ground being tussled by a man. Uh,

01:22:26

don't do it. Don't do it. Don't do it. It's done.

01:22:47

I, uh, call Nelix to pull him off me. Can I, can I call Nelix to be a woman again?

01:22:51

Oh, no, this time I need him to save me. Going back to, going back to the well.

01:23:00

I call, I command them.

01:23:12

You have it. So you just yelling save me. Yeah. Nelix, get out here and save me for, oh my god.

01:23:18

Now I just want to remember, uh, what Nelix looked like the last time you, you summoned him.

01:23:26

Uh, just so we're, you know, hold on. Let me, where is he?

01:23:30

No, he looks like, he looks like Scrooge McDuck's valid. Yes. Yes. Covered in Mary Antoinette costume.

01:23:38

Yes. Uh, so, uh, yeah. So the last time you called Nelix, uh, you had him dress up like a woman to try to, uh,

01:23:46

get the attention of the guards. Um, and so you suddenly, uh, you, you command, you shout out,

01:23:54

Nelix, I need your help. And like the door to the her bedroom just like, for the, like a cold wind

01:24:03

opened and flying in is Nelix still in his Marie Antoinette costume. So the big hair,

01:24:09

the big bushy ball ground, but he has on his face like pure demonic energy. Uh, and he takes the guy

01:24:18

that's nearest to you or on top of you and picks him and just like throws him against the wall,

01:24:23

kind of like a poltergeist situation where just, uh, so you are able to, uh, this one guy I'm gonna,

01:24:31

is no longer going to be on top of you. Uh, whoops. It's going to take an extra,

01:24:38

extra strain as he hits the wall. Yeah. Nelix. Would you believe, would you believe that they

01:24:45

have sexy Mary Antoinette costumes? Yes. You look beautiful right now, by the way.

01:24:55

You beautiful son of a bitch. Nelix, you pull off a Mary Antoinette like I would never have imagined.

01:25:02

What do you guys want me to do with my Nelix?

01:25:08

Where did my Nelix go? Oh well, off to make a new one.

01:25:21

I don't know. My Nelix, uh, my, my band Nelix has disappeared. I was throwing a ghost.

01:25:26

There's the Nelix. Uh, so, uh, patches, you're now able to stand up.

01:25:33

Squish, uh, you still have one guard that is, uh, coming near you. Uh, there is also patches one

01:25:39

that is, uh, within striking distance of you. You both have one guy now.

01:25:44

Well, my guy was on top of me. Yes. Yes. He's on top of you.

01:25:51

Tussling you, as it were.

01:25:54

Um, I guess I'm just going to try to punch him in the face.

01:25:58

Well, pistol whipping, actually. Sure. Okay. Uh, that's going to be a skirmish.

01:26:05

Well, this is not going to go well. I guess I'll push myself. Maybe it will. You ever know. All right.

01:26:15

It didn't. Instead of pistol whipping you, he's able to get a really good punch in, punch in.

01:26:24

So your defense right now, hold on. Let's pull that up.

01:26:27

Your abilities. I have tough as nails. Yeah.

01:26:36

So I'm going to have you just take one strice because he's able to get you pretty well dubbed.

01:26:44

But you're able to kind of withstand the punch and you're just going to get a bloody nose.

01:26:48

I can't take any more stress. No, no, it's just going to be one harm. Oh, one harm. Yeah.

01:26:57

What a surprise. You can't take any more stress.

01:27:02

He's really afraid after tonight. So was that a level two harm that it got knocked down to one

01:27:11

level one? Yeah. Yeah. All right. Patches. You're on your feet. Where's the harp at?

01:27:23

The large chest is in the center of the room. Can I grab it with Nelix and like jump out the window?

01:27:31

You'd have to command Nelix to grab the chest. All right. How desperate is Squish right now?

01:27:37

Should I try to save him? No, leave him. Leave him for dead. He'll be fine.

01:27:40

You should ask yourself. Squish, how desperate is your situation?

01:27:45

Pretty. All right. I run up and kick the guy in the face.

01:27:49

Okay. I ran his burnt up face. The horribly burned man. I can't kick him.

01:27:58

Kick him where it really hurts. I imagine I kick him in the face and fall over.

01:28:06

Yeah. So you kick him. You go to like really Mollie Wampum, you know, really kick him,

01:28:11

but you kind of fumble it at the last minute and you just succeed in knocking him over.

01:28:16

I'll be honest. Every time I do a partial success of like anything like physical,

01:28:22

I imagine it's like Kramer achieving something, but like then falling over.

01:28:31

So one guy is in battle with Nelix. One guy has, well, the one that you,

01:28:40

so the guy that you punched was the one that was on top of Squish, right?

01:28:43

Yeah. Okay. He's gonna get off of Squish. You still have one guy who, realizing now that the

01:28:52

other two are kind of in more danger than him, he is guarding the chest. He's just standing in

01:28:57

front of it. He's got his sword out. He's badly burned, pretty beaten up, but he is still standing

01:29:05

by the chest. Can I summon Hotman at all? Hotman's here. Hotman's already been summoned.

01:29:12

What? No, I know, but can I, wherever he's at, can I call him? Is he nearby? Is he far away?

01:29:18

You could have tuned to him and like call him to your position if you wanted to like see where

01:29:23

he is and call him. Let's try that. I like that idea. Because normally he's in a bottle,

01:29:28

but he's not in a bottle right now. He's a genie in a bottle, baby. Oh, no, that's a critical failure.

01:29:37

Yeah. You start on fire.

01:29:40

You turn into Hotman. I like this. So, of course you like it. I'm gonna say we're gonna come up in.

01:29:52

Yeah. So, Katz, you go to a tune, Hotman, but Hotman completely misunderstands what it is you're

01:30:00

trying to say. And he instead starts lighting your room on fire. So, like you can see smoke

01:30:06

starting to build. Before it was on one side of the house, but now the entire top of this floor,

01:30:11

the top floor is being engulfed in flames. So, you see smoke kind of coming in through the door.

01:30:18

It's starting to get really hot in there. And you're aware that you are now on a time crunch,

01:30:24

because this place is about to not only just burn, but structurally is going to fall apart.

01:30:29

Okay. I got another idea. Where's the harp? It's in the chest. Still. Where's the chest? Still in

01:30:36

the chest. It's in the center of the room with one guard in front of it. All right. Can I attack the

01:30:42

guard? Yes. All right. I'm gonna attack the guard. I'm gonna wreck him as hard as I can. I stressed

01:30:47

a little bit. It's worked so far. Wreck him. I failed miserably. Oh. You need to take some harm for

01:30:58

that one. I'm gonna... I bet you're wishing you got thrown out the window right now.

01:31:02

Like a little cabin boy. Did you go to... How did you win to kick him? I went to throw a punch,

01:31:10

and he... Let's just say he dodged and punched me in the face instead. Yeah. He's gonna just like

01:31:16

punch you. I'm gonna give him a good uppercut. So you can go ahead and take one harm uppercut.

01:31:20

So I'm two damaged now? You're two damaged. Okay.

01:31:26

Did you ever see that scene in Indiana Jones, where like the guy pulls out a sword, he started

01:31:35

like swinging around and Indiana just goes, "Well, it shoots him. I'm gonna do the same thing

01:31:42

to the guy standing next to me." With the sword? Like I don't... Yeah. Like I don't want to deal with

01:31:47

this shit. So I just shoot him. Not the one that's guarding the chest, the one that was previously

01:31:52

on top of you, right? The one that you knocked over? Yeah. Yeah. I've been some revenge on him

01:31:56

for tackling me.

01:32:02

You're like, "Nobody makes me bleed my own blood. Nobody!" Nobody!

01:32:09

He's pretty wounded. I'm gonna say you did manage to knock him out. He's gone now.

01:32:17

It's just... He's gone? Do that.

01:32:20

Could I hope he wakes up and his face really hurts him later?

01:32:28

But since it is a partial success, there were other guards on this floor.

01:32:36

They are very aware of what's going on in this room and you can hear them like summoning outside

01:32:43

of the door. It is starting to be on fire so they can't quite like enter, but you can hear that there

01:32:48

are a lot of guards coming from outside. The door's on fire? The whole building is on fire,

01:32:54

but yes, they are at the door trying to get their way in. Can you grab the chest? Yeah.

01:33:02

Yeah, there's a guard in front of it though. All right. Let's see here. Can I have Nelix

01:33:10

like grab him from behind and cover his eyes? I don't know.

01:33:23

Is that how ghosts work? Some ghosts.

01:33:26

He's grappling the other guy, so if you want him to go attack this one by the chest,

01:33:35

you're gonna have to let this second guard go. Do it. Okay. Go ahead and roll your command.

01:33:43

Nelix, sick of him! Oh no.

01:33:50

Oh, I know. I've been having a real poor fucking rolls all this game, man.

01:33:59

You got to finesse and good command. Nelix, despite being a ghost, this guard has suddenly

01:34:07

overtaken him and is like beating him back now. And so you see the two like grappling,

01:34:12

but Nelix is like getting weaker and weaker and he's starting to like fade. He's like,

01:34:17

I'm sorry, sir, but my time out the bottle, it's too much. And he does a dramatic like faint.

01:34:24

And this appears into the mix. Nelix is gonna be out of commission. So there are two guards left.

01:34:34

Wait, hold on. When, I mean, I assumed the red captain was running up to get them.

01:34:39

I was hoping he was gonna help.

01:34:44

Yes. So we'll quickly go back to you down here.

01:34:51

Chuckles, so you have led, oops.

01:34:55

You have led the Lord High Hill out into the lawn. Lady High Hill sees you and she comes over

01:35:03

and she just starts like doting immediately on her father, like kissing the top of his head,

01:35:06

saying, oh my god, so what about you? Oh, this has all been a disaster. This is horrible. I can't

01:35:11

believe everything that this has happened. Chuckles, thank you so much for finding him.

01:35:16

Oh, I can't thank you enough. You're welcome. I've breathed so much smoke.

01:35:23

You breathed too much smoke? Well, where was your mask?

01:35:33

State took it from me. The great captain, that bastard.

01:35:39

You what? Well, come on, come on from the house. You need water. You need air. So she leads you down,

01:35:50

as you see in the picture, the front of the house, because again, this is all like a very

01:35:54

canal water logged area. It's just the shorefront, essentially it's the waterfront. So she leads

01:36:01

you down the steps and starts taking water and kind of like splashing it into your face. So cold.

01:36:07

That water. But refreshing. Thank you.

01:36:15

Oh, yeah, that was really dumb. There's a lot of fire in there.

01:36:29

Tell me the truth. Be honest with me. You're not an insurance inspector, are you?

01:36:34

I can't read, lady.

01:36:35

Okay. I'm not sure what one has to do with the other.

01:36:41

I feel like there's a lot of reading and insurance, but I don't know what insurance is.

01:36:47

So no, I'm not an insurance man.

01:36:55

Tell me the truth. Were you here to steal the harp?

01:36:58

Let's, you know, steal is a loaded term, steal.

01:37:09

Yes, we were here to steal the harp.

01:37:23

But I found you and now I'm in love.

01:37:27

But also my friends are still in there. I mean, my co-workers.

01:37:35

At the insurance agency.

01:37:40

Have you heard them at all while you're out here waiting for me patiently?

01:37:44

I've heard gunfire.

01:37:47

Did you hear any girlish screaming?

01:37:49

Lots of girlish screaming.

01:37:52

Did you hear any low grunts swearing?

01:37:54

Probably no. Yes, probably.

01:37:59

Okay. Yep. Those, they're not doing too good then.

01:38:02

I got, I've got to go back in.

01:38:06

No, listen, you can't go back in there. You need to, you,

01:38:11

this clearly is not going our way. And I don't think there's anything I can do

01:38:18

to stop this harp from either burning or being stolen or whatever it is that you guys plan on

01:38:23

doing. So we can have it?

01:38:24

But can you, can you have it? I don't, I think, I don't think I have a say in it anymore,

01:38:32

whether or not you have it. But listen, that's not what's important.

01:38:36

You have to listen to this.

01:38:37

You cannot let that red captain have the harp.

01:38:42

Oh.

01:38:47

Your boss, head of the insurance agency.

01:38:50

I don't trust him.

01:38:53

Why? What's his deal? You know what? I just met him. He's very nice. He flatters me.

01:38:59

The harp has so much more power than anyone knows. It's, it's cursed. It's a cursed object.

01:39:08

So we should want him to have it because it'll kill him if it's cursed.

01:39:13

Not that, not that kind of curse. It says anyone who hears it falls under its spell

01:39:18

will automatically just, just do whatever whoever wields it says.

01:39:23

Yeah.

01:39:26

I promise I will use this power mostly for good.

01:39:30

You have a supervisor I could talk to.

01:39:35

I've been hailed a lot of smoke.

01:39:42

And you are a good boss.

01:39:43

Also, I got, I leveled to love concussion. I gotta go back and save my friends.

01:39:49

No, no, and she's staggering towards the front door.

01:39:54

She's, she's going to stop you from running inside.

01:39:59

Okay. Just toss me through the window. Just toss me back up through the window.

01:40:03

You're big and strong. Just toss me back up there.

01:40:10

Okay. So, uh, meanwhile upstairs, Squish patches, you are side by side.

01:40:16

There are two guards between you and the chest.

01:40:19

Behind you, uh, the room is full of flame.

01:40:24

And there are guards trying to enter and beat down the door.

01:40:27

Squish, we need to get that chest and we need to get the F out of here.

01:40:33

Yeah. I'm thinking about what if we lower it down to juckles through the window?

01:40:38

I think we just grab it and jump through the window.

01:40:41

This house is on fire. This requires some window like an episode of star skiing hutch.

01:40:49

Just grab it and just launch yourselves through the window and then we'll end on a freeze frame.

01:40:54

In not, in not in character, he's absolutely right.

01:40:59

I'm not there. All right. That's fine with me.

01:41:09

All right. Well,

01:41:12

before you guys, uh, jump out the window, uh, with the harp, which is relatively fragile.

01:41:21

Again, I will repeat it is made out of bone, uh, and delicate wood. Uh, you hear, uh, this

01:41:29

stomping coming off the stairs. Uh, and as you, as it stops to the top, suddenly

01:41:37

it seems like the room goes silent. The fire is not quite as loud.

01:41:41

You don't hear the screaming of the guards anymore. It's kind of this weird pressurized

01:41:48

silence that fills the room. Oh, shit. With a bang, the door is kicked open and through the flames,

01:41:58

you are, you see the illuminated figure of the red captain. His beard, the tips of his beard and

01:42:05

his hair are ablaze. They have caught on fire. Uh, he has in either hand,

01:42:10

a guard from earlier, completely knocked out and he takes them, takes one of them,

01:42:16

trucks it at one guard, takes the other guy, chucks it at the other guard. And he's standing,

01:42:23

towering over you, uh, squish and, and, uh, patches. His eyes are red. He's very angry.

01:42:32

And he looks at the two of you and then he looks at the chest.

01:42:35

Hey, hey captain.

01:42:38

He looks at the two of you and he points the chest. He goes, pick it up. I get the fuck out of here.

01:42:49

I go grab it and, uh, I look at the window. Yeah. I look, I look at fans go,

01:42:57

do you go through with our plan or do we follow the window? God damn it gets good going.

01:43:02

All right. I pick up the other head. All right. And then we just run and we jump out the window

01:43:10

where we threw, uh, we were through chuckles into the rose bush. I was like, yeah, into the

01:43:21

rose, but I don't care where I'm going. I'm getting out the fuck out of this room. This

01:43:23

fucking fucking captain's crazy man. I would like to hold onto the chest after patches jumps through.

01:43:30

Yeah. Hold on because it's the only comfort you have that fucking guys crazy.

01:43:34

Wait, you're tricking him. Yes.

01:43:38

He seems so dead set on jumping out the window. Oh, just so I'm clear on the order of events,

01:43:49

patches. You're just going to jump out the window with the chest.

01:43:53

So are you, it takes two people to carry this thing. So are you jumping out of the chest to get

01:43:57

out of the window together or holding the chest between you? I would like him to go first. Okay.

01:44:03

So he can jump and then I want to try to hold onto the chest so it doesn't go smash into the ground.

01:44:09

Oh, then you're going to jump on the captain.

01:44:13

Well, with the harp, maybe, maybe now.

01:44:20

I was just going to have the scenes getting a little complicated. I was just going to have

01:44:23

the red cap to help me carry it out. Fuck the red cabinet again out of here.

01:44:27

Okay. Yeah. So jump up the window. That's fucking crazy. His fucking face is on fire.

01:44:32

This is going to jump out the window patches. Roll a finesse to see how badly injured you get.

01:44:39

I don't care. This guy's fucking crazy. All right. Do you want to get out of here?

01:44:42

I'm terrified right now. Oh, I'm successful. I land on my feet.

01:44:48

And I get the fuck out of there. I'm like fucking shaggy right now.

01:44:55

We're going to get the fuck out of here. Just jumps, swan dives, perfect landing

01:45:01

out of the burning building. Squish, you're there holding one half of the chest. Now what do you do?

01:45:11

I would look at the red cat and be like, well, you got to help me carry this out of here now.

01:45:16

So the captain strides forward and it seems strange to you,

01:45:23

Squish, but suddenly the captain seems much bigger and taller than he's ever been. He takes the chest

01:45:30

and just one arm lugs it on his arm, like just holds it with one arm. He wraps the other one

01:45:38

around you and he just jumps straight out the window. Can I radio, Squish?

01:45:46

Yes. Squish.

01:45:48

Yes. I just got some key information.

01:45:54

Does it involve the heart? Yes.

01:45:58

Okay. Well, I'm currently falling in the air wrapped up by the red captain who's got the heart

01:46:06

in his other arm. That brings me to my next point. Do not let the red captain have the harp.

01:46:11

It is a little too late for that. You know that window you fell out of? I was thrown out of it.

01:46:17

Thank you. Yeah. That was me just there. Okay.

01:46:22

The captain lands like a cat just on his feet, no issues. He drops you, Squish,

01:46:36

which is strange. You've never been carried like that before.

01:46:39

It was oddly comforting. I know, right? Because I really enjoyed it, actually.

01:46:46

It was terrifying in a comforting way. Yeah.

01:46:50

Patches, what have you done since landing outside? Oh, I'm running back to the ship.

01:46:58

Okay. So he's Scooby doing it back onto the ship.

01:47:04

Exactly. The captain is going to keep the chest on his shoulder. He looks at you, Squish.

01:47:11

Chuffles, have you met up with Squish? Yeah. Well, yeah, I'm walking over there.

01:47:18

Is Lady Highhill, would she be coming with me or is she kind of staying back?

01:47:24

Yeah. She's following with you, seeing where you're going. She's a little concerned about your

01:47:30

level two love concussion. Is that what I think it is?

01:47:37

In character? He has it. What do you think it is? Is that the harp?

01:47:46

Well, it's the chest that contains the harp. Are you sure?

01:47:51

No, we've never actually opened it. Huh. Well, if he has the harp,

01:47:59

it's not good.

01:48:02

Why do you say that? That's what Lady Highhill told me and she knows way more than I do.

01:48:09

And you're just going to believe her? Because you love her now? You're just going to believe

01:48:16

everything she says? Well, she seems to know him more than I do.

01:48:26

How hard did you hit your head? Really? Okay. Well, that might explain some things.

01:48:33

We shouldn't have given him the harp. Good job. Let's not get a bloomin' eye. I agree.

01:48:39

All right. So the captain not even doesn't stop, doesn't look at the two of you.

01:48:49

He is also making a B line for his ship. Squish, where are you going?

01:48:55

I'm following him. Okay. And then Chuckles, are you leaving as well?

01:49:01

Uh, well, I looked at Lady Highhill hoping she'll say something to me.

01:49:09

Yeah. Before Lady Highhill stops you as you follow Squish and she says, "Look, I think we

01:49:18

may have gotten off on the wrong foot. I can tell that you have a real true heart. You know,

01:49:24

you're your real kind soul. It's covered and buried beneath some questionable material,

01:49:29

but I can tell you're a good person." I've never been more flattered and insulted at the same time.

01:49:36

I was speaking to Chuckles. I thought you said Squish.

01:49:41

What? Listen, I'll write to you while you can't write. I'll draw some pictures and hopefully

01:49:52

you'll find them. All right. I'm telling you, really. Give it to the newspaper boys. They seem

01:49:57

to be able to find us. Okay. But look. Good. Sorry. Whatever happens, you really can't let the captain

01:50:11

play that harp. I mean, if he had like a sound system or something, he could control anyone who

01:50:18

hears it and he has a ship. Oh, boy. And he's incredibly powerful. Didn't you make speakers?

01:50:27

Yeah. I made them a whole thing out of... Yeah, I did.

01:50:33

Well, that was... Do you know if they explode or not?

01:50:40

Unlikely. I'm real good. Just not with label it. Right. If you ever come through this way again,

01:50:51

stop by. Please don't burn my house. And I really do hope I'll see you soon, Chuckles.

01:50:59

And she takes your top hat off and she kisses you on the very top of your head and then puts

01:51:06

your top hat back down. Okay. Well, I hope we didn't fuck this up too much.

01:51:11

She kind of turns you and pushes you towards Squish, gives you a quick slap on the bottom

01:51:18

and sends you on your way. I feel like this is not good.

01:51:27

Can I... I'm back in my room in the bathroom. Did you get time first?

01:51:34

Hyper... I got there first and I'm hyperventilating.

01:51:37

He did run pretty hard.

01:51:39

I'm hyperventilating in fear, in fear. And I just like... I'm like in a fetal position,

01:51:45

rocking back and forth. And I cast to go down. Captain Fitch's glide has to go down.

01:51:52

Fucking has to go down. I'm freaked out.

01:51:57

Well, now he has the harp.

01:52:03

Yeah, but he can't even play them ukulele.

01:52:06

She didn't say he had to play a concerto. He just had to play it real loud.

01:52:10

The bones do most of the work.

01:52:12

Oh, she's going back.

01:52:16

Oh, no, I made that part up, but it's... it made sense in the context.

01:52:20

Dead.

01:52:24

Captain Fitch's glide has to go down, guys. He has to go down.

01:52:31

Ah, yeah, but you do seem like a crazy person. You are hyperventilating in a bathroom.

01:52:36

Because that fucking thing was scary. All right, I'm terrified.

01:52:41

That was scary. You didn't see what me and Squish saw.

01:52:43

Oh, you can hear me.

01:52:45

He looked like my uncle.

01:52:48

Skluck?

01:52:48

No, my uncle, not your uncle.

01:52:52

Your conjugal uncle?

01:52:53

No, your conj... not your conjugal uncle.

01:52:57

You have a conjugal uncle? Oh my god, regular uncle.

01:53:00

Dude, out of character, I'm so excited to find more about your family.

01:53:02

Oh, Squish.

01:53:06

Yeah.

01:53:08

Yeah. Yeah, we don't know anything about your family or you.

01:53:11

Right.

01:53:14

Okay.

01:53:17

This is not the time to try to get me to open up.

01:53:21

The walk back to the ship.

01:53:23

He sounds mad.

01:53:24

How do I so mad?

01:53:26

Okay.

01:53:26

You walk back to the ship, you just hear like the distant sounds of sirens.

01:53:31

Just...

01:53:31

Another job well done.

01:53:34

Another mansion burnt.

01:53:56

What is this now? Two mansions?

01:53:58

Two mansions in a dock.

01:53:59

Oh, a warehouse.

01:54:01

Oh, warehouse.

01:54:02

Yeah.

01:54:03

Warehouse, harbor, two mansions.

01:54:05

Oh, an island.

01:54:08

An island?

01:54:09

We burnt a ship.

01:54:11

What ship did we burn?

01:54:12

The lady, the one where Tawny used to work.

01:54:15

Oh, yeah.

01:54:17

Tawny?

01:54:18

Yeah, yeah, Dawn's hammer.

01:54:19

Dawn's hammer, yeah.

01:54:21

I feel like that's just kind of like how things end.

01:54:25

Well, we're finished here.

01:54:26

Let's burn it down.

01:54:26

Yeah. Well, I don't see any way out of here.

01:54:30

Also, I have a fire demon.

01:54:33

Yeah.

01:54:34

You gave us a fire demon.

01:54:35

We didn't ask for the fire demon.

01:54:37

You're just like, hey, here's a fire demon.

01:54:38

Hey, here's a flame thrower.

01:54:39

You expect us not to use it?

01:54:41

Here's a flame thrower.

01:54:42

Don't ever use it.

01:54:42

Yeah.

01:54:44

Check off fire demon.

Shoot that Burnt Boy