Small Little Goblin Person

Season 5, Episode 28
October 27, 2024

00:00:00
Hail the Jump Fork boys, in the night they roam,

00:00:04
Sows and wolves with fire and cruel.

00:00:07
With a clash and a crash and a twist of bait,

00:00:11
Explosions mark the hours never leave.

00:00:14
Alright, well, welcome back everybody.

00:00:17
Let me just jump right into it.

00:00:19
Hi, how's Gazette? Now on Mondays.

00:00:22
Leaving the Isle of Sampere, Sampere,

00:00:27
the captain offered another stop.

00:00:29
They came to the island of High Hill,

00:00:31
a titaro settlement filled with demons,

00:00:33
both rich and poor.

00:00:34
Squish worked at a restaurant

00:00:35
and learned the recipe to gugum pork.

00:00:38
Chuckles and patches sailed to Deepwater Bar,

00:00:40
where they met a familiar face, Tawny,

00:00:42
their former intern.

00:00:43
Using the name Harold Sack,

00:00:45
the two managed to pull a prank so embarrassing

00:00:49
that Tawny immediately lost his job.

00:00:51
They then offered Tommy his old job back,

00:00:53
which he took with minor stipulations.

00:00:54
The captain then suggested they crash a party

00:00:58
at High House home to the governor of the island

00:01:00
and steal their treasure

00:01:01
and generally be a nuisance to the rich.

00:01:02
He was particularly interested in the Black Harp.

00:01:04
However, the three were unprepared

00:01:06
and had no plan at all.

00:01:07
The three ended up being captured individually

00:01:09
and taken to the kitchens to be dealt with.

00:01:11
That's when they met Lady High Hill,

00:01:13
daughter of the governor.

00:01:13
She seems to know something about their plan

00:01:15
to steal the harp, friend or foe,

00:01:17
who knows?

00:01:19
When you put it all out like that,

00:01:20
it sounds like we were real idiots.

00:01:22
It seems like you rushed in there

00:01:25
with no planning whatsoever,

00:01:27
which I think was...

00:01:28
To the naked eye.

00:01:29
We followed the red captain.

00:01:32
We thought he knew what he was doing,

00:01:34
but it turned out he didn't.

00:01:35
Make that...

00:01:36
Let that be a lesson to us all.

00:01:38
What lesson is that?

00:01:41
Don't trust the red captain.

00:01:43
Is he a jerk?

00:01:44
Hashtag red captain.

00:01:45
Hashtag red.

00:01:46
Wrong one.

00:01:53
I don't know why your token keeps saying patches.

00:01:58
Hold on.

00:01:58
Let me fix this.

00:01:59
Captain patches works.

00:02:01
Oh, because you have to change the prototype token

00:02:04
in the actor.

00:02:04
Oh, that might be it.

00:02:07
You've got to put in quotation marks.

00:02:11
Why?

00:02:13
Because it's a lie?

00:02:14
Better not be a fucking lie.

00:02:16
You know what?

00:02:21
No.

00:02:22
Okay, cool.

00:02:26
Yeah, so you guys were taken individually

00:02:30
into not the kitchens,

00:02:32
which is where yours is now.

00:02:33
Do you guys see the kitchen?

00:02:34
Yes.

00:02:35
Yes.

00:02:36
You see the kitchen?

00:02:37
Yeah.

00:02:38
Okay, perfect.

00:02:39
You were taken into a small,

00:02:42
like a butler's cabin,

00:02:43
uh,

00:02:44
butler's entrance,

00:02:45
butler's,

00:02:46
what do they call those?

00:02:47
Kitchens?

00:02:47
Basically a very small,

00:02:49
uh,

00:02:49
cabinet,

00:02:50
Ralph,

00:02:51
this,

00:02:51
or cupboard of,

00:02:52
alongside the kitchen.

00:02:54
Country?

00:02:55
Yeah,

00:02:56
that thing too.

00:02:57
And,

00:02:58
uh,

00:02:58
you're taken there individually,

00:02:59
you're all sitting there,

00:03:00
uh,

00:03:01
in a chair,

00:03:01
you know,

00:03:01
in different chairs,

00:03:02
and you have just,

00:03:03
uh,

00:03:04
met,

00:03:05
uh,

00:03:05
the lady of the house.

00:03:07
Let me get her picture up here.

00:03:10
Lady Amoria?

00:03:11
Not Lady Amoria.

00:03:13
Although,

00:03:16
wasn't she fun?

00:03:17
I don't remember.

00:03:19
I feel like we threw her off of the boat we were on.

00:03:22
You did.

00:03:23
Lady High Hill.

00:03:25
I feel like maybe we were mean to her.

00:03:27
You were.

00:03:29
Um,

00:03:29
so this is Lady Highwater.

00:03:32
She has walked into where you guys are sitting,

00:03:34
and she looked at the three of you and said,

00:03:36
so,

00:03:36
you're the ones that are here to steal the Black Harp.

00:03:39
I repeat.

00:03:42
Am I right?

00:03:43
No,

00:03:45
no,

00:03:45
no,

00:03:45
no.

00:03:46
I'm,

00:03:46
I'm here as,

00:03:47
uh,

00:03:48
no,

00:03:48
that's not it at all.

00:03:50
Yeah.

00:03:50
You got it all wrong.

00:03:51
Wait.

00:03:53
We are part of the band.

00:03:55
You're part of the band?

00:03:58
The three of you.

00:04:00
And you,

00:04:02
I just,

00:04:04
I just want to make sure that's the alibi you're going to go with here,

00:04:06
because,

00:04:07
uh,

00:04:07
one of you was caught,

00:04:09
uh,

00:04:10
along the roof of the second floor.

00:04:12
One of you was caught trying to sneak into a sewer.

00:04:15
And I think the other one just kind of rolled in here from behind a bush.

00:04:18
I,

00:04:18
I,

00:04:19
the details are a little fuzzy.

00:04:21
All that could be explained.

00:04:22
Uh,

00:04:22
the one on the roof saw some roofing that needed to get done.

00:04:25
The guy in the bush saw some gardening that got needed to get done.

00:04:28
And the one by the sewer had some pooping that needed to be done.

00:04:31
I thought we were the band.

00:04:32
Oh,

00:04:33
we're the band.

00:04:34
And your instruments?

00:04:36
Uh,

00:04:37
our voices.

00:04:40
Oh,

00:04:41
yes.

00:04:42
Acapella.

00:04:43
An acapella quartet when there's only three of you and I haven't heard any singing.

00:04:49
Yeah.

00:04:50
Why would we sing?

00:04:52
We're in prison.

00:04:53
Yeah.

00:04:54
you better pay me.

00:04:55
I don't sing for free lady.

00:04:57
I'll sing for you.

00:04:59
If you are the band,

00:04:59
you're,

00:05:00
you're in a little bit of trouble.

00:05:01
Another group that we did hire has already shown up.

00:05:05
And,

00:05:05
uh,

00:05:06
I think,

00:05:07
uh,

00:05:07
you're a few hours late at this point.

00:05:09
Uh,

00:05:10
we're the encore band.

00:05:11
Allegedly.

00:05:12
Okay.

00:05:13
Are you trying to seriously convince her that you're the band?

00:05:17
No,

00:05:18
we're not using that dumb excuse again.

00:05:20
I'm just asking this.

00:05:22
Cause if you do,

00:05:23
you guys are going to need to roll some sort of persuasion.

00:05:25
No shit.

00:05:27
No character.

00:05:29
Do you guys,

00:05:29
what do you guys think?

00:05:30
I mean,

00:05:31
I just was spitballing though.

00:05:33
Yeah.

00:05:35
You spitballed for all of us.

00:05:36
There flashback GM flashback.

00:05:39
You're all sitting on the boat.

00:05:41
We're coming up to the Island and you're like,

00:05:42
Hey guys,

00:05:43
if we get caught,

00:05:44
should we go back to our old favorite word with the band?

00:05:46
We're the band.

00:05:47
Um,

00:05:49
the whole flashback.

00:05:50
No,

00:05:51
I forgot about flashback.

00:05:52
We should do the flashback.

00:05:54
But I'm not sure when the flashback would have been.

00:05:56
All I know is that,

00:05:58
uh,

00:05:59
I mean,

00:06:00
flashback or not,

00:06:01
I probably would have done that anyway.

00:06:02
That's a valid point.

00:06:11
I don't believe that you guys are with the band.

00:06:13
I think that you guys are with that captain character over there.

00:06:17
Uh,

00:06:18
the one who offered his services to protect our,

00:06:22
our black harp artifact.

00:06:25
Yes.

00:06:25
They,

00:06:26
that's exactly it.

00:06:27
We do work for that captain.

00:06:29
He is our,

00:06:29
he is our,

00:06:30
uh,

00:06:30
superior officer.

00:06:31
And we are actually trying to,

00:06:33
uh,

00:06:33
check out your security.

00:06:34
I thought that guy was,

00:06:36
we said we were the part of the band because that's part of the,

00:06:40
uh,

00:06:40
security cover.

00:06:41
Oh,

00:06:42
I'm glad we passed that.

00:06:44
Uh,

00:06:44
so what are you done now?

00:06:46
Ben we've,

00:06:47
we've won.

00:06:47
We've,

00:06:48
uh,

00:06:48
we passed with flying colors.

00:06:51
We can get the insurance.

00:06:52
What do you,

00:06:54
what do you think?

00:06:54
You think,

00:06:54
I don't know.

00:06:55
I don't think she believes us.

00:06:57
Don't keep going with it.

00:06:59
Don't,

00:06:59
don't talk like that.

00:07:01
We'll have to,

00:07:02
uh,

00:07:02
yes,

00:07:02
yes.

00:07:02
The sewer system could be,

00:07:04
have some more grates in there and just go with it.

00:07:07
Come on guys.

00:07:07
And the roof,

00:07:08
I mean,

00:07:09
that roof has got way too many,

00:07:11
um,

00:07:11
vantage points,

00:07:12
you know,

00:07:13
for break-ins.

00:07:14
And you're awfully haughty.

00:07:17
Yeah,

00:07:17
exactly.

00:07:17
And you're really hot.

00:07:19
What?

00:07:20
That's not what I said.

00:07:21
She is really sexy.

00:07:23
I mean,

00:07:24
lady,

00:07:25
huh?

00:07:25
I don't know.

00:07:26
She's not really,

00:07:36
uh,

00:07:36
swayed or flattered by what you've just said.

00:07:39
Um,

00:07:40
but so,

00:07:41
and she's very distrusting of you on her end.

00:07:45
The situation's already pretty confusing and she doesn't buy in any to it.

00:07:48
And she's like,

00:07:49
okay,

00:07:49
well,

00:07:49
where are your credentials?

00:07:50
They said you'd be like,

00:07:52
have some sort of credentials.

00:07:53
You're with the insurance agency.

00:07:54
Black or the red captain side.

00:07:59
Yeah.

00:08:00
He'll vouch for us.

00:08:01
Yeah.

00:08:02
Hopefully captain flits.

00:08:03
Cloud.

00:08:03
Yes.

00:08:04
He came to the front desk or to the house and he showed us his certificate,

00:08:09
his,

00:08:10
his credentials.

00:08:11
I know he's been talking to my father about wanting to enhance the security around the Black

00:08:17
Harp.

00:08:18
I know it's full of shit.

00:08:19
And I know the three of you are here to steal that thing.

00:08:22
Allegedly.

00:08:24
We're here to protect it.

00:08:26
Come on.

00:08:28
We're here to.

00:08:30
Listen,

00:08:35
we're all working.

00:08:37
Why don't a bunch of pirates want to steal your harp?

00:08:40
I mean,

00:08:40
honestly,

00:08:41
you got better.

00:08:42
Actually,

00:08:47
why don't we take the time?

00:08:49
We haven't really described.

00:08:50
We obviously know what the captain is wearing patches.

00:08:53
He's wearing his coat inside out.

00:08:56
The famous red frock coat is not a gray frock coat.

00:09:00
What are the rest of you wearing?

00:09:04
Are you still wearing my newspaper boys hat?

00:09:06
Like,

00:09:08
yes,

00:09:09
like all hobos.

00:09:10
Oh,

00:09:12
you're a pirate sound.

00:09:13
Hobos.

00:09:13
You're a hobo.

00:09:14
I knew you were a hobo.

00:09:16
I'm a pirate hobo.

00:09:17
Look who's talking on you.

00:09:18
My home is the sea.

00:09:20
What do you think that means?

00:09:21
I don't know.

00:09:25
Your home.

00:09:25
Your home isn't.

00:09:28
You still have a home.

00:09:32
Well,

00:09:33
next.

00:09:33
It's all mixed.

00:09:34
All right.

00:09:37
What do you go on?

00:09:38
Continue.

00:09:39
I want to,

00:09:40
I think I'm wearing the,

00:09:42
the exact uniform I would wear at that.

00:09:45
Was it the gilded truffle?

00:09:47
Okay.

00:09:50
So like a white.

00:09:51
Yeah.

00:09:53
The gilded plump.

00:09:54
Oh,

00:09:55
I was close.

00:09:56
I think it was golden.

00:09:59
Something like that.

00:10:01
But yeah,

00:10:01
the chef jacket and hat.

00:10:04
Okay.

00:10:05
The hat I wasn't wearing.

00:10:06
It was in my pocket.

00:10:08
But I pulled it out.

00:10:09
When we got thrown in.

00:10:11
To the,

00:10:12
the jail cell.

00:10:14
Pantry.

00:10:14
All right.

00:10:17
And then,

00:10:17
uh,

00:10:18
chuckles.

00:10:19
Are you still in your,

00:10:20
your onion hat?

00:10:22
I don't know why you guys keep calling it that.

00:10:25
Because there's onions in it.

00:10:27
There isn't in yours.

00:10:29
And it's white like an onion.

00:10:33
I feel like it's rude.

00:10:34
But also I don't remember what the pretense was that,

00:10:38
uh,

00:10:38
I was trying to sneak in.

00:10:40
Um,

00:10:42
I don't,

00:10:43
I think you were just trying to sneak in.

00:10:45
I don't even think you had a pretense.

00:10:46
You swam around the island like three times or like a whole time.

00:10:50
And then they caught you.

00:10:50
And then they asked you for your ID.

00:10:53
And you said,

00:10:54
it's in my other pants.

00:10:55
And then they threw you into the pool house.

00:10:57
I do believe you took your pants off at something.

00:10:59
No,

00:10:59
wait,

00:10:59
that was the last session.

00:11:00
I was going to say,

00:11:01
at least he's wearing pants this time.

00:11:03
I tried prowling and I,

00:11:04
I tried prowling and I failed miserably.

00:11:07
Okay.

00:11:09
All right.

00:11:11
So I tried swimming,

00:11:12
but yeah,

00:11:14
I don't really,

00:11:15
I'm think I'm wearing what I always wear,

00:11:20
which is basically a quilt of transients clothes,

00:11:27
basically.

00:11:28
Okay.

00:11:29
So you,

00:11:31
you do look like a hobo.

00:11:32
He's a hobo pirate.

00:11:37
We're proud,

00:11:38
lad.

00:11:38
I look like a thrifty hobo.

00:11:41
Made up of other hobos.

00:11:44
This is a hobo thrift.

00:11:48
You wouldn't understand.

00:11:49
Yeah,

00:11:49
no,

00:11:50
it's really in right now.

00:11:51
Hobo core.

00:11:52
Hobo core.

00:11:54
Hobo.

00:11:54
Hobo.

00:11:55
Hobo chic.

00:11:56
Hobo wave.

00:11:59
Yeah.

00:11:59
So that's cool.

00:12:01
Right.

00:12:01
She looks over the three of you.

00:12:03
She looks over the guy with a coat.

00:12:06
That's clearly inside out.

00:12:07
She looks at squish.

00:12:10
Who's in a white coat with his chef hats on.

00:12:13
And he's looking at triples as well.

00:12:15
Who is just like a pile of different types of clothing.

00:12:18
Um,

00:12:19
I imagine when you move,

00:12:20
it's kind of like pick pen from,

00:12:22
uh,

00:12:23
from peanuts.

00:12:24
I don't like this.

00:12:25
I don't like this idea that I'm dirty.

00:12:27
Okay.

00:12:29
So it's just,

00:12:29
and you're,

00:12:30
am I clean?

00:12:30
No.

00:12:31
Oh,

00:12:32
am I dirty?

00:12:34
Yes.

00:12:34
But please stop bringing it up.

00:12:37
Well,

00:12:38
then stop being dirty.

00:12:39
Exactly.

00:12:40
Dude.

00:12:41
I mean,

00:12:41
I didn't develop your character.

00:12:45
I didn't either.

00:12:48
I feel like I inherited all of this from a series of jokes.

00:12:51
All right.

00:12:55
Then change things.

00:12:59
Change your clothes.

00:13:00
Okay.

00:13:01
I'm wearing leather.

00:13:03
Did you clean up your room?

00:13:04
Yes.

00:13:05
That's what happened.

00:13:06
All right.

00:13:07
I got,

00:13:07
I got,

00:13:08
I got admonished by the red captain.

00:13:10
Uh,

00:13:11
he said something like,

00:13:12
boy,

00:13:12
you better clean up your room.

00:13:13
And so I did.

00:13:15
And I,

00:13:16
I found a new outfit.

00:13:18
Uh,

00:13:19
it's a leather vest,

00:13:20
uh,

00:13:22
with a white shirt,

00:13:23
a bow tie,

00:13:24
and a different color.

00:13:28
color top hat.

00:13:29
It's brass colored.

00:13:32
I'm wearing newsboy pants.

00:13:36
No,

00:13:37
scratch that.

00:13:38
I'm wearing bloomers.

00:13:39
Do adults wear bloomers?

00:13:42
What the heck are bloomers?

00:13:44
I don't know where bloomers are.

00:13:45
Is that a skirt?

00:13:47
I do.

00:13:47
No,

00:13:48
is it?

00:13:48
No,

00:13:48
they're like,

00:13:49
uh,

00:13:49
they're like old time pants.

00:13:51
Cause we're in the old times,

00:13:52
right?

00:13:54
I think bloomers are underwear.

00:13:56
No,

00:13:57
that's,

00:13:58
that's the Australian,

00:13:59
um,

00:14:00
definition.

00:14:01
Victorian bloomers.

00:14:03
Take your underground.

00:14:04
It's to the next level with these pretty lacy little bloomers.

00:14:07
Did you,

00:14:07
what do you typed in?

00:14:08
Victorian?

00:14:09
Like,

00:14:09
yeah,

00:14:11
that's the first thing I typed in was Victorian bloomers.

00:14:14
I typed in the word bloomers.

00:14:17
First is booming onions.

00:14:19
Now it's bloomers.

00:14:20
These are sexy.

00:14:21
Uh,

00:14:22
are they,

00:14:25
is it exclusively for women bloomers?

00:14:27
All right.

00:14:29
I'm thinking of something else then.

00:14:31
All right.

00:14:34
Let's scratch this.

00:14:34
This is a bad idea.

00:14:36
Why are you talking to me?

00:14:38
Skip me.

00:14:40
Let's just say I look,

00:14:41
uh,

00:14:41
better.

00:14:42
That's fine.

00:14:45
That's great.

00:14:46
Fantastic.

00:14:46
I'm glad you spent some time.

00:14:49
Oh,

00:14:49
was that one long flashback by the way?

00:14:51
I'm looking in the mirror,

00:14:54
trying new stuff on and,

00:14:56
uh,

00:14:57
I'm growing increasingly frustrated.

00:14:59
Talking to myself in the mirror.

00:15:01
But yes,

00:15:04
I still like,

00:15:05
I still like the leather,

00:15:06
the leather vest.

00:15:07
It's like a,

00:15:07
yeah,

00:15:07
I mean,

00:15:08
it kind of looks like my avatar,

00:15:09
I guess is what I was thinking.

00:15:10
Except,

00:15:11
um,

00:15:12
like a vest instead of this was like a jacket.

00:15:16
Well,

00:15:17
well,

00:15:17
so,

00:15:18
uh,

00:15:18
lady high hill continues.

00:15:19
She goes,

00:15:19
so what was your,

00:15:20
what was your plan once you got in here?

00:15:22
Were you going to try to like blend in or what's the,

00:15:26
what's,

00:15:27
what was the game plan?

00:15:27
Well,

00:15:29
the plan was not to get discovered.

00:15:31
Also,

00:15:33
we don't have a plan.

00:15:34
We're not,

00:15:36
we don't feel anything.

00:15:37
Still don't know what a harp is.

00:15:42
Yeah.

00:15:42
We don't even know what a harp is.

00:15:43
What is it?

00:15:44
Is it a weapon?

00:15:45
The black harp.

00:15:47
You've never heard of the black harp.

00:15:49
I feel like a lot of people have been trying to tell us.

00:15:52
It could,

00:15:54
it could have been someone had tried telling you what it was earlier.

00:15:57
No,

00:15:58
several,

00:15:58
several times in fact,

00:15:59
but yeah,

00:16:00
I wasn't paying attention.

00:16:03
Also,

00:16:04
I forgot.

00:16:04
It was a famous teacher of an artifact.

00:16:07
it's yeah.

00:16:09
Yeah.

00:16:11
It's you know,

00:16:12
their legend says there's once a great King who had a beautiful daughter who

00:16:16
loved to sing,

00:16:16
yada,

00:16:17
yada.

00:16:17
You've heard this all before.

00:16:18
Yes.

00:16:19
And the harp was as beautiful as your voice,

00:16:22
right?

00:16:22
Familiar.

00:16:23
I thought that they made drums to,

00:16:26
for that.

00:16:28
Oh,

00:16:28
some versions said they say made drums.

00:16:30
Some versions said they made flutes,

00:16:32
but they made a,

00:16:34
that's like the originals,

00:16:35
the black harp.

00:16:36
So they,

00:16:38
you know,

00:16:39
a harp that was so beautiful.

00:16:41
The most beautiful harp that anyone's ever seen.

00:16:44
It was hand carved or Nate.

00:16:47
It was just beautiful.

00:16:48
And the minute that you struck one of the strings,

00:16:50
it just rang out in the most pure,

00:16:52
beautiful note ever was made.

00:16:55
And it's worth a lot of money.

00:16:57
You say it is worth a lot of money.

00:17:01
Probably because it's haunted.

00:17:06
Well,

00:17:06
that's news to me.

00:17:08
Oh,

00:17:10
yeah.

00:17:10
That's like,

00:17:11
that's like the second half of the story,

00:17:13
right?

00:17:13
So they,

00:17:14
they make this beautiful harp and then the King,

00:17:16
he plays and he goes,

00:17:16
Oh,

00:17:17
what a beautiful harp.

00:17:18
He says,

00:17:18
the neck,

00:17:18
the bow so sweetly.

00:17:20
Um,

00:17:21
and the craftsman said it was made from a,

00:17:22
from the lute.

00:17:23
Uh,

00:17:24
and the strings are so soft.

00:17:25
And they said,

00:17:25
Oh,

00:17:26
it was made from the drum.

00:17:27
And they said,

00:17:27
the body of this harbett glitters in gold.

00:17:30
And they said,

00:17:30
it was made from the horn.

00:17:32
And the voice is so fine.

00:17:33
The King says,

00:17:34
plucking away at the strings.

00:17:35
And they say,

00:17:36
Oh,

00:17:36
it was made from your daughter.

00:17:37
Oh,

00:17:40
like bones.

00:17:42
All these instruments are made of the daughter.

00:17:44
Well,

00:17:47
you know,

00:17:47
it's a story.

00:17:48
It's not real.

00:17:48
Well,

00:17:50
does it look like a daughter?

00:17:51
Does it look like a harp?

00:17:52
The front of it is,

00:17:54
you know how like a ship is carved into like the face of a beautiful woman.

00:17:58
This harp,

00:17:59
which is an instrument.

00:18:00
It's a stringed instrument is,

00:18:02
uh,

00:18:02
front of it is carved.

00:18:03
Yeah.

00:18:04
No,

00:18:05
not at all.

00:18:06
Like a ukulele.

00:18:07
Although I suppose they probably play similarly.

00:18:08
Okay.

00:18:11
So can we have it?

00:18:12
Uh,

00:18:12
no,

00:18:13
you absolutely cannot have it.

00:18:15
Um,

00:18:15
I don't even think the captain should have it.

00:18:18
He is clearly up to something.

00:18:20
He just wrote my dad and said,

00:18:22
Hey,

00:18:22
my father.

00:18:23
And he said,

00:18:23
Hey,

00:18:23
uh,

00:18:24
we'd love to improve your security around this,

00:18:28
this harp.

00:18:29
And he signed it that he was from the,

00:18:30
some insurance agency.

00:18:31
And my dad is an idiot.

00:18:33
And he bought into it.

00:18:34
That's a real terrible plan.

00:18:38
How about we stop him?

00:18:39
What will you give us?

00:18:40
If we kill him,

00:18:40
we give us the heart.

00:18:41
You know who?

00:18:43
My father.

00:18:44
Well,

00:18:45
if,

00:18:45
would you pay us for that?

00:18:47
No.

00:18:48
Uh,

00:18:49
then no.

00:18:49
Uh,

00:18:50
no,

00:18:51
not,

00:18:51
that's your father.

00:18:52
Of course not.

00:18:53
The other guy,

00:18:54
the red captain.

00:18:55
You're going to kill him.

00:18:58
You want him dead?

00:18:59
No,

00:19:00
I just want him to go,

00:19:01
leave.

00:19:02
And I want the heart not to be stolen.

00:19:05
But one of you is going to,

00:19:06
I think,

00:19:07
try to do it.

00:19:08
Why?

00:19:09
Yeah,

00:19:11
I feel like,

00:19:11
because you were speaking around.

00:19:13
I was just swimming.

00:19:15
I think.

00:19:17
I was just trying to look at the kitchen and see what was going on.

00:19:22
I was probably.

00:19:23
Good whole innocent probably.

00:19:26
I think I'm just going to leave you guys in here and call,

00:19:32
call the village guard and have them take care of you.

00:19:35
What?

00:19:37
Yeah.

00:19:37
No.

00:19:37
Go ahead.

00:19:38
Oh,

00:19:38
wait,

00:19:39
wait,

00:19:39
wait,

00:19:39
wait,

00:19:40
wait,

00:19:40
wait,

00:19:40
wait,

00:19:40
wait,

00:19:40
hold on.

00:19:40
I'll kill them too.

00:19:41
Relax.

00:19:43
Juckles,

00:19:44
relax.

00:19:45
Get the red captain in here.

00:19:47
He'll vouch for us.

00:19:49
The red captain that I believe is trying to steal this is going to

00:19:53
vouch for you,

00:19:54
who I also believe is going to steal this.

00:19:56
When is he going to vouch that you aren't going to steal it?

00:19:58
Then arrest him.

00:19:59
Then arrest him.

00:20:00
Your father.

00:20:01
bring us your dad.

00:20:03
He sounds really stupid.

00:20:04
He'll believe us.

00:20:05
She disappears.

00:20:11
Uh-oh.

00:20:12
For a moment.

00:20:14
Uh,

00:20:14
when she comes back,

00:20:15
she comes back with this very short,

00:20:19
uh,

00:20:19
compared to her,

00:20:20
she's a relatively tall,

00:20:21
individual woman,

00:20:22
uh,

00:20:23
a shorter demon.

00:20:25
Oh,

00:20:27
well,

00:20:29
hello,

00:20:29
sir.

00:20:29
I love your hat.

00:20:30
Well,

00:20:32
I love your hat.

00:20:33
Thank you.

00:20:34
It's leather.

00:20:35
Leather?

00:20:37
Out of animal skin?

00:20:38
Yeah.

00:20:39
Yeah.

00:20:40
Actually.

00:20:40
Guess what this is made out of?

00:20:42
Human?

00:20:43
Human?

00:20:43
Leather!

00:20:45
From a human?

00:20:47
Well,

00:20:48
yeah.

00:20:48
Oh,

00:20:49
cool.

00:20:49
That's,

00:20:49
I don't think I like it anymore.

00:20:51
Do you want to trade?

00:20:53
Yes.

00:20:55
Yes,

00:20:56
we do.

00:20:56
No.

00:20:57
He hands,

00:20:58
he,

00:20:59
it's a,

00:20:59
it's a costume party.

00:21:00
I,

00:21:01
you have all such wonderful costumes.

00:21:03
I see we have a pirate and,

00:21:05
and a chef and,

00:21:06
and a leather vagabond.

00:21:09
Yarr.

00:21:12
this isn't a,

00:21:13
this is who I am.

00:21:14
Yarr.

00:21:15
Leather vagabond.

00:21:17
I was trying this on.

00:21:18
I thought this was going to be my new look,

00:21:20
but.

00:21:20
You're a leather vagabond.

00:21:22
Just own it.

00:21:22
Well,

00:21:22
you look wonderful.

00:21:23
Are you,

00:21:23
are you all here to attend the party?

00:21:25
Or a lovely costume party?

00:21:27
We're here,

00:21:27
we're here to work.

00:21:28
Your costume party.

00:21:29
You must be from the H&M,

00:21:33
uh,

00:21:34
insurance house.

00:21:35
The brokerage house.

00:21:37
Yeah.

00:21:37
You met,

00:21:38
you met our boss.

00:21:39
Yes,

00:21:40
absolutely.

00:21:41
Clyde.

00:21:41
Fitz Clyde.

00:21:42
Fitz Clyde.

00:21:43
Yeah.

00:21:44
Yeah.

00:21:47
You know,

00:21:48
your daughter was being real uppity earlier.

00:21:50
She's trying to arrest us.

00:21:51
You may have noticed.

00:21:52
Oh,

00:21:53
I'm sure.

00:21:54
She's just,

00:21:54
she's got so much on her head,

00:21:56
so much on her plate.

00:21:57
You know how ladies are with their parties.

00:21:59
Yeah.

00:22:00
Well,

00:22:00
actually it's my party,

00:22:01
but I told her to plan it.

00:22:02
It's going well.

00:22:03
Oh,

00:22:04
so are you wearing a costume?

00:22:05
Well,

00:22:07
yes,

00:22:07
of course.

00:22:08
I'm going as a rich aristocrat.

00:22:10
Oh,

00:22:11
so you're not a rich aristocrat?

00:22:13
You're not rich?

00:22:14
No,

00:22:14
but I'm going as one too.

00:22:15
Huh.

00:22:17
I'm very confused

00:22:20
by your

00:22:21
choice of

00:22:22
costume.

00:22:23
You,

00:22:25
um,

00:22:25
as you're talking to,

00:22:27
uh,

00:22:27
Governor High Hill,

00:22:28
you may have,

00:22:30
or hopefully have noticed that.

00:22:31
Yeah,

00:22:32
this is Governor High Hill.

00:22:33
Uh,

00:22:34
he's not quite a hundred percent here or there.

00:22:37
He's not like completely out of it where he's like,

00:22:42
doesn't know where he is,

00:22:43
but,

00:22:43
uh,

00:22:43
his,

00:22:44
he's a little dumb.

00:22:45
That works in our favor.

00:22:48
And you can tell this by the way,

00:22:50
that lady High Hill,

00:22:51
his daughter is just glaring at him.

00:22:54
She is just fuming.

00:22:55
If she,

00:22:57
she's already red,

00:22:58
but if she could get redder,

00:22:59
she would.

00:23:00
So what,

00:23:05
what do you say?

00:23:05
Grandpa,

00:23:05
you know,

00:23:06
is out of here?

00:23:06
Well,

00:23:08
I don't see any reason why you have to be in here,

00:23:11
except,

00:23:11
well,

00:23:12
my daughter says that you guys are up to something.

00:23:14
No,

00:23:15
we're good friends with your daughter.

00:23:16
I have to trust her.

00:23:17
I'm going to have all of you roll.

00:23:19
Uh,

00:23:19
cause I get the sense you're trying to persuade him.

00:23:23
You're going to,

00:23:23
everyone's going to roll their sway.

00:23:25
And then depending on how that goes,

00:23:26
we'll go from there.

00:23:28
Do you know how it's going to go,

00:23:30
Bridget?

00:23:30
Not well.

00:23:36
Hell yeah.

00:23:42
Oh,

00:23:43
wait,

00:23:43
no.

00:23:43
Oh,

00:23:44
no.

00:23:44
We all failed.

00:23:46
That's not like us.

00:23:47
Usually we roll pretty good.

00:23:49
Wait,

00:23:49
where's,

00:23:49
uh,

00:23:50
where's booze roll?

00:23:51
It's up there.

00:23:54
You got a two.

00:23:55
Patches.

00:23:56
Patches got a two.

00:23:57
Oh,

00:23:57
for some reason,

00:23:58
it didn't show up.

00:23:58
I got a one,

00:23:59
two,

00:23:59
three,

00:24:00
and you got a three.

00:24:01
Yeah.

00:24:02
Yeah.

00:24:02
You did.

00:24:02
You all failed that one.

00:24:03
Uh,

00:24:05
she looks at the three of you and she goes,

00:24:08
I don't believe for a second that you guys are here to protect anything that we're doing.

00:24:14
You don't have to.

00:24:17
Your father does.

00:24:19
Ooh.

00:24:20
Ooh.

00:24:27
So we just have to persuade him.

00:24:30
That's true.

00:24:32
I like that.

00:24:33
Uh,

00:24:35
all right,

00:24:35
let's see.

00:24:36
Is it?

00:24:41
Uh,

00:24:41
I'm going to let,

00:24:42
I'm going to let Andy roll.

00:24:43
Uh,

00:24:44
sorry.

00:24:44
I'm going to let,

00:24:44
uh,

00:24:45
squish roll again.

00:24:46
I'm going to give you a boost for that.

00:24:47
Cause you are playing to his ego.

00:24:49
And I like that.

00:24:51
Come on.

00:24:55
Um,

00:24:56
partial success.

00:24:58
Uh,

00:25:00
the,

00:25:01
the governor just is like,

00:25:03
gives us a little like,

00:25:04
excellent.

00:25:06
What,

00:25:06
what vivacious young men that you are.

00:25:08
I can't wait to have you at our party.

00:25:10
And I expect nothing will go unglad.

00:25:13
And he gives you a little wink,

00:25:14
wink.

00:25:14
Um,

00:25:15
the house is free to do yours with as you wish,

00:25:18
but I do insist just,

00:25:20
just for my own peace of mind.

00:25:22
Uh,

00:25:22
my daughter will accompany you as you,

00:25:24
uh,

00:25:25
perform your duties as you see fit,

00:25:26
just to make sure you don't scuff up the walls or break any furniture or,

00:25:30
you know,

00:25:31
disturb the party too much.

00:25:33
We,

00:25:33
we want to have a good time,

00:25:34
but not too good of a time.

00:25:35
If you understand what I'm saying,

00:25:37
um,

00:25:37
she will come with you.

00:25:39
And then I think,

00:25:40
I think that's it.

00:25:42
You boys enjoy the party.

00:25:43
I'll come back with me to me with your full report.

00:25:46
And I can't wait to hear it.

00:25:47
And he,

00:25:49
uh,

00:25:49
scuttles,

00:25:49
uh,

00:25:50
away.

00:25:50
So,

00:25:51
uh,

00:25:52
yeah.

00:25:52
So lady high hill is going to join you guys on whatever you choose to do next.

00:25:56
Right.

00:25:57
She likes us a lot.

00:25:58
I think.

00:25:59
I know.

00:26:00
Yeah.

00:26:00
Awesome.

00:26:00
It sounds like a romantic comedy.

00:26:03
She's pretty soon.

00:26:04
She's gonna be marrying all three of us,

00:26:05
which reminds me squish.

00:26:08
Yes.

00:26:10
It's me.

00:26:11
Juggles.

00:26:11
Okay.

00:26:14
I can see you.

00:26:15
What if,

00:26:16
what if you just murder her?

00:26:18
She's so hot though.

00:26:21
I'd rather just make her my wife.

00:26:23
Guys,

00:26:24
guys,

00:26:24
guys,

00:26:25
hold on.

00:26:25
Hold on.

00:26:25
Why can't you just murder her?

00:26:27
Guys,

00:26:27
hold on.

00:26:28
I'm scared.

00:26:28
Guys,

00:26:30
I got one thing to say.

00:26:31
Dibs.

00:26:34
I'm murdering her?

00:26:37
Patches.

00:26:38
She will literally eat you.

00:26:40
Yeah,

00:26:42
I'm into that.

00:26:43
What?

00:26:45
What?

00:26:46
Wait,

00:26:49
what did I say?

00:26:49
You're into her eating you?

00:26:53
Um.

00:26:57
Don't look at me like that,

00:27:00
Bridget.

00:27:01
Just want to hear what you want to say.

00:27:04
All right,

00:27:07
what's the plan?

00:27:08
Squish is going to murder her.

00:27:13
murder.

00:27:13
For what?

00:27:14
You should murder her.

00:27:16
Because it would make our lives slightly more convenient.

00:27:19
We're in a party in our own house.

00:27:21
If we murder her,

00:27:22
that sounds like a really bad idea.

00:27:24
Her dad sounds like a psycho.

00:27:26
Sounds like a board game.

00:27:28
Her dad sounds like that.

00:27:31
A board game.

00:27:35
So,

00:27:35
here is the first floor of the house.

00:27:39
All right.

00:27:39
Let me just get you guys in here.

00:27:42
Sorry about this.

00:27:44
Right.

00:27:51
So,

00:27:51
I'm going to move this guard.

00:27:53
So,

00:27:53
I'm going to move this guard.

00:27:53
If you can kind of see.

00:27:54
You guys are back here.

00:27:56
This is where you tried to,

00:27:58
I'm sorry,

00:27:58
you're back here.

00:27:59
This is where you tried to sneak in from the kitchens.

00:28:01
So,

00:28:01
in the upper left-hand corner of the screen,

00:28:04
this is the kitchen.

00:28:05
Through the kitchen down here,

00:28:10
there's this large hallway in the center with the big circle in it.

00:28:13
This is the ballroom.

00:28:17
And then over here are different,

00:28:19
like,

00:28:19
private parts of the house.

00:28:20
This is relatively blocked off.

00:28:22
I mean,

00:28:22
not saying you can't go in here,

00:28:23
but this is things like studies,

00:28:25
storerooms,

00:28:26
offices,

00:28:27
that sort of thing.

00:28:28
There is a staircase at the center of the room here where the,

00:28:33
this big circle thing is.

00:28:34
Is it a spiral staircase?

00:28:36
It is a spiral staircase.

00:28:38
And then just.

00:28:42
No.

00:28:46
Does it have nuts we can punch?

00:28:48
The staircase?

00:28:50
Why is everyone attacking me today?

00:28:53
Why is everybody picking on me?

00:29:01
And then there is an upstairs as well.

00:29:05
So,

00:29:05
we can get up there eventually.

00:29:07
But,

00:29:09
but Lady Highwater walks out of the kitchen,

00:29:11
of the pantry,

00:29:13
into the kitchen.

00:29:15
We can go there very quickly.

00:29:16
Oh,

00:29:18
you're there,

00:29:19
I guess.

00:29:19
This is where you guys were.

00:29:21
It's a full kitchen.

00:29:23
Lots of people bustling in and out.

00:29:26
There are servants.

00:29:26
There are cooks.

00:29:27
There are butlers.

00:29:28
Everyone is just,

00:29:29
it's a hub of activity because this is a party.

00:29:32
So,

00:29:32
there's lots of food and entrees going out.

00:29:35
There are a lot of drinks going out.

00:29:36
It's a real hubbub of activity.

00:29:39
Lady Highwater walks out and she goes,

00:29:43
so,

00:29:44
where will you examine first?

00:29:46
Well,

00:29:49
if our job is to protect

00:29:51
the barf barf,

00:29:53
then we should go see

00:29:55
where the room that it's in.

00:29:59
All right.

00:29:59
If you'll follow me,

00:30:01
she leads you

00:30:03
through

00:30:04
these kitchens.

00:30:05
Do,

00:30:06
do,

00:30:06
do.

00:30:06
It's a nice kitchen you have here.

00:30:10
It is very nice.

00:30:12
Are you hiring?

00:30:12
Are we hiring?

00:30:15
No,

00:30:16
I don't believe so.

00:30:17
I mean,

00:30:17
we hired a bunch of staff

00:30:18
for the party this evening.

00:30:20
There's a lot of strange

00:30:21
people here,

00:30:22
people who could just

00:30:23
slip in

00:30:24
unnoticed.

00:30:25
But,

00:30:27
right,

00:30:29
of course.

00:30:29
don't you work for an insurance company?

00:30:31
Isn't that what we're doing now?

00:30:32
you work for the insurance company.

00:30:35
Yeah.

00:30:35
And squish,

00:30:36
presumably.

00:30:37
Yeah.

00:30:39
But have you ever had

00:30:40
goo gum pork?

00:30:41
I've never had goo gum pork.

00:30:44
That sounds like something

00:30:44
poor people eat.

00:30:45
No,

00:30:47
no,

00:30:47
not the way that I make it.

00:30:50
I make it real fancy.

00:30:54
fancy.

00:30:54
But not for you anymore.

00:30:57
Yep.

00:31:01
So,

00:31:03
up the spiral staircase,

00:31:05
at the very top,

00:31:06
there's this,

00:31:06
like,

00:31:07
tower area

00:31:08
that allows you to kind of

00:31:09
look down

00:31:10
into the party below.

00:31:11
From there,

00:31:12
there's a hallway

00:31:13
out here.

00:31:14
Oh,

00:31:16
here,

00:31:16
out here.

00:31:17
There are private bedrooms

00:31:19
over here

00:31:20
and then another

00:31:21
staircase

00:31:22
up here.

00:31:23
she goes out

00:31:25
of this hallway

00:31:25
where you guys,

00:31:26
again,

00:31:26
you can look down below

00:31:28
at the party below you

00:31:29
and she points

00:31:30
to the other stairway

00:31:32
and she goes,

00:31:32
our vault is up here.

00:31:35
it's currently under

00:31:36
locked guard.

00:31:37
There's a lock,

00:31:37
there's a guard

00:31:39
at the bottom

00:31:40
of the stairs

00:31:40
and then there are guards

00:31:41
within the room

00:31:42
upstairs.

00:31:43
No,

00:31:43
I don't have the key.

00:31:45
I won't be showing you

00:31:46
where it is.

00:31:47
Well,

00:31:49
this,

00:31:49
this looks pretty good.

00:31:50
Mike,

00:31:52
yeah,

00:31:52
you did a good job

00:31:53
locking this up.

00:31:54
I'd say our,

00:31:55
our job is done.

00:31:56
I'm sorry,

00:31:57
where'd you say the key

00:31:57
was again?

00:31:58
I don't have the key.

00:32:00
I didn't say where.

00:32:01
Almost got you.

00:32:02
Yeah,

00:32:03
but where is it?

00:32:04
It's with my father.

00:32:09
It's his house.

00:32:11
It's his artifact.

00:32:12
it's his key.

00:32:13
I've insisted that he puts it

00:32:15
in a lock box in his bedroom

00:32:16
or,

00:32:17
you know,

00:32:18
gives it to one of our

00:32:19
most trusted staff.

00:32:21
But what he's done with it,

00:32:23
I'm not sure.

00:32:24
Knowing him,

00:32:24
it's probably on a necklace

00:32:26
around his neck.

00:32:27
That's smart.

00:32:29
That's good security.

00:32:31
I actually agree with your father.

00:32:34
I'd like to give him a hug.

00:32:36
I'd like to pick him up

00:32:39
and shake him around.

00:32:40
You want to talk

00:32:48
to my father again?

00:32:48
Is that what you're saying?

00:32:50
I,

00:32:51
no,

00:32:52
I just,

00:32:53
I was speaking figuratively.

00:32:54
Oh.

00:32:56
You know,

00:32:57
like he's a real cutie guy.

00:32:59
You just really want to

00:33:00
tussle his hair.

00:33:01
I would like to

00:33:04
throttle him sometimes.

00:33:05
He's,

00:33:06
I know you are all

00:33:08
playing him

00:33:09
and I,

00:33:09
I'm glad you're getting

00:33:10
a real big laugh

00:33:11
out of it,

00:33:11
but he really does

00:33:13
need like long-term care

00:33:15
and better solutions

00:33:16
than I can provide for him

00:33:17
and he's too stubborn

00:33:18
about it.

00:33:19
He thinks he can run

00:33:20
this place,

00:33:20
but he can barely

00:33:21
tie his shoes most days.

00:33:22
I don't think he has

00:33:27
to wear shoes though,

00:33:28
so that crisis

00:33:30
is a verdict.

00:33:33
because he's a goblin?

00:33:34
Because he's a goblin?

00:33:34
Goblins,

00:33:41
sir.

00:33:41
We're,

00:33:42
we're from the finest

00:33:43
families of

00:33:45
teacher-os.

00:33:45
I'm sorry.

00:33:47
You guys just

00:33:48
look like goblins.

00:33:49
I mean,

00:33:50
not you.

00:33:51
You're,

00:33:52
is offensive.

00:33:53
Well,

00:33:54
uh,

00:33:55
yeah,

00:33:56
but he's,

00:33:57
he's three feet tall

00:33:58
and green.

00:33:58
I mean,

00:33:59
she's red,

00:34:01
smoking hot,

00:34:02
but dad,

00:34:03
she might want to get

00:34:05
a paternity test.

00:34:06
I'm very much

00:34:12
my father's daughter.

00:34:13
I don't question

00:34:15
my paternity

00:34:15
or my mother's honor

00:34:16
in the slightest.

00:34:17
What is wrong with you?

00:34:19
Uh,

00:34:25
I just

00:34:26
said what I was thinking.

00:34:28
I'm sorry.

00:34:29
I get like that sometimes.

00:34:31
At the base of the stairs,

00:34:33
uh,

00:34:34
top of the stairs,

00:34:35
you see there are

00:34:36
two large portraits.

00:34:37
Uh,

00:34:38
this is clearly

00:34:39
Mr.

00:34:40
and Mrs.

00:34:40
High Hill,

00:34:41
her parents.

00:34:41
And yes,

00:34:42
as you can tell,

00:34:43
uh,

00:34:44
mom looks just like her,

00:34:46
you know,

00:34:46
smoking hot red demon.

00:34:48
And the dad is indeed

00:34:49
a slightly younger,

00:34:51
but still short green

00:34:52
demon,

00:34:53
potentially goblin.

00:34:55
Well,

00:34:57
goblin,

00:34:57
man.

00:34:58
Goblins.

00:35:00
I didn't know

00:35:02
that was offensive.

00:35:04
why would it not

00:35:06
be offensive?

00:35:06
I don't know.

00:35:07
You're,

00:35:08
you're a demon.

00:35:08
No,

00:35:10
I can't tell you.

00:35:11
I can't tell you guys.

00:35:12
We gotta talk about this later.

00:35:13
Wow.

00:35:14
Wow.

00:35:16
What?

00:35:17
No good?

00:35:17
No,

00:35:18
it keeps getting worse.

00:35:19
You said he didn't need shoes.

00:35:21
Cause he's rich.

00:35:24
And it says,

00:35:25
oh,

00:35:25
I thought you,

00:35:29
I thought,

00:35:31
uh,

00:35:31
there was something else

00:35:33
going on.

00:35:33
I'm a dirt.

00:35:36
While I'm arguing with,

00:35:37
with juggles about this,

00:35:38
I get closer to,

00:35:40
to the duchess,

00:35:41
uh,

00:35:43
or whatever.

00:35:43
Governess.

00:35:44
High hill.

00:35:45
High hill.

00:35:46
Oh,

00:35:48
she wouldn't be the governess.

00:35:49
Wouldn't the wife be the governess?

00:35:51
Oh,

00:35:51
I don't know how that works.

00:35:52
She's,

00:35:54
she's lady high hill.

00:35:55
Uh,

00:35:56
her father is governor high hill.

00:35:57
Uh,

00:35:57
he's mom is dead.

00:35:59
So there is no,

00:36:00
uh,

00:36:00
lady.

00:36:01
I'm sorry.

00:36:03
I said that thing about your mom cheating on your dad.

00:36:07
I didn't know she was dead.

00:36:09
Just shut up.

00:36:10
Out of character.

00:36:14
Do you want me to take that shovel from you?

00:36:16
It seems like you've dug yourself a pretty good hole there.

00:36:18
I'm trying.

00:36:19
I'm trying to get back in her good graces.

00:36:21
I've just,

00:36:22
I said,

00:36:22
I'm sorry.

00:36:23
If I knew she was dead,

00:36:24
I wouldn't have questioned your paternity.

00:36:25
I wouldn't have called your mom.

00:36:27
I,

00:36:31
I'm not surprised.

00:36:33
she wasn't able to resist your father's charge.

00:36:36
I'm not surprised.

00:36:37
She's dead.

00:36:38
He's very much trying to keep her cool.

00:36:46
Um,

00:36:47
she's pretty angry.

00:36:47
She was,

00:36:48
is there anywhere else in the house you need to see?

00:36:51
Yes.

00:36:52
In fact,

00:36:53
yes.

00:36:54
In fact,

00:36:55
your father's bedroom,

00:36:58
his bedroom.

00:37:00
Yes.

00:37:03
very well.

00:37:05
If he's got the key on a chain,

00:37:07
he's got to go to sleep sometime.

00:37:09
That's the perfect place for burgers to strike.

00:37:13
All right.

00:37:15
Uh,

00:37:16
she leads you down the hallway here.

00:37:18
And we're just going to say this first room with,

00:37:22
uh,

00:37:22
the three beds in it is his.

00:37:23
Uh,

00:37:24
so she opens the door,

00:37:26
uh,

00:37:26
to this very grand bedroom,

00:37:30
you know,

00:37:30
huge,

00:37:31
huge four poster bed,

00:37:32
lots of space,

00:37:34
uh,

00:37:34
lots of,

00:37:35
uh,

00:37:36
big desks and things.

00:37:39
Uh,

00:37:39
but everything in the room is really tiny.

00:37:41
So there's like a tiny pair of shoes and like a tiny,

00:37:44
like spectacles on a thing.

00:37:45
It looks like a small,

00:37:47
like a little goblin person does in fact live here,

00:37:49
but a very neat one,

00:37:50
but everything is like,

00:37:51
like hilariously small in comparison,

00:37:55
his like little clothes and his hats.

00:37:57
He's got like a little book and a little pen,

00:37:59
little toilet.

00:38:02
Yeah.

00:38:03
Yeah.

00:38:04
His bathrooms.

00:38:05
He's got an ensuite.

00:38:06
He's got a tiny toilet.

00:38:07
I would like to study around or survey.

00:38:11
Okay.

00:38:12
Well,

00:38:15
yeah.

00:38:15
So I'd like to survey,

00:38:16
see if I see any like weaknesses in the room where someone,

00:38:20
someone can come in and,

00:38:21
and steal something.

00:38:23
I'm,

00:38:27
uh,

00:38:28
checking out the bed.

00:38:28
Oh,

00:38:29
wait.

00:38:29
Oh,

00:38:29
sorry.

00:38:30
I'm finding that I fit pretty well in the,

00:38:33
on the toilet.

00:38:34
Go ahead.

00:38:40
So,

00:38:42
yeah,

00:38:42
I just want to look in like the bedside drawer or like,

00:38:45
look at the windows,

00:38:46
see if they're lashed securely.

00:38:49
see if there's like,

00:38:50
maybe he accidentally today due to dementia or whatever.

00:38:54
Hey,

00:38:55
you know,

00:38:55
older goblins get,

00:38:57
maybe forgot the key in the bedside table.

00:39:00
He's not a goblin.

00:39:02
We've,

00:39:02
how I'm saying that.

00:39:06
I'm saying that out loud.

00:39:07
Okay.

00:39:09
Just make sure you don't.

00:39:11
Why are you actually offended?

00:39:12
I really,

00:39:14
I really got admonished.

00:39:15
Like,

00:39:15
because I've grown as a person.

00:39:17
I've realized that goblin is not a nice word.

00:39:19
In three minutes?

00:39:20
Yes.

00:39:22
You guys really,

00:39:23
really yelled at me.

00:39:25
You deserved it.

00:39:26
So you look around the room.

00:39:30
And so some good things.

00:39:31
The window is like,

00:39:33
has just a standard latch on it.

00:39:34
There's no other really.

00:39:36
Like more secure provisions.

00:39:38
Okay.

00:39:39
May there's no bars on the door or anything like that.

00:39:42
This is a lock.

00:39:42
You very clearly could get into if you,

00:39:44
if you had to,

00:39:45
you don't see the key anywhere,

00:39:48
but you do see that his safe,

00:39:50
the lock box that he has under his bed is a little bit cracked open.

00:39:56
Can I open it?

00:39:58
Yeah,

00:39:59
you can.

00:40:00
It's already open.

00:40:01
Like someone forgot to shut the door.

00:40:03
Oh,

00:40:04
okay.

00:40:04
I open it.

00:40:05
It's empty.

00:40:08
Check for a false bottom.

00:40:09
I dock on the bottom.

00:40:13
Secret knock.

00:40:15
The secret knock on the bottom.

00:40:17
See if it pops open.

00:40:18
No,

00:40:19
nothing pops open.

00:40:21
Like this is,

00:40:22
there are some things in the lock box.

00:40:24
So it's not like it's been cleared out,

00:40:25
but like,

00:40:25
there's like pictures of like him and his wife and his kid.

00:40:29
There's like little like drawings that his daughter has done over time.

00:40:33
Like very sentimental items,

00:40:35
but there's nothing in there of any great value.

00:40:38
Okay.

00:40:38
All right.

00:40:39
All right.

00:40:39
Let me pull my team aside here and talk to them.

00:40:42
Yar.

00:40:44
Hey.

00:40:45
Yar.

00:40:46
Yar.

00:40:46
Hey,

00:40:46
guys,

00:40:47
this is squish.

00:40:48
Yeah.

00:40:50
Hey,

00:40:50
Chuckles,

00:40:52
do you think you can take or something to keep the door closed?

00:40:55
To keep it closed?

00:40:57
Like if we leave and we close the door,

00:41:01
can you rig something up?

00:41:02
So it can't be open from the inside.

00:41:07
You mean like a lock?

00:41:10
Yes,

00:41:12
but a lock can be open from the inside.

00:41:15
Oh,

00:41:15
you want to lock them out.

00:41:16
Yeah.

00:41:17
I want to lock her in.

00:41:18
Why don't we just jam a chair in the door?

00:41:23
Or a wedge.

00:41:24
Great.

00:41:25
Yes.

00:41:26
Tinker it.

00:41:27
Can you take us a wedge?

00:41:29
That is up to you.

00:41:31
And when do you want it to blow up?

00:41:33
Preferably after we left.

00:41:36
Well,

00:41:37
preferably not at all.

00:41:38
But if it has to,

00:41:39
which I completely understand,

00:41:40
after we leave.

00:41:43
Can you really make an exploding door wedge?

00:41:47
I can make anything explode.

00:41:49
That might be the coolest thing you've never done.

00:41:51
You want me to punch your nuts too?

00:41:53
All right.

00:41:55
So,

00:41:56
oh,

00:41:57
I see.

00:41:57
We're going to try and try to,

00:41:59
trapper in here.

00:42:00
Yes.

00:42:01
Okay.

00:42:02
Oh my God.

00:42:04
It's been a long day.

00:42:06
I was just out swimming and I got captured.

00:42:09
I'm not even going to dignify that.

00:42:12
All right.

00:42:14
Yeah,

00:42:17
I can,

00:42:18
I can try something.

00:42:19
Okay.

00:42:20
All right,

00:42:20
cool.

00:42:20
But then we all have to sneak out.

00:42:22
Wait,

00:42:22
what if,

00:42:23
what,

00:42:23
hey,

00:42:23
wait a second.

00:42:24
I got a better idea.

00:42:25
How about you guys,

00:42:28
you know,

00:42:29
sneak out and leave me locked in here with her?

00:42:32
No,

00:42:34
because then we can't tinker the door closed.

00:42:37
You guys are useless.

00:42:39
What do you want to do?

00:42:40
I just want 30 or 40 seconds along with her.

00:42:43
Yeah,

00:42:44
that's all you'll need.

00:42:45
What are you going to do?

00:42:46
This is going to get dark soon.

00:42:49
What do you want to do?

00:42:50
No,

00:42:50
it's not like that.

00:42:51
It's about love.

00:42:53
I'm just kidding.

00:42:55
I'm just kidding.

00:42:56
I'm just daydreaming.

00:42:57
Okay.

00:42:58
You just called her father a goblin.

00:43:00
Yeah.

00:43:00
But I think.

00:43:01
Told her to get a paternity test from her dead mother.

00:43:05
You really think?

00:43:06
You really think she's going to,

00:43:08
she's fallen in love with you?

00:43:10
But he put it all together.

00:43:13
Yeah,

00:43:13
I think she's into him.

00:43:14
Yeah,

00:43:15
see?

00:43:16
High Hill who is just glaring at you.

00:43:22
Just like arms crossed.

00:43:23
I wink at her.

00:43:25
I'm so glad you winked at her.

00:43:30
All right.

00:43:32
Okay.

00:43:32
Wait,

00:43:33
so how are we going to.

00:43:34
I mean,

00:43:35
I get what we're doing with the tinkering,

00:43:37
but at some point we're going to have to like rush out and like hold the door

00:43:41
closed or something.

00:43:42
She's like really watching us really close.

00:43:44
Right.

00:43:44
We're going to be really fast.

00:43:47
Yeah.

00:43:47
So.

00:43:48
Or should we push her down?

00:43:49
I'll get behind her and you push.

00:43:52
No,

00:43:54
no,

00:43:55
I don't think that's a good idea at all.

00:43:57
I think we should all go.

00:44:02
And I say it loudly enough for her to hear.

00:44:04
We have to check out that window a little bit closer.

00:44:07
That's a great idea.

00:44:09
To make sure that it is actually really secure.

00:44:12
And you stay up here and yell down at us.

00:44:16
And we'll ask you questions from down there.

00:44:18
Like,

00:44:19
can you see us?

00:44:21
What do you mean from down there?

00:44:22
No,

00:44:24
she should stay up here.

00:44:25
And we'll go down there.

00:44:27
It's one room.

00:44:29
No,

00:44:31
downstairs,

00:44:31
outside.

00:44:32
We're on the second floor.

00:44:35
So we can go down and inspect the window from the floor and she can look down and see,

00:44:40
you know,

00:44:41
how far it is or something.

00:44:44
Yeah.

00:44:46
So,

00:44:47
hey,

00:44:47
lady,

00:44:49
high hill,

00:44:50
lady,

00:44:51
bathwater.

00:44:52
we are going to go downstairs,

00:44:55
check,

00:44:56
yell up,

00:44:57
see,

00:44:57
see if there's any way we can get in through this window.

00:45:00
You stay here

00:45:00
and

00:45:02
tell us if you can hear us.

00:45:05
Stephen has to stay up here with me because I refuse to let all of three of you just leave the house without me seeing.

00:45:13
Okay.

00:45:13
All right.

00:45:14
All right.

00:45:15
You should be the insurance person.

00:45:16
You can have the gray cap.

00:45:18
Which one do you want?

00:45:21
Which one needs to stay up here?

00:45:23
The sexiest one.

00:45:25
You know what?

00:45:26
Which one do you want?

00:45:27
I don't want any of them.

00:45:30
Okay.

00:45:31
Give him the gray captain.

00:45:32
Don't give her a choice.

00:45:33
I'm trying to secretly figure out which one she likes the most.

00:45:41
I don't know.

00:45:44
Well,

00:45:44
it's me.

00:45:45
And if you let her say that,

00:45:46
then we're not going to be able to do our dastardly plan.

00:45:48
So don't let her choose.

00:45:49
I still think we should let her choose.

00:45:51
Okay.

00:45:53
All right.

00:45:54
Well,

00:45:54
it's a tiebreaker.

00:45:55
Yeah.

00:45:56
Which,

00:45:56
and then we all like look at her and try to make like impressive faces.

00:46:00
Choose who likes the best.

00:46:02
I suck in my gut and hold up my arms a little bit.

00:46:05
Which one do you choose to stay up here with you?

00:46:14
Three.

00:46:15
That's me.

00:46:15
All right.

00:46:17
You'll stay up here.

00:46:21
Nice.

00:46:22
Nice.

00:46:24
No,

00:46:25
this is not what we wanted.

00:46:26
I told you this would happen.

00:46:29
I'm sorry.

00:46:30
This is fake.

00:46:30
I did not think that that would happen.

00:46:33
It's,

00:46:33
it's love,

00:46:34
buddy.

00:46:34
You know what's great?

00:46:36
I didn't even pick.

00:46:37
You just volunteered yourself.

00:46:38
Great.

00:46:44
He just assumes three with you.

00:46:45
Three.

00:46:49
Three means chuckles.

00:46:50
It rhymes.

00:46:51
Yeah,

00:46:52
that's how tall he is.

00:46:53
Three for D.

00:46:54
This spirited one can stay up here and the two of you can do what you need to downstairs.

00:47:04
All right.

00:47:04
Good.

00:47:05
Where's your bathroom?

00:47:05
There's a tiny little goblin man toilet.

00:47:09
I'm sorry.

00:47:12
I'm sorry.

00:47:13
I mean,

00:47:14
elderly demon man.

00:47:15
I don't want to use that toilet.

00:47:18
It makes me feel weird.

00:47:21
There's another bathroom down the hall,

00:47:25
but you guys are going downstairs.

00:47:27
There'll be bathrooms on the main floor.

00:47:28
That was the main floor.

00:47:30
All right.

00:47:30
Let's go.

00:47:33
All right.

00:47:35
Me and Junko,

00:47:36
or not Junko's,

00:47:37
Cap Patches.

00:47:38
Cap Patches.

00:47:39
Close the door.

00:47:43
I'll try to tinker the lock broken.

00:47:47
Just shove a piece of wood underneath the door.

00:47:50
I'll keep them in there.

00:47:52
I don't think that's true.

00:47:54
Demons have a lot of strength.

00:47:58
They can beat door wedges?

00:48:00
Yes.

00:48:02
Okay.

00:48:05
Have you seen me do it?

00:48:07
No.

00:48:08
Oh,

00:48:11
right.

00:48:12
You aren't there.

00:48:13
for that.

00:48:14
I don't care.

00:48:15
I do need to use the bathroom.

00:48:16
Can we take a quick break?

00:48:17
Let's take a quick break.

00:48:20
Okay.

00:48:33
So,

00:48:34
Chuckles,

00:48:35
you're in the room with Lady High Water,

00:48:38
or High Hell,

00:48:39
Patches,

00:48:41
Squish.

00:48:42
You are just outside the door.

00:48:43
You have just shut the door.

00:48:44
What are you guys doing now?

00:48:47
I'm going to tinker that lock.

00:48:49
I'm going to tinker the lock to break it.

00:48:51
I'm going to play a lookout.

00:48:53
So,

00:48:55
you're

00:48:55
breaking the lock

00:48:57
to,

00:48:58
and Chuckles will be locked inside.

00:49:00
Is that

00:49:00
correct?

00:49:01
Yes.

00:49:02
Or you,

00:49:02
okay.

00:49:03
Yes.

00:49:05
He can fit out the window.

00:49:07
I assume it's a small window,

00:49:08
too.

00:49:09
Yes,

00:49:10
Goblin's.

00:49:10
It's an average.

00:49:11
Goblin's.

00:49:12
Well,

00:49:12
everything else in the room,

00:49:15
the furniture is all normal size,

00:49:17
but so is the window as well.

00:49:19
So,

00:49:19
no,

00:49:19
he,

00:49:19
they both can get out the window,

00:49:21
conceivably.

00:49:22
Okay.

00:49:24
But yeah,

00:49:25
go ahead and tinker that lock.

00:49:26
All right.

00:49:29
All right.

00:49:33
Partial success.

00:49:34
You tinker the lock.

00:49:37
Let me,

00:49:38
what do you do to it?

00:49:39
I just take a piece of

00:49:43
gum or

00:49:45
rutabaga that I have in my pocket

00:49:48
and I just shove it in there

00:49:49
really hard.

00:49:50
Is there anything you can't do?

00:49:53
It could be broke,

00:49:54
like it could be fixed very easily,

00:49:56
but it's going to take a little while

00:49:58
for them to notice that it's actually

00:50:00
been messed with.

00:50:01
Does it make much of a noise?

00:50:06
No,

00:50:07
not at all.

00:50:08
Okay.

00:50:09
So you,

00:50:09
you're not like breaking the lock to like,

00:50:11
you know,

00:50:12
like the handle's gone now.

00:50:13
No,

00:50:14
I'm just,

00:50:15
just jamming it.

00:50:16
Okay.

00:50:17
Captain,

00:50:18
so you're able to do that successfully.

00:50:21
you do not draw,

00:50:22
uh,

00:50:22
Lee high waters or high health attention.

00:50:24
God damn.

00:50:25
Um,

00:50:26
but captain,

00:50:26
you do see that there are two guards down here

00:50:29
making patrols.

00:50:30
And one of them is slowly,

00:50:32
uh,

00:50:33
walking towards you.

00:50:34
Squish,

00:50:37
squish.

00:50:38
Guard,

00:50:38
guard,

00:50:39
guard.

00:50:39
So take care of that.

00:50:41
What do you want me to do?

00:50:43
Get rid of that.

00:50:45
Murder.

00:50:49
No,

00:50:49
don't murder them.

00:50:51
Deceive them.

00:50:53
Yeah.

00:50:54
How,

00:50:55
how,

00:50:55
how close are they again,

00:50:56
Bridget?

00:50:56
No,

00:50:57
one of the,

00:50:58
you know,

00:50:59
there's two of them because you can hear them kind of like talking a

00:51:01
little bit.

00:51:02
Uh,

00:51:02
but one is just starting to come down this corridor.

00:51:06
He's taking his time.

00:51:07
It's not like he sees you and he's rushing,

00:51:09
uh,

00:51:09
but he is going to probably within the next few minutes,

00:51:12
uh,

00:51:12
be able to see you and squish outside of the governor's room.

00:51:17
Can I use,

00:51:18
uh,

00:51:18
can I use Neelix invisibly and like half of make a noise?

00:51:22
Yeah.

00:51:24
Yeah,

00:51:26
you can do that.

00:51:26
Um,

00:51:27
that's going to be your,

00:51:28
let's see.

00:51:28
You can.

00:51:29
Should have them,

00:51:32
you should have them,

00:51:33
um,

00:51:34
dress up as a female guard and try to woo him.

00:51:37
The old bugs buddy routine can't work.

00:51:41
How many times have we tried that already?

00:51:43
At least once.

00:51:46
Uh,

00:51:47
so you can.

00:51:47
A cross-dressing butler?

00:51:48
A cross-dressing.

00:51:50
Actually,

00:51:52
no,

00:51:52
I think that's what I want to do.

00:51:53
Have them dress up and make a noise.

00:51:55
Like,

00:51:56
I want you to distract these guards and make them go down the noise.

00:51:58
Okay.

00:51:59
Uh,

00:52:00
go ahead and throw your,

00:52:01
roll your command.

00:52:01
Command.

00:52:04
Any,

00:52:05
uh,

00:52:05
any modifiers?

00:52:06
No,

00:52:07
this is Neelix.

00:52:08
Uh,

00:52:08
you guys are,

00:52:09
you're pretty used to this routine at this point.

00:52:11
Hold on.

00:52:16
Uh,

00:52:23
so what is your command to,

00:52:25
to Neelix?

00:52:26
He,

00:52:27
he appears out of his bottle.

00:52:28
Yes,

00:52:29
sir.

00:52:30
Uh,

00:52:31
so there's a party going downstairs,

00:52:33
right,

00:52:33
Bridget?

00:52:33
Yes.

00:52:34
So I want you to dress like,

00:52:36
I want you to look like a,

00:52:38
uh,

00:52:38
a sexy patron of that party and lure the guards away the opposite direction.

00:52:43
They'll think you're just lost looking for the bathroom.

00:52:46
And as soon as they come up to you,

00:52:48
I want you to turn on a corner and just vanish.

00:52:50
Uh,

00:52:54
uh,

00:52:55
sexy young lady,

00:52:56
sir.

00:52:57
Yeah.

00:52:59
You know,

00:52:59
just,

00:52:59
you know,

00:53:00
don't have to go sell over to,

00:53:01
don't have to sell it too hard.

00:53:02
Just,

00:53:02
you know,

00:53:02
a nice wig and maybe,

00:53:03
you know,

00:53:04
sleek dress.

00:53:06
Uh,

00:53:06
Neelix disappears.

00:53:09
And when he comes back,

00:53:11
it's very much clear that this is a man in a wig and a very like old fashioned dress.

00:53:18
Like imagine a man in like a Marie Antoinette get up with a very large wig and like the fake little beauty mark and this voluptuous dress.

00:53:27
Um,

00:53:29
but it's just Neelix.

00:53:30
Like you can tell he's still wearing his like butler clothes underneath the dress.

00:53:36
I feel like if this is something that he could have always done,

00:53:39
that perhaps patches would have taken advantage of it earlier.

00:53:44
He's very much,

00:53:54
uh,

00:53:55
outdated.

00:53:55
And he goes,

00:53:56
I'll try my best,

00:53:57
sir.

00:53:58
And he floats away.

00:54:00
And you hear down the hallway,

00:54:03
you hear Neelix go,

00:54:05
a teehee boys.

00:54:06
And the guards start running,

00:54:12
uh,

00:54:13
and they do run,

00:54:14
uh,

00:54:15
you hear them.

00:54:16
They run in the opposite direction,

00:54:18
uh,

00:54:18
from where you guys are sitting.

00:54:19
So they're going to check out Neelix in the other corner of this room,

00:54:22
of this hallway.

00:54:24
All right,

00:54:25
quick down the stairs.

00:54:26
Scarebird.

00:54:28
We got to find.

00:54:29
The governor.

00:54:33
Uh,

00:54:33
so Captain Squish,

00:54:35
you guys are going to start,

00:54:36
you're going to run and head downstairs.

00:54:38
Uh,

00:54:38
but Chuckles,

00:54:39
you're still in the room with Lady High,

00:54:40
High Hill.

00:54:41
Uh,

00:54:42
and she's just glaring.

00:54:43
If she is as far away physically from you in the room as possible.

00:54:47
So she's like standing in the corner and just like staring you down.

00:54:50
This is a very tall,

00:54:52
relatively,

00:54:53
uh,

00:54:53
intimidating,

00:54:54
kicking woman.

00:54:56
Yeah.

00:54:56
Let me take it.

00:54:58
But sexy.

00:54:58
Uh,

00:55:00
I'm going to jump on the bed.

00:55:02
Um,

00:55:03
you'd like sitting on it with my legs dangling and just,

00:55:07
uh,

00:55:07
just sort of kicking my legs.

00:55:10
Like,

00:55:10
Oh,

00:55:10
so come here often.

00:55:13
To my father's bed chambers,

00:55:16
uh,

00:55:17
less than you may think,

00:55:18
or more than you may think.

00:55:19
I don't know what appropriate answers to that question is.

00:55:22
You're right.

00:55:23
That was really weird of me.

00:55:24
So,

00:55:26
um,

00:55:26
how long do you think it will take them to get downstairs?

00:55:29
Well,

00:55:31
it didn't seem like they're a big rush.

00:55:32
No,

00:55:33
no.

00:55:35
And they're dumb as hell.

00:55:36
Uh,

00:55:36
it's probably going to take them a while.

00:55:38
They're going to get distracted for sure.

00:55:40
By something very meaningless.

00:55:43
I know it.

00:55:44
Wow.

00:55:46
But maybe they won't.

00:55:49
And,

00:55:49
you know,

00:55:51
but don't worry.

00:55:53
You and I have plenty of time here.

00:55:54
That's what I'm concerned about.

00:55:58
Wow.

00:55:59
Do you pass the bed next to you too?

00:56:02
I'm about to.

00:56:03
That's my,

00:56:03
how'd you know my move?

00:56:05
About,

00:56:08
you just,

00:56:08
you know,

00:56:09
take,

00:56:09
take a load off.

00:56:10
Uh,

00:56:13
I prefer standing.

00:56:14
Thank you.

00:56:14
In those shoes?

00:56:15
Yes.

00:56:18
In these shoes.

00:56:18
We don't go barefoot around here.

00:56:20
I wasn't looking at your feet.

00:56:21
I just assumed you were wearing shoes.

00:56:25
You.

00:56:26
Yeah,

00:56:26
she is.

00:56:27
She's wearing,

00:56:27
uh,

00:56:28
like high heels.

00:56:28
Yeah.

00:56:30
Why don't you take a load off?

00:56:31
Then I pat on the bed.

00:56:38
I'm going to say,

00:56:39
unless you're going to try to persuade her.

00:56:40
She's not persuaded.

00:56:42
Um,

00:56:43
no,

00:56:45
I,

00:56:45
I,

00:56:45
I'm just going to save myself the embarrassment.

00:56:48
Uh,

00:56:49
she does go to the window though and opens it up.

00:56:52
Uh,

00:56:53
it's one of those that she just kind of pushes open from the bottom to the top.

00:56:57
Um,

00:56:57
and there is,

00:56:58
uh,

00:56:58
can like look over the edge.

00:57:00
There's no screen or anything.

00:57:01
And she's kind of like looking out,

00:57:04
trying to see if she can see captain or squish,

00:57:06
uh,

00:57:07
or patches and squish.

00:57:09
Can I sneak up behind her?

00:57:12
Yeah.

00:57:13
If you want to sneak,

00:57:14
you can sneak,

00:57:15
roll a sneak.

00:57:15
Isn't that,

00:57:16
is it prowlers or different sneak?

00:57:18
Nope.

00:57:19
That's prowl.

00:57:19
Night prowler.

00:57:22
You successfully sneak behind her.

00:57:28
Oh no.

00:57:29
I am considering pushing her out the window.

00:57:35
What's wrong with you?

00:57:38
You're a monster.

00:57:41
It would make all of our problems go away.

00:57:44
This is not GTA three.

00:57:46
Actually,

00:57:48
I'm kind of behind it.

00:57:49
I don't.

00:57:50
Yeah.

00:57:51
I'm sudden.

00:57:52
Surprise,

00:57:52
surprise.

00:57:53
I need some time.

00:57:56
My character to,

00:57:58
uh,

00:57:58
stew in this terrible thought.

00:58:02
Oh,

00:58:03
I thought you were about to say.

00:58:04
You think about what you're about to do.

00:58:06
Um,

00:58:07
meanwhile,

00:58:08
um,

00:58:09
you guys have made it back down to the stairs.

00:58:11
Um,

00:58:12
where would you like to go?

00:58:15
There are guards down here too.

00:58:16
Uh,

00:58:17
they're a little less obvious than the guards that were upstairs.

00:58:20
They're kind of look like they're like servants or something.

00:58:24
They,

00:58:24
they very clearly like are skate or like casing the joint or casing the joint,

00:58:29
like scanning the room,

00:58:31
keeping an eye on things,

00:58:32
but they're not sort of heavily armed guards that you saw upstairs.

00:58:37
No,

00:58:37
I would like to find the,

00:58:39
the governor.

00:58:40
Okay.

00:58:42
And ask him for the key,

00:58:44
basically.

00:58:45
Oh my God.

00:58:47
It's a party.

00:58:48
Where's the little green goblin?

00:58:50
Unhinged.

00:58:51
Hold on.

00:58:55
It's not loading for me,

00:58:56
which is weird.

00:58:57
We can't see it.

00:58:58
You guys see it?

00:58:59
Yeah.

00:59:00
Okay.

00:59:00
Well then that's fine.

00:59:01
I don't want to leave it then.

00:59:02
Um,

00:59:03
let's get him out here.

00:59:04
Hey,

00:59:06
Mr.

00:59:07
Goblin man,

00:59:08
give me your key.

00:59:11
So you walk into this ballroom and there's just a hub of activity,

00:59:15
a hive of action.

00:59:16
There are people,

00:59:17
couples dancing.

00:59:19
There are people gathering together and like laughing and talking their seats,

00:59:24
their tables.

00:59:25
There are just,

00:59:26
there's musicians in the corner.

00:59:28
It's just a ton of activity going on.

00:59:30
Um,

00:59:31
you can see,

00:59:32
uh,

00:59:32
relatively easily.

00:59:33
The,

00:59:34
uh,

00:59:34
governor,

00:59:34
he is sitting at the very end of the room on a table on a diet.

00:59:39
So he's like a little bit elevated.

00:59:40
You can see him.

00:59:41
Um,

00:59:42
actually you can just see about the top of his head.

00:59:44
Cause the table kind of goes up to his chest.

00:59:45
Um,

00:59:46
you also see in this room,

00:59:49
he is talking very,

00:59:51
uh,

00:59:52
closely with captain Fitz Klein.

00:59:53
In fact,

00:59:54
the captain's like over him talking to him.

00:59:56
Um,

00:59:57
and they're in some sort of deep conversation.

01:00:00
Well,

01:00:02
I'm going to interrupt.

01:00:03
You're just going to march on up there and interrupt.

01:00:06
Yeah.

01:00:07
Awesome.

01:00:09
Yeah.

01:00:09
You're going to be like,

01:00:11
governor,

01:00:12
pardon my interruption,

01:00:13
boss.

01:00:14
Oh,

01:00:15
oh,

01:00:16
Fitz Klein.

01:00:18
These were the boys I was telling you about.

01:00:20
We found them prowling about in our,

01:00:22
in our sewage system.

01:00:24
I think I say,

01:00:25
maybe not the best disguises,

01:00:27
but,

01:00:27
oh,

01:00:28
they're just a handsome pair of trio of folks.

01:00:31
I was not in the sewage system.

01:00:33
Oh,

01:00:35
that's right.

01:00:35
You were pretending to be a chef of some sort,

01:00:38
right?

01:00:38
snuck into the kitchen.

01:00:39
I mean,

01:00:40
not really pretending,

01:00:41
but yeah,

01:00:42
sure.

01:00:43
Let's go with that.

01:00:43
There's only two of you here.

01:00:45
I say,

01:00:46
where is,

01:00:47
uh,

01:00:47
where's the little guy?

01:00:49
Bathroom.

01:00:53
is that,

01:00:54
did you say bathroom?

01:00:55
Yeah.

01:00:56
Well,

01:00:58
diarrhea.

01:00:59
If he needs a,

01:01:00
if he needs a special,

01:01:02
a special,

01:01:03
uh,

01:01:03
you know,

01:01:04
a special commode for his little legs.

01:01:06
I've got a special commode myself upstairs,

01:01:08
just for,

01:01:09
just for us wee folk.

01:01:10
Uh,

01:01:11
but of course,

01:01:13
you're all acquainted.

01:01:14
You,

01:01:14
you,

01:01:14
you work for him,

01:01:15
correct?

01:01:15
You work for H&M?

01:01:16
Yeah,

01:01:17
yeah,

01:01:19
exactly.

01:01:20
That's boss man right there.

01:01:22
Boss man.

01:01:25
And he kind of hits cap,

01:01:26
the captain,

01:01:27
like on his like chest,

01:01:28
just kind of flips a hand.

01:01:30
And he laughs.

01:01:31
Uh,

01:01:32
the captain smiles.

01:01:33
He is as pleasant as always.

01:01:36
Um,

01:01:36
he's giving you no signs that he doesn't like this guy or that there's any problems wrong.

01:01:41
Uh,

01:01:41
he kind of laughs too.

01:01:43
And he claps the,

01:01:44
the governor on the,

01:01:45
uh,

01:01:46
shoulder.

01:01:46
And he says,

01:01:46
ah,

01:01:47
I told you these,

01:01:48
but these are my best boys.

01:01:49
They know exactly what they're doing.

01:01:51
Right.

01:01:51
We do.

01:01:52
Yes,

01:01:53
sir.

01:01:53
Boss.

01:01:55
Yeah.

01:01:55
Hey,

01:02:00
governor.

01:02:01
Yes.

01:02:03
I was wondering,

01:02:04
we checked out the outside of the,

01:02:06
the safe and it all looks really good,

01:02:09
but we need to get inside.

01:02:11
Inside the vault.

01:02:14
Yes.

01:02:15
Well,

01:02:18
I,

01:02:18
I suppose that would make sense,

01:02:20
but well,

01:02:22
I can't just let anyone inside the vault.

01:02:24
The vault can only be opened,

01:02:25
uh,

01:02:26
with the express permission of the governor or my daughter.

01:02:28
She,

01:02:29
you know,

01:02:29
real mad queen on most of these matters.

01:02:32
She's the one that sent,

01:02:34
sent me here to get the key.

01:02:35
She's upstairs.

01:02:36
Wait,

01:02:36
I didn't want to make her walk in the high heels.

01:02:39
I told her those things are completely unfashionable.

01:02:43
In fact,

01:02:44
in my own home,

01:02:45
I don't even wear shoes.

01:02:46
Uh,

01:02:47
and you see that he's got just little green goblin feet kicking off the side of the table.

01:02:52
Oh,

01:02:52
cute.

01:02:53
He's not a goblin.

01:02:54
Exactly.

01:02:57
Exactly.

01:02:57
This is your house.

01:02:58
You don't need to wear shoes,

01:02:59
but.

01:03:00
I don't think I'm comfortable.

01:03:04
You quite understand me.

01:03:06
He says to the captain.

01:03:06
Don't think I'm quite comfortable just giving,

01:03:08
uh,

01:03:09
my key to my family's precious heirlooms to just the men I just met.

01:03:13
Uh,

01:03:13
no offense.

01:03:14
I trust you all,

01:03:15
but that's just,

01:03:16
I feel like that's,

01:03:18
if they can't get the key,

01:03:20
then it's not really a problem.

01:03:21
Right.

01:03:22
I mean,

01:03:23
we have to go in there.

01:03:25
We have to go in there and see if maybe like there's easy accessibility to a tunnel of some sort.

01:03:32
Well,

01:03:33
I mean,

01:03:34
if there was,

01:03:34
you wouldn't need the key,

01:03:35
would you?

01:03:36
Well,

01:03:37
no,

01:03:37
but that's why I need to get in there is to check for those kinds of things.

01:03:41
I just,

01:03:42
uh,

01:03:42
just talk to our boss.

01:03:43
Fitz Clyde,

01:03:44
you explain.

01:03:45
Uh,

01:03:47
Fitz Clyde's kind of got a look at the two of you.

01:03:49
Like,

01:03:49
uh,

01:03:50
may I have a word with,

01:03:53
with my two charming companions here?

01:03:55
Uh,

01:03:56
one second.

01:03:56
Uh,

01:03:57
and he pulls you guys over and he's like,

01:03:59
I don't think convincing him to take,

01:04:02
to steal his key is going to be ideal.

01:04:04
Also,

01:04:05
where's chuckles.

01:04:07
Don't worry about chuckles.

01:04:09
He's got massive diarrhea.

01:04:12
Well,

01:04:16
be that as it may,

01:04:18
uh,

01:04:18
I'm playing kind of a long con game here.

01:04:20
I know you guys just got here.

01:04:22
Where,

01:04:22
where were you?

01:04:23
Did you not just follow me in?

01:04:24
No,

01:04:25
you didn't give us invites.

01:04:28
Oh,

01:04:30
well,

01:04:31
I figured if you just walked in behind me,

01:04:32
we all could have just gone in together.

01:04:34
Yeah,

01:04:34
I think we tried that.

01:04:36
It didn't work.

01:04:37
Oh,

01:04:38
I'm sorry about that boys.

01:04:39
well,

01:04:39
you guys made yourself,

01:04:40
made your way in here anyway.

01:04:42
And I'm proud of you for that.

01:04:43
That showed real ingenuity.

01:04:44
What did you do?

01:04:45
Did you sneak in through the sewers?

01:04:47
Sure.

01:04:48
Oh,

01:04:49
explains the smell.

01:04:51
No,

01:04:53
that's just us.

01:04:54
Um,

01:04:55
all right.

01:04:55
Well,

01:04:56
is there like,

01:04:56
we need that key.

01:04:58
I agree,

01:05:00
but straight up,

01:05:01
just,

01:05:01
it's a subtle game we're playing here.

01:05:04
Um,

01:05:05
you know,

01:05:05
uh,

01:05:06
a real cat and mouse,

01:05:07
a real tit and tat sort of thing.

01:05:09
It took me a long time for them to even accept my,

01:05:12
my personal,

01:05:13
you know,

01:05:13
self invitation to this party.

01:05:15
I wrote a lot of letters.

01:05:18
Have you considered pushing him out the window?

01:05:20
You're not here.

01:05:23
Oh,

01:05:24
that's right.

01:05:31
I think I can convince this guy to give us the key.

01:05:34
Okay.

01:05:38
Okay.

01:05:39
You know what?

01:05:40
I don't want to tell you,

01:05:41
no,

01:05:41
let's see you do it.

01:05:43
All right.

01:05:45
I know governor,

01:05:47
you don't want to give us the key,

01:05:50
but it really is imperative that we have it.

01:05:54
So we can get inside to look for crevices or holes that a thief.

01:06:00
Thieves are tricky.

01:06:01
They can get in.

01:06:02
So we really need to look for those.

01:06:04
Let's roll and see how you do.

01:06:09
All right.

01:06:10
I'm going to take a strain.

01:06:11
Okay.

01:06:12
To push yourself.

01:06:14
Yeah.

01:06:14
All right.

01:06:17
I succeeded.

01:06:18
He is hesitant at first and he kind of just clutches at the key.

01:06:27
But the captain kind of just like gives him a real good,

01:06:31
like nod,

01:06:32
like you could trust them.

01:06:34
I promise.

01:06:35
And so the captain,

01:06:37
the governor takes the key off of his head and he hands it to you.

01:06:45
And he goes,

01:06:45
now there are armed guards up there.

01:06:48
I want you to know this and no feeling.

01:06:51
Fooling.

01:06:51
If you start acting up in there,

01:06:53
they will shoot to kill you.

01:06:55
I've given them express permission.

01:06:58
Yeah.

01:06:59
No,

01:06:59
we're not going to act up in there.

01:07:01
Well,

01:07:03
you better not.

01:07:03
We're not going to.

01:07:05
I promise you,

01:07:06
sir.

01:07:07
By the way,

01:07:08
can I have your hat?

01:07:09
I'll trade you.

01:07:11
Oh,

01:07:12
transies.

01:07:13
Sure.

01:07:14
And he takes off his hat.

01:07:15
Do you have a hat?

01:07:16
I put on my chef hat that I had in my pocket.

01:07:20
You traded your chef hat?

01:07:22
Yeah.

01:07:23
I can get another one of those,

01:07:24
but it's a top hat made out of human flesh.

01:07:27
How do you know the chef hat's not made out of human flesh?

01:07:29
Because it's mine.

01:07:31
Good point.

01:07:33
He takes your hat and he puts it on his head.

01:07:39
It's a little big.

01:07:39
So it kind of like full,

01:07:40
well,

01:07:41
it comes down right around his ears.

01:07:42
And he's like,

01:07:44
oh,

01:07:44
look,

01:07:45
no,

01:07:46
the chef.

01:07:46
I forgot what he said.

01:07:54
I forgot what he said.

01:07:55
His aristocrat.

01:07:56
Yes.

01:07:57
Now you're an aristocrat chef.

01:07:59
Aristocratic chef.

01:08:01
Because if an aristocrat would ever have to make their own dinner.

01:08:04
What foolishness.

01:08:07
It's what makes it a good costume.

01:08:09
And then I just walk away.

01:08:10
You're right.

01:08:10
It's a great costume.

01:08:11
Captain,

01:08:12
what have you been doing?

01:08:13
Patches?

01:08:14
I've been standing idly by.

01:08:17
Idly by?

01:08:20
Yeah.

01:08:20
Okay.

01:08:22
Yeah.

01:08:24
Go ahead.

01:08:25
Go ahead.

01:08:27
Okay.

01:08:27
We're going to hop right back up to.

01:08:30
Oh,

01:08:33
fuck.

01:08:33
Upstairs.

01:08:34
Can I do a flashback?

01:08:37
Yes.

01:08:39
So I'm sneaking up behind Lady High Hill very successfully considering pushing her out.

01:08:46
But I have this attack of a memory.

01:08:49
And it's a scene of Juckles.

01:08:52
He's four years old.

01:08:54
He comes running home and he knocks on the door.

01:08:56
And Uncle Shklok opens the door.

01:08:59
And he says,

01:09:00
Oh,

01:09:00
Juckles,

01:09:01
my boy.

01:09:01
I don't actually remember how he talked.

01:09:03
No,

01:09:04
that's good.

01:09:04
Juckles,

01:09:06
um,

01:09:07
says,

01:09:07
Uncle Shklok,

01:09:09
I brought you a present.

01:09:10
And he says,

01:09:12
Oh,

01:09:13
Juckles,

01:09:13
thank you so much.

01:09:14
And he pulls from behind his back.

01:09:15
He has his hands behind his back the whole time.

01:09:17
It's a,

01:09:18
it's a dead bird.

01:09:19
And he said,

01:09:20
I brought you this,

01:09:21
this dead bird.

01:09:22
Um,

01:09:23
Shklok says,

01:09:25
Juckles,

01:09:26
where did you get that dead bird?

01:09:28
I,

01:09:29
I made it.

01:09:30
I took a live bird and I killed it.

01:09:33
And Uncle Shklok says,

01:09:34
Juckles,

01:09:36
murder is wrong.

01:09:38
You should never murder anything.

01:09:41
Never murder anything.

01:09:44
Never murder anything.

01:09:46
And then snaps back and he's behind.

01:09:48
And I say out loud,

01:09:50
never murder anything.

01:09:53
And I changed my mind and I.

01:09:56
Walk back.

01:09:58
I sneak back to the bed.

01:09:59
Who says you need the Bible for a moral barometer?

01:10:03
Dead bird.

01:10:06
You just need someone to tell you to never do it.

01:10:08
Never murder anyone.

01:10:11
Never murder anyone.

01:10:14
Yeah.

01:10:18
So she turns around and she sees you still sitting on the,

01:10:20
bed and,

01:10:21
uh,

01:10:22
she's like,

01:10:22
this is ridiculous.

01:10:24
They,

01:10:24
they should have made it downstairs by now.

01:10:25
I know there's something wrong.

01:10:26
I just know there's something wrong.

01:10:28
All right.

01:10:29
Well,

01:10:30
let's,

01:10:30
let's go,

01:10:30
let's go get them.

01:10:31
Uh,

01:10:33
they go to the door and,

01:10:35
uh,

01:10:35
she tries to open it and find,

01:10:37
finds that it's locked or,

01:10:39
or jammed in some way.

01:10:40
And she rattles the handle and she rattles and she rattles and she goes,

01:10:43
what,

01:10:43
what is this?

01:10:44
And she starts banging on the door.

01:10:46
Wait,

01:10:47
my lady,

01:10:47
calm.

01:10:49
I start smelling the lock and I,

01:10:53
rutabagas.

01:10:54
And then,

01:10:57
uh,

01:10:57
can I tinker the lock?

01:10:58
Yeah.

01:11:00
Okay.

01:11:01
Um,

01:11:06
tinker.

01:11:10
let's see.

01:11:11
I think,

01:11:12
um,

01:11:12
do you,

01:11:14
do you want to tinker to keep it locked?

01:11:15
I was,

01:11:16
I don't know.

01:11:17
I was just considering maybe I should tinker to break it more.

01:11:20
And you,

01:11:28
holy crap.

01:11:30
Well,

01:11:32
you gotta pick one.

01:11:32
Wow.

01:11:34
Break it more.

01:11:39
Uh,

01:11:40
yeah.

01:11:41
Well,

01:11:42
lady,

01:11:42
hi,

01:11:43
hill.

01:11:43
I've got some good news and I've got some bad news.

01:11:45
Uh,

01:11:46
it's mostly bad news.

01:11:46
It's a very little amount of good news.

01:11:48
Good news is I've gotten the rutabaga out of the lock.

01:11:51
The rutabaga in the lock?

01:11:54
Yeah.

01:11:55
You see this sometimes.

01:11:56
Mice,

01:11:56
they build nests with rutabagas.

01:11:58
It's a dastardly,

01:11:59
dastardly vegetable.

01:12:00
Um,

01:12:01
so,

01:12:02
would you like some?

01:12:04
Yes.

01:12:09
Rutabaga.

01:12:10
You know,

01:12:12
rutabagas are,

01:12:13
she's,

01:12:14
she,

01:12:14
at this moment,

01:12:15
she's so amazed that you are not only,

01:12:17
she believes you're telling the truth because I'm imagining in your hand,

01:12:20
you put,

01:12:20
well,

01:12:21
there was a rutabaga on there,

01:12:22
ma'am.

01:12:22
Uh,

01:12:23
and you're holding the rutabaga.

01:12:24
I took a bite out of it.

01:12:25
It's rutabaga.

01:12:26
Yeah.

01:12:27
That you're telling the truth and that this is actually what's happened,

01:12:31
that she's actually like,

01:12:33
kind of like slightly now less displeased by your presence.

01:12:37
And she's like,

01:12:37
I,

01:12:39
I do enjoy rutabaga,

01:12:41
but what's the bad news?

01:12:43
Oh,

01:12:44
uh,

01:12:45
bad news is it's way more broken now.

01:12:48
Um,

01:12:48
yeah,

01:12:49
we're going to be stuck in here for a while.

01:12:51
Probably.

01:12:57
she's kind of flabbergasted.

01:12:58
And then she looks to the window,

01:13:00
which is open.

01:13:01
Uh,

01:13:02
and if you guys remember,

01:13:03
uh,

01:13:04
hold on.

01:13:09
Yeah,

01:13:13
there you go.

01:13:13
If you guys remember from,

01:13:14
uh,

01:13:15
earlier,

01:13:16
this is the outside of the house and there are like areas where you can like

01:13:19
get out and like onto the rooftop from the windows of the house.

01:13:23
Um,

01:13:24
and you had just remembered this chuckles as lady.

01:13:27
high hill,

01:13:28
uh,

01:13:29
high up her skirts and,

01:13:31
uh,

01:13:31
starts bustling towards the window.

01:13:34
And she's like,

01:13:34
I have to go warn my father.

01:13:36
I knew it.

01:13:36
I knew those men were,

01:13:37
were up to no good.

01:13:38
Wait,

01:13:39
are you talking about me?

01:13:40
I,

01:13:42
I don't know what to believe about you,

01:13:43
but will you help me?

01:13:45
And she,

01:13:46
uh,

01:13:46
looks at you with like all of the earnest that she can muster.

01:13:49
And now this woman,

01:13:51
no,

01:13:53
she's not reached out to your hair.

01:13:55
Cause she's got her hands on her skirts.

01:13:57
Just like with one leg over the ledge.

01:13:59
Um,

01:14:00
okay.

01:14:01
Are you great?

01:14:02
Are you a true man?

01:14:03
Oh,

01:14:04
I'm glad you asked.

01:14:07
I am.

01:14:08
Well,

01:14:10
and she slides out of the window and gets onto the rooftop.

01:14:14
Are you following her?

01:14:16
All right,

01:14:18
ma'am.

01:14:18
Yeah,

01:14:19
I'll be on the roof.

01:14:19
Okay.

01:14:22
Uh,

01:14:22
we'll come back to that in a second.

01:14:24
Uh,

01:14:25
meanwhile,

01:14:27
squish captain.

01:14:30
Captain,

01:14:30
what's up with you?

01:14:31
I would like to give the key to patches.

01:14:35
I'm sorry.

01:14:36
Go.

01:14:37
Take this,

01:14:39
go to the vault,

01:14:40
get in.

01:14:42
I am going to go make it appear that we're doing what we're going to be,

01:14:45
what we said we were going to be doing and scale the wall.

01:14:49
Distract them.

01:14:51
I love it.

01:14:51
I'm all right.

01:14:52
And I scan far away.

01:14:54
Well,

01:14:55
that took very little convincing.

01:14:57
Patches.

01:15:00
you in a second squish.

01:15:02
Where are you going from,

01:15:03
uh,

01:15:03
the bottom floor?

01:15:04
I'm going to go outside and then find out.

01:15:08
Cause I know roughly where that window is.

01:15:11
Well,

01:15:12
you are supposed to be going there to go look up at the window.

01:15:15
Right.

01:15:17
Yeah.

01:15:17
So I go out there and I find it.

01:15:19
And then I'm going to start scaling the wall.

01:15:21
To,

01:15:23
to get up.

01:15:24
While you're scaling the wall to get up,

01:15:29
uh,

01:15:30
Chuckles and Lady High Hill are like trying to get down.

01:15:34
Yeah.

01:15:37
And we're going to like run into each other.

01:15:40
Um,

01:15:42
I'm going to have her start coming down.

01:15:43
Uh,

01:15:43
you see now.

01:15:44
Yeah.

01:15:45
So squish,

01:15:45
you see Lady Highwater.

01:15:46
She's got like this bustle dress.

01:15:48
So she's pretty obviously like coming down.

01:15:51
Like it's,

01:15:52
there's no,

01:15:52
she's not being stealthy at all.

01:15:54
I can see.

01:15:55
I can see right up.

01:15:57
Right.

01:15:57
Yeah,

01:15:59
sure.

01:15:59
You can see right up there.

01:16:00
You can see her bloomers.

01:16:01
Yeah.

01:16:03
You can see her white bloomers.

01:16:05
Um,

01:16:05
and chuckles.

01:16:06
You are,

01:16:07
uh,

01:16:07
coming down.

01:16:08
I imagine it's like some sort of wall or drain pipe or something that you guys are kind

01:16:12
of like scaling down.

01:16:17
So I just want to like keep climbing up.

01:16:19
But I see that and go,

01:16:20
Hey,

01:16:21
I was on my way up to prove that I can get in.

01:16:23
What did you do to the door?

01:16:26
I didn't do anything to the door.

01:16:28
We know about you and your,

01:16:29
your rutabagas.

01:16:31
It's a delicious vegetable.

01:16:34
Also,

01:16:38
what does that have to do with me?

01:16:41
I know that you blocked the door that you,

01:16:43
you stopped me from getting out.

01:16:45
I don't know what you've done with the guards,

01:16:47
but I I'm going to tell my father about all of this and explain to them.

01:16:51
And I'm going to have him throw you out.

01:16:52
You evil,

01:16:53
evil man.

01:16:54
We're going to turn you in.

01:16:57
The whole time I'm,

01:16:59
I keep climbing up.

01:17:00
Can I climb it up to like get by your feet?

01:17:03
Uh,

01:17:05
yeah,

01:17:05
you guys are like within like touching distance at this point.

01:17:09
Like you can reach her.

01:17:11
Cause it is only a floor.

01:17:13
Okay.

01:17:16
I would like to push her off.

01:17:18
The wall.

01:17:20
Um,

01:17:24
Hey,

01:17:25
uh,

01:17:26
are you going to try,

01:17:30
you're trying to like,

01:17:30
you're trying to like,

01:17:31
never murder anyone.

01:17:34
That's not for me.

01:17:37
Never murder.

01:17:38
It's only a floor.

01:17:41
She'll survive.

01:17:42
I'm going to say it's a skirmish attempt.

01:17:44
Uh,

01:17:45
cause you're trying to kind of grapple with her while she's on the,

01:17:48
uh,

01:17:48
while you're on the ledge.

01:17:49
Oh my.

01:17:50
I'm going to push myself again.

01:17:55
Oh,

01:18:00
fuck.

01:18:01
Uh,

01:18:02
you go to like reach for her ankle and she just kicks you really hard right in

01:18:07
the head,

01:18:07
like right in the face.

01:18:08
Uh,

01:18:09
let's see.

01:18:10
You're going to take one harm,

01:18:11
a bloody nose.

01:18:15
Let me see.

01:18:16
Cause I think I'm,

01:18:17
I'm tough as nails,

01:18:18
so I don't actually get any damage from it.

01:18:20
Yes.

01:18:21
Yeah.

01:18:22
All right.

01:18:25
Level four is still fatal.

01:18:31
Yeah.

01:18:31
So,

01:18:31
uh,

01:18:32
yeah,

01:18:32
maybe just instead of like taking any serious harm,

01:18:35
you can just take,

01:18:35
I don't know one.

01:18:37
No,

01:18:37
I'll have you take like two stress instead.

01:18:39
How about that?

01:18:40
All right.

01:18:41
And I already added my other one.

01:18:43
Yeah.

01:18:44
So,

01:18:44
uh,

01:18:45
you managed,

01:18:45
she kicks you.

01:18:46
You managed,

01:18:47
maybe you're not getting a bloody nose,

01:18:48
but she's definitely stung your face.

01:18:50
Chuckles.

01:18:50
Uh,

01:18:51
she looks off at you and she goes,

01:18:52
you have to help me.

01:18:53
Yeah.

01:18:54
Anything.

01:18:54
What do you need?

01:18:55
What do you want me to kick?

01:18:57
You want me,

01:18:58
you want me to kick them too?

01:18:59
Get to here.

01:19:01
Uh,

01:19:03
I'm going to kick swish.

01:19:06
What the fuck?

01:19:08
You're tough as nails.

01:19:09
Uh,

01:19:13
okay.

01:19:14
I've got a plan.

01:19:16
I'm playing the long game.

01:19:18
I wink at you as I kick you.

01:19:19
Just like captain.

01:19:21
The captain.

01:19:23
What captain?

01:19:24
Oh yeah.

01:19:25
Right.

01:19:25
The real captain.

01:19:26
Oh yeah.

01:19:27
I wasn't there.

01:19:29
This is not the time for this discussion.

01:19:31
Are you trying to actually hurt him?

01:19:35
Are you just trying to like make it look like you're hurting him?

01:19:38
No,

01:19:39
I really have to try to hurt him.

01:19:42
I need her to believe that I'm trying to,

01:19:44
uh,

01:19:45
kick him in the head.

01:19:47
Okay.

01:19:49
Same thing.

01:19:49
Uh,

01:19:50
it'll be a skirmish.

01:19:53
I probably am not very good.

01:19:55
Kick him in the head.

01:19:57
Good.

01:20:07
You go to kick,

01:20:08
uh,

01:20:08
squish,

01:20:09
but unfortunately you kind of like lose your grip as you do.

01:20:12
So you kind of like kick too hard.

01:20:14
Uh,

01:20:14
and you're actually going to fall down to the first floor.

01:20:17
Oh no.

01:20:18
Me?

01:20:18
Am I dead?

01:20:19
No,

01:20:20
no,

01:20:21
no,

01:20:21
you're not dead.

01:20:22
Uh,

01:20:22
but you are going to take another level of harm.

01:20:24
Uh,

01:20:25
or actually,

01:20:25
you know what?

01:20:26
just,

01:20:26
uh,

01:20:26
just take one,

01:20:27
one chunk of health.

01:20:28
You have four.

01:20:29
I'm going to have you take one.

01:20:30
Uh,

01:20:31
you hit the ground pretty hard.

01:20:32
Did you change it?

01:20:33
Uh,

01:20:35
I was,

01:20:35
yeah,

01:20:36
I think I hit it for you.

01:20:37
Hold on.

01:20:37
Yeah.

01:20:38
Oh,

01:20:38
that's harm.

01:20:39
Oh boy.

01:20:39
Yeah.

01:20:41
Yeah.

01:20:42
So you fall,

01:20:43
uh,

01:20:44
she knocked the wind out of you.

01:20:45
Uh,

01:20:46
lady high hill,

01:20:47
uh,

01:20:48
screams.

01:20:48
She's like,

01:20:49
you know,

01:20:50
she's seen you like,

01:20:51
she assumes that you like,

01:20:53
you know,

01:20:54
didn't mean to actually,

01:20:55
you know,

01:20:56
die or anything.

01:20:57
Um,

01:20:58
she screams squished.

01:20:59
You now have a screaming woman kicking you.

01:21:01
Oh,

01:21:02
I'm definitely going to pull her,

01:21:04
try to pull her off again.

01:21:06
Excuse me.

01:21:07
Pull her off.

01:21:12
Sure.

01:21:14
Yeah.

01:21:15
You want to try again?

01:21:17
I'm going to strain myself again.

01:21:21
How many strains do you have left?

01:21:24
You strained yourself.

01:21:25
This is like your fourth time streaming.

01:21:27
Don't.

01:21:28
Don't.

01:21:29
Yes.

01:21:30
It was almost a two.

01:21:31
Tell me what you do next to her.

01:21:34
So you're able to grab onto her and now you can do what,

01:21:37
you need to,

01:21:38
to her.

01:21:39
I'm actually like,

01:21:40
you know,

01:21:40
in those old timey dresses,

01:21:42
they had like that wire cage around them.

01:21:44
Yeah.

01:21:44
The bustle.

01:21:45
Yeah.

01:21:46
I grab that and I tug it really hard and throw her down.

01:21:49
On top of squish.

01:21:51
On top of juckles.

01:21:53
Yeah.

01:21:54
I mean,

01:21:54
on top of juckles.

01:21:55
Right on top of juckles.

01:21:56
In a sexy way.

01:21:57
All right.

01:21:58
Hold on.

01:22:00
Let me.

01:22:00
Guys,

01:22:03
I'm really sorry.

01:22:04
I have to use the bathroom again.

01:22:05
Okay.

01:22:05
I'll be right back.

01:22:08
Nothing.

01:22:08
I did not want to take squish.

01:22:10
Hold on.

01:22:10
Let me try that again.

01:22:11
I'm going to object to this.

01:22:16
Okay.

01:22:16
It's fine.

01:22:17
Okay.

01:22:18
Yeah.

01:22:18
No.

01:22:20
Well,

01:22:20
if it ended up being like a success,

01:22:22
I'm like,

01:22:22
I should have taken.

01:22:23
No,

01:22:24
no,

01:22:24
this is,

01:22:24
this is,

01:22:25
this was meant for chuckles.

01:22:26
Um,

01:22:26
she lands fully clothed on top of you.

01:22:29
Um,

01:22:30
just right on,

01:22:31
right on top.

01:22:32
Uh,

01:22:33
she's pretty much not winded at this point.

01:22:36
Um,

01:22:36
let's see.

01:22:39
Uh,

01:22:39
maybe we'll just pause there for a second.

01:22:43
Wait for Brandon to come back,

01:22:44
but yeah.

01:22:45
Uh,

01:22:46
yeah.

01:22:46
What is he doing?

01:22:46
Well,

01:22:47
that's what we're going to find out.

01:22:49
Probably just standing by idly.

01:22:52
No,

01:22:53
I hope he's going to the,

01:22:55
the vault.

01:22:56
Oh,

01:22:57
that's where you're supposed to be.

01:22:58
That's right.

01:22:59
He ran off.

01:22:59
The,

01:23:06
the role was to see if her clothes fell off.

01:23:08
Oh,

01:23:10
he doesn't,

01:23:13
doesn't failure mean her clothes failed?

01:23:17
No,

01:23:18
that was for you.

01:23:19
Oh,

01:23:19
you know,

01:23:22
you have a more anyway.

01:23:24
Um,

01:23:25
uh,

01:23:26
so captain just to,

01:23:27
or pack is just to get you where we are.

01:23:29
Uh,

01:23:29
squish was able to pull lady high hill off of the,

01:23:32
uh,

01:23:33
off the wall.

01:23:33
Uh,

01:23:34
she landed on triples.

01:23:36
And now we're going to go to you.

01:23:38
All right.

01:23:40
I am casually,

01:23:41
very casually walking up to the vault.

01:23:44
Are you upstairs?

01:23:46
Uh,

01:23:47
where is the vault?

01:23:48
Is it upstairs?

01:23:50
So hold on.

01:23:51
Let me probably should have asked this before you ran off.

01:23:53
No,

01:23:53
she showed us.

01:23:55
Yeah.

01:23:56
She showed us where it was before.

01:23:57
So,

01:23:58
uh,

01:23:59
captain,

01:24:02
do you see where this hallway where you're at?

01:24:03
Yeah.

01:24:04
Um,

01:24:05
as you go down this hallway,

01:24:07
there is a set of stairs that lead up there.

01:24:10
We're going to pretend that these are the stairs right here.

01:24:12
Um,

01:24:12
and as you lead up those stairs,

01:24:14
there is one guard there and he stops you as you go up and he's like,

01:24:17
Oh,

01:24:17
sir.

01:24:20
nobody's allowed up here tonight.

01:24:21
Uh,

01:24:22
I've got the key.

01:24:23
I've got the,

01:24:24
uh,

01:24:24
permission from the governor.

01:24:25
Here's the key.

01:24:27
And I dangle it right in front of him.

01:24:29
Sorry.

01:24:29
I'm just checking out security,

01:24:31
uh,

01:24:31
security check.

01:24:32
Um,

01:24:33
though that uniform,

01:24:35
is that a regulation?

01:24:36
Uh,

01:24:37
yes,

01:24:38
sir.

01:24:38
And he like touched down his,

01:24:39
uh,

01:24:39
uniform form.

01:24:40
It absolutely is,

01:24:41
sir.

01:24:41
Yeah.

01:24:42
I see you standing at ease.

01:24:43
I expect you to stand a little bit more,

01:24:45
uh,

01:24:46
you know,

01:24:46
not at ease.

01:24:48
Uh,

01:24:48
these things can get,

01:24:50
uh,

01:24:50
out of control.

01:24:51
Sometimes we need to be at attention at all times.

01:24:54
Oh,

01:24:55
I absolutely agree,

01:24:56
sir.

01:24:56
And he salutes you and he goes in and what company are you with?

01:24:59
Uh,

01:25:00
uh,

01:25:01
Kahuna wave company.

01:25:02
Kahuna wave company.

01:25:04
Uh,

01:25:05
I've never heard of it.

01:25:06
Uh,

01:25:06
who's your acting captain for tonight?

01:25:08
Fitz Clyde.

01:25:09
Captain Fitz Clyde.

01:25:13
The famous.

01:25:14
Uh,

01:25:14
you know,

01:25:16
well,

01:25:16
you might have,

01:25:17
you might've heard of him.

01:25:18
Some from like,

01:25:18
some like backwater,

01:25:20
you know,

01:25:20
bar.

01:25:21
He's kind of,

01:25:22
kind of picking up a name.

01:25:23
I,

01:25:23
you know,

01:25:23
really,

01:25:24
you should be looking out for that new captain patches,

01:25:26
the new,

01:25:27
uh,

01:25:27
new pirate captain arch in the sea.

01:25:29
Never heard it.

01:25:31
Never heard of a captain patches.

01:25:32
Nope.

01:25:33
Yep.

01:25:34
I know.

01:25:34
I know.

01:25:34
Uh,

01:25:35
anyway,

01:25:35
I gotta go check on this harp deal.

01:25:37
Uh,

01:25:37
you stand,

01:25:38
you stand at a guard.

01:25:39
They do a walk,

01:25:40
talking to me so much.

01:25:41
You get distracted.

01:25:42
So easily.

01:25:43
he doesn't quite believe you.

01:25:45
Um,

01:25:45
and he's not going to just let you walk past.

01:25:48
Um,

01:25:49
because it's a little strange that this guy who he's never met,

01:25:52
uh,

01:25:52
suddenly has a key to this place.

01:25:54
and he goes,

01:25:55
I better check with the governor before I allow you up there.

01:25:58
Uh,

01:25:58
one second,

01:25:59
let me just call one of the other guards to take my place.

01:26:01
If you don't mind,

01:26:02
sir.

01:26:02
Um,

01:26:03
what do you do?

01:26:06
Uh,

01:26:06
what do you do?

01:26:06
Uh,

01:26:07
I mean,

01:26:08
I did get permission from the governor,

01:26:09
so this is just a waste of my time and his.

01:26:11
So how are you,

01:26:14
what are you going to,

01:26:15
you have a couple of options.

01:26:16
Are you going to try and like persuade him?

01:26:18
Are you going to command him?

01:26:19
Uh,

01:26:20
what are you going to do?

01:26:21
Command,

01:26:21
command,

01:26:22
command.

01:26:22
I'm going to raise,

01:26:23
I'm going to become a leader right now.

01:26:25
He,

01:26:25
this is my two character development.

01:26:27
listen,

01:26:27
son,

01:26:27
I am the captain of this ship right now.

01:26:30
And I need to get into this vault to make sure it's,

01:26:32
everything is safe and protected.

01:26:35
All right.

01:26:37
Roll to command him.

01:26:38
Roll to command.

01:26:39
Ooh.

01:26:42
Oh,

01:26:43
partial.

01:26:43
Uh,

01:26:46
he,

01:26:47
he,

01:26:47
he does say,

01:26:48
oh,

01:26:48
yes,

01:26:49
sir.

01:26:49
Of course I,

01:26:49
I understand.

01:26:50
And,

01:26:51
uh,

01:26:51
right this way,

01:26:52
sir.

01:26:53
Uh,

01:26:53
and he points towards the,

01:26:55
uh,

01:26:55
to the vault,

01:26:56
allowing you to go,

01:26:57
past,

01:26:57
uh,

01:26:58
but he does follow up behind you.

01:27:00
Um,

01:27:01
so he is keeping an eye on you as you approach the vault.

01:27:04
You see something you like,

01:27:09
sir?

01:27:09
Sir,

01:27:12
I'm just making sure everything's in order.

01:27:13
That's all.

01:27:14
It's,

01:27:14
it's time for our,

01:27:15
our hourly guard change anyway.

01:27:17
So let me hold on.

01:27:21
These guys.

01:27:23
Okay.

01:27:25
Uh,

01:27:26
okay.

01:27:27
Do you see the vault room?

01:27:28
Yeah.

01:27:29
Okay.

01:27:30
Perfect.

01:27:30
I just want to make sure I got all that fixed.

01:27:32
Uh,

01:27:32
so captain,

01:27:33
you walk up these stairs into this wall and it's pretty much what you see in this,

01:27:36
uh,

01:27:37
image.

01:27:38
It is a,

01:27:39
uh,

01:27:39
somewhat circular room.

01:27:41
There are lots of chests and,

01:27:43
uh,

01:27:43
treasure up here.

01:27:45
Um,

01:27:45
but there are also a large number of guards and these are heavily armed,

01:27:50
very dangerous looking men.

01:27:53
Um,

01:27:53
these are also demon men too.

01:27:55
Um,

01:27:55
these are also demon men too.

01:27:56
Um,

01:27:56
so they're not exactly,

01:27:57
you know,

01:27:59
they're not anything you'd want to mess with offhand.

01:28:00
Um,

01:28:00
you can tell that they have,

01:28:01
uh,

01:28:02
guns and they have swords.

01:28:04
They're very strong.

01:28:05
There's four of them in the room.

01:28:06
Um,

01:28:07
and while there is a lot of like stuff on the walls and,

01:28:10
you know,

01:28:11
paintings and books and,

01:28:12
and chests full of,

01:28:14
uh,

01:28:14
whatever.

01:28:15
Um,

01:28:15
it's very,

01:28:16
very clear that the centerpiece is right in the middle.

01:28:20
And it's this very large chest,

01:28:22
um,

01:28:23
that looks like it's been inscribed with some sort of ruins that you don't,

01:28:26
you,

01:28:27
you personally can't read off.

01:28:29
Um,

01:28:29
it's some sort of like language and it's just the,

01:28:33
it's got a very like intense vibe.

01:28:35
It's very clear that this is what they're guarding.

01:28:38
Okay.

01:28:39
Can I summon Neelix again?

01:28:41
You can.

01:28:44
Can I have him do the same thing he did before?

01:28:46
Uh,

01:28:49
you want him,

01:28:51
you want to command him to spook these guys away?

01:28:53
As a sexy woman.

01:28:56
Yeah,

01:28:57
as a sexy woman.

01:28:58
Okay.

01:29:01
Yeah.

01:29:02
I mean,

01:29:02
okay.

01:29:03
Okay.

01:29:03
Okay.

01:29:03
How about this?

01:29:04
Can I summon the hot men to make a fire and distract these guys to go away?

01:29:07
And burn the harp?

01:29:09
No,

01:29:10
I'm going to steal the harp.

01:29:11
I'm going to burn down the castle.

01:29:13
The castle is made of stone.

01:29:16
Never stopped fire before.

01:29:20
I actually don't know if it's made of stone.

01:29:24
I just don't want to burn the harp.

01:29:25
The harp is probably not made of stone.

01:29:28
No,

01:29:28
my plan is to distract them with fire.

01:29:30
Fire,

01:29:31
fire,

01:29:31
fire.

01:29:32
And then they run off to go deal with the fire.

01:29:33
And I casually stroll in and swap.

01:29:36
All right.

01:29:37
Well,

01:29:37
just don't tell him to go nuts.

01:29:39
Because that's what you always tell him.

01:29:40
Oh,

01:29:43
what do you think,

01:29:44
Bridget?

01:29:45
Yeah.

01:29:47
If you want to try and,

01:29:49
and call Kaboom out and have him set fire to it.

01:29:52
So the,

01:29:53
the castle is made of stone.

01:29:54
So I'll just need a little bit more detail on where you're starting the fire.

01:29:57
Um,

01:29:58
but yeah,

01:30:00
if you want to,

01:30:02
I want to,

01:30:02
you can.

01:30:02
Yeah.

01:30:03
I'll roll for that.

01:30:04
I want him to start a fire in the room behind me.

01:30:06
Like the room I just came from.

01:30:08
Okay.

01:30:09
Yeah.

01:30:09
You mean your escape,

01:30:11
your escape route?

01:30:13
Well,

01:30:14
where else am I supposed to send these people?

01:30:16
I don't know.

01:30:16
I'm just saying you don't want to start a fire.

01:30:18
So you're stuck in the treasure room.

01:30:19
No,

01:30:20
well,

01:30:21
I'll start a fire and then I'll run away.

01:30:23
With the heart,

01:30:26
right?

01:30:27
Yeah.

01:30:27
Okay.

01:30:28
Making sure you don't forget that vital part.

01:30:31
What should I roll,

01:30:33
huh?

01:30:33
Oh,

01:30:35
you're going to command,

01:30:36
uh,

01:30:37
Kaboom.

01:30:37
Sorry.

01:30:38
For some reason,

01:30:39
Kaboom's,

01:30:39
uh,

01:30:39
image is not correct,

01:30:40
but pretend Baz here is Kaboom.

01:30:42
Quick,

01:30:43
quick question.

01:30:44
Yeah.

01:30:45
This is like,

01:30:47
is this a good idea?

01:30:48
No,

01:30:49
that too.

01:30:50
But,

01:30:50
uh,

01:30:51
it's like a big harp,

01:30:52
right?

01:30:53
It's,

01:30:54
it's,

01:30:55
it's not like one of those little ones you see,

01:30:56
like the cherubs play.

01:30:57
No,

01:30:58
no,

01:30:59
it's a relatively large harp.

01:31:00
Like one person can hold the harp,

01:31:03
uh,

01:31:03
by themselves.

01:31:04
It's not like it's a two person instrument,

01:31:05
but it's not something small.

01:31:07
You can just like tuck into your jacket.

01:31:08
It's,

01:31:09
it's,

01:31:09
it's a big harp.

01:31:11
I can't carry,

01:31:12
carry and run,

01:31:13
right?

01:31:13
You would really struggle with it.

01:31:16
There's a reason it's in a carrying case.

01:31:18
All right,

01:31:19
cool.

01:31:19
So roll for power.

01:31:21
Roll for power.

01:31:25
Uh,

01:31:26
yeah,

01:31:26
you're,

01:31:26
so you're going to command him to blow some stuff up.

01:31:28
Any modifiers?

01:31:30
Uh,

01:31:33
hold on,

01:31:34
let's take a look.

01:31:35
Up too late.

01:31:36
Okay.

01:31:37
So,

01:31:41
so you want him to start a fire behind you,

01:31:43
right?

01:31:43
Yeah.

01:31:45
Okay.

01:31:47
what do you tell him?

01:31:47
Uh,

01:31:49
flameo.

01:31:50
I know I've told you to cut loose before.

01:31:53
I need you to cut loose just a tiny bit and distract these guards enough.

01:32:00
And I'm whispering really quietly.

01:32:02
Like I'm coughing.

01:32:02
Like,

01:32:03
flameo.

01:32:03
I need to go.

01:32:04
She's gone.

01:32:09
I'm like looking at the.

01:32:10
I mean,

01:32:13
it was partially.

01:32:14
Um,

01:32:17
so.

01:32:18
You say that as you're coughing.

01:32:20
Which is a little suspicious.

01:32:23
That's subjective.

01:32:27
And,

01:32:28
uh,

01:32:28
and,

01:32:29
uh,

01:32:29
as you start lighting,

01:32:31
uh,

01:32:32
flameo turns around,

01:32:34
hotman turns around and he's like,

01:32:36
yes,

01:32:36
sir.

01:32:36
And he starts like,

01:32:37
he appears.

01:32:38
As a,

01:32:40
as a ghostly specter of flame and starts calling fireballs down,

01:32:46
uh,

01:32:46
the,

01:32:47
uh,

01:32:47
down the alley or down the,

01:32:49
uh,

01:32:50
staircase behind you.

01:32:51
Uh,

01:32:52
they do catch,

01:32:53
they do start a light.

01:32:54
They,

01:32:55
they don't like engulf the room and fire,

01:32:57
but he does start setting things on fire.

01:32:58
Um,

01:32:59
but an alarm goes off around you.

01:33:02
Uh,

01:33:03
like,

01:33:04
you know,

01:33:04
like a fire alarm.

01:33:05
Uh,

01:33:05
these are magical alarms.

01:33:08
that you have now tripped the door to the vault slam shut.

01:33:13
Uh,

01:33:13
and you are now trapped in there with five other guards.

01:33:16
Oh,

01:33:17
do I still have flame?

01:33:19
Oh,

01:33:19
Nope.

01:33:20
Flame.

01:33:20
He was on the other side of the room,

01:33:22
setting,

01:33:22
setting things ablaze.

01:33:23
You told him to cut loose.

01:33:25
I,

01:33:27
um,

01:33:27
hold on.

01:33:28
I got it.

01:33:28
Did you see that?

01:33:29
Uh,

01:33:31
demon,

01:33:31
demon,

01:33:32
demon.

01:33:33
We all see that,

01:33:38
sir.

01:33:38
Our job is to protect the black harp until the very end.

01:33:41
And they all pull out their swords.

01:33:42
All right.

01:33:44
Or go into formation around the,

01:33:46
uh,

01:33:47
around the,

01:33:47
uh,

01:33:49
can I like join them in formation?

01:33:51
All right.

01:33:51
I get it.

01:33:51
I will protect this thing with our lives.

01:33:53
Yes.

01:33:54
You can join them in formation.

01:33:56
What's your cool.

01:33:57
Yeah.

01:33:58
I have a sword.

01:33:59
Do you have a sword?

01:34:01
I thought I did.

01:34:02
Cannon.

01:34:02
I don't remember you ever having.

01:34:04
Never used it.

01:34:06
Strangely enough.

01:34:06
A lightning hook.

01:34:09
You have a spirit mask.

01:34:11
You have some bottles.

01:34:12
Uh,

01:34:12
I do not.

01:34:13
Do you want to add a sword?

01:34:14
No,

01:34:15
no,

01:34:15
no.

01:34:15
If I don't have it,

01:34:16
I'm not going to use it.

01:34:17
I have a,

01:34:17
I have a lightning hook.

01:34:18
I'm just like spinning it around.

01:34:19
Like,

01:34:19
uh,

01:34:22
all right.

01:34:24
Uh,

01:34:25
I think we're going to stop there.

01:34:26
As you set a fire.

01:34:27
Hail the junk fort boys.

01:34:30
In the night they roam.

01:34:32
Solving wolves with fire and cruel.

01:34:35
With a clash and a crash and a twist of fate.

01:34:39
Explosions mark the hours never late.

01:34:42
Man,

01:34:54
just started the fire.

01:34:56
It was always the world's return.

01:34:59
And,

01:35:00
and,