- Crew of the Kahuna

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Hail the Jump Fork boys, in the night they roam,

00:00:04

Sows and wolves with fire and cruel.

00:00:07

With a clash and a crash and a twist of bait,

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Explosions mark the hours never leave.

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Alright, well, welcome back everybody.

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Let me just jump right into it.

00:00:19

Hi, how's Gazette? Now on Mondays.

00:00:22

Leaving the Isle of Sampere, Sampere,

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the captain offered another stop.

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They came to the island of High Hill,

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a titaro settlement filled with demons,

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both rich and poor.

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Squish worked at a restaurant

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and learned the recipe to gugum pork.

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Chuckles and patches sailed to Deepwater Bar,

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where they met a familiar face, Tawny,

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their former intern.

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Using the name Harold Sack,

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the two managed to pull a prank so embarrassing

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that Tawny immediately lost his job.

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They then offered Tommy his old job back,

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which he took with minor stipulations.

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The captain then suggested they crash a party

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at High House home to the governor of the island

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and steal their treasure

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and generally be a nuisance to the rich.

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He was particularly interested in the Black Harp.

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However, the three were unprepared

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and had no plan at all.

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The three ended up being captured individually

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and taken to the kitchens to be dealt with.

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That's when they met Lady High Hill,

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daughter of the governor.

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She seems to know something about their plan

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to steal the harp, friend or foe,

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who knows?

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When you put it all out like that,

00:01:20

it sounds like we were real idiots.

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It seems like you rushed in there

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with no planning whatsoever,

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which I think was...

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To the naked eye.

00:01:29

We followed the red captain.

00:01:32

We thought he knew what he was doing,

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but it turned out he didn't.

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Make that...

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Let that be a lesson to us all.

00:01:38

What lesson is that?

00:01:41

Don't trust the red captain.

00:01:43

Is he a jerk?

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Hashtag red captain.

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Hashtag red.

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Wrong one.

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I don't know why your token keeps saying patches.

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Hold on.

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Let me fix this.

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Captain patches works.

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Oh, because you have to change the prototype token

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in the actor.

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Oh, that might be it.

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You've got to put in quotation marks.

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Why?

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Because it's a lie?

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Better not be a fucking lie.

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You know what?

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No.

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Okay, cool.

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Yeah, so you guys were taken individually

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into not the kitchens,

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which is where yours is now.

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Do you guys see the kitchen?

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Yes.

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Yes.

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You see the kitchen?

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Yeah.

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Okay, perfect.

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You were taken into a small,

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like a butler's cabin,

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uh,

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butler's entrance,

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butler's,

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what do they call those?

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Kitchens?

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Basically a very small,

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uh,

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cabinet,

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Ralph,

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this,

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or cupboard of,

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alongside the kitchen.

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Country?

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Yeah,

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that thing too.

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And,

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uh,

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you're taken there individually,

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you're all sitting there,

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uh,

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in a chair,

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you know,

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in different chairs,

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and you have just,

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uh,

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met,

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uh,

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the lady of the house.

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Let me get her picture up here.

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Lady Amoria?

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Not Lady Amoria.

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Although,

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wasn't she fun?

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I don't remember.

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I feel like we threw her off of the boat we were on.

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You did.

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Lady High Hill.

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I feel like maybe we were mean to her.

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You were.

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Um,

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so this is Lady Highwater.

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She has walked into where you guys are sitting,

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and she looked at the three of you and said,

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so,

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you're the ones that are here to steal the Black Harp.

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I repeat.

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Am I right?

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No,

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no,

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no,

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no.

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I'm,

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I'm here as,

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uh,

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no,

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that's not it at all.

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Yeah.

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You got it all wrong.

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Wait.

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We are part of the band.

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You're part of the band?

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The three of you.

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And you,

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I just,

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I just want to make sure that's the alibi you're going to go with here,

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because,

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uh,

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one of you was caught,

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uh,

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along the roof of the second floor.

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One of you was caught trying to sneak into a sewer.

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And I think the other one just kind of rolled in here from behind a bush.

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I,

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I,

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the details are a little fuzzy.

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All that could be explained.

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Uh,

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the one on the roof saw some roofing that needed to get done.

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The guy in the bush saw some gardening that got needed to get done.

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And the one by the sewer had some pooping that needed to be done.

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I thought we were the band.

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Oh,

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we're the band.

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And your instruments?

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Uh,

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our voices.

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Oh,

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yes.

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Acapella.

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An acapella quartet when there's only three of you and I haven't heard any singing.

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Yeah.

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Why would we sing?

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We're in prison.

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Yeah.

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you better pay me.

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I don't sing for free lady.

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I'll sing for you.

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If you are the band,

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you're,

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you're in a little bit of trouble.

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Another group that we did hire has already shown up.

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And,

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uh,

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I think,

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uh,

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you're a few hours late at this point.

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Uh,

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we're the encore band.

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Allegedly.

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Okay.

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Are you trying to seriously convince her that you're the band?

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No,

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we're not using that dumb excuse again.

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I'm just asking this.

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Cause if you do,

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you guys are going to need to roll some sort of persuasion.

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No shit.

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No character.

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Do you guys,

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what do you guys think?

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I mean,

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I just was spitballing though.

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Yeah.

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You spitballed for all of us.

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There flashback GM flashback.

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You're all sitting on the boat.

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We're coming up to the Island and you're like,

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Hey guys,

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if we get caught,

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should we go back to our old favorite word with the band?

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We're the band.

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Um,

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the whole flashback.

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No,

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I forgot about flashback.

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We should do the flashback.

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But I'm not sure when the flashback would have been.

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All I know is that,

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uh,

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I mean,

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flashback or not,

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I probably would have done that anyway.

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That's a valid point.

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I don't believe that you guys are with the band.

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I think that you guys are with that captain character over there.

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Uh,

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the one who offered his services to protect our,

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our black harp artifact.

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Yes.

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They,

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that's exactly it.

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We do work for that captain.

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He is our,

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he is our,

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uh,

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superior officer.

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And we are actually trying to,

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uh,

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check out your security.

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I thought that guy was,

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we said we were the part of the band because that's part of the,

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uh,

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security cover.

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Oh,

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I'm glad we passed that.

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Uh,

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so what are you done now?

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Ben we've,

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we've won.

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We've,

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uh,

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we passed with flying colors.

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We can get the insurance.

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What do you,

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what do you think?

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You think,

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I don't know.

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I don't think she believes us.

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Don't keep going with it.

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Don't,

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don't talk like that.

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We'll have to,

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uh,

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yes,

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yes.

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The sewer system could be,

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have some more grates in there and just go with it.

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Come on guys.

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And the roof,

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I mean,

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that roof has got way too many,

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um,

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vantage points,

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you know,

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for break-ins.

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And you're awfully haughty.

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Yeah,

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exactly.

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And you're really hot.

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What?

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That's not what I said.

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She is really sexy.

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I mean,

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lady,

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huh?

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I don't know.

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She's not really,

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uh,

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swayed or flattered by what you've just said.

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Um,

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but so,

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and she's very distrusting of you on her end.

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The situation's already pretty confusing and she doesn't buy in any to it.

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And she's like,

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okay,

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well,

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where are your credentials?

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They said you'd be like,

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have some sort of credentials.

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You're with the insurance agency.

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Black or the red captain side.

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Yeah.

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He'll vouch for us.

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Yeah.

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Hopefully captain flits.

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Cloud.

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Yes.

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He came to the front desk or to the house and he showed us his certificate,

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his,

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his credentials.

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I know he's been talking to my father about wanting to enhance the security around the Black

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Harp.

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I know it's full of shit.

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And I know the three of you are here to steal that thing.

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Allegedly.

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We're here to protect it.

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Come on.

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We're here to.

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Listen,

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we're all working.

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Why don't a bunch of pirates want to steal your harp?

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I mean,

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honestly,

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you got better.

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Actually,

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why don't we take the time?

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We haven't really described.

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We obviously know what the captain is wearing patches.

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He's wearing his coat inside out.

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The famous red frock coat is not a gray frock coat.

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What are the rest of you wearing?

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Are you still wearing my newspaper boys hat?

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Like,

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yes,

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like all hobos.

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Oh,

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you're a pirate sound.

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Hobos.

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You're a hobo.

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I knew you were a hobo.

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I'm a pirate hobo.

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Look who's talking on you.

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My home is the sea.

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What do you think that means?

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I don't know.

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Your home.

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Your home isn't.

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You still have a home.

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Well,

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next.

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It's all mixed.

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All right.

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What do you go on?

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Continue.

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I want to,

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I think I'm wearing the,

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the exact uniform I would wear at that.

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Was it the gilded truffle?

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Okay.

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So like a white.

00:09:51

Yeah.

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The gilded plump.

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Oh,

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I was close.

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I think it was golden.

00:09:59

Something like that.

00:10:01

But yeah,

00:10:01

the chef jacket and hat.

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Okay.

00:10:05

The hat I wasn't wearing.

00:10:06

It was in my pocket.

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But I pulled it out.

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When we got thrown in.

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To the,

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the jail cell.

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Pantry.

00:10:14

All right.

00:10:17

And then,

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uh,

00:10:18

chuckles.

00:10:19

Are you still in your,

00:10:20

your onion hat?

00:10:22

I don't know why you guys keep calling it that.

00:10:25

Because there's onions in it.

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There isn't in yours.

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And it's white like an onion.

00:10:33

I feel like it's rude.

00:10:34

But also I don't remember what the pretense was that,

00:10:38

uh,

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I was trying to sneak in.

00:10:40

Um,

00:10:42

I don't,

00:10:43

I think you were just trying to sneak in.

00:10:45

I don't even think you had a pretense.

00:10:46

You swam around the island like three times or like a whole time.

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And then they caught you.

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And then they asked you for your ID.

00:10:53

And you said,

00:10:54

it's in my other pants.

00:10:55

And then they threw you into the pool house.

00:10:57

I do believe you took your pants off at something.

00:10:59

No,

00:10:59

wait,

00:10:59

that was the last session.

00:11:00

I was going to say,

00:11:01

at least he's wearing pants this time.

00:11:03

I tried prowling and I,

00:11:04

I tried prowling and I failed miserably.

00:11:07

Okay.

00:11:09

All right.

00:11:11

So I tried swimming,

00:11:12

but yeah,

00:11:14

I don't really,

00:11:15

I'm think I'm wearing what I always wear,

00:11:20

which is basically a quilt of transients clothes,

00:11:27

basically.

00:11:28

Okay.

00:11:29

So you,

00:11:31

you do look like a hobo.

00:11:32

He's a hobo pirate.

00:11:37

We're proud,

00:11:38

lad.

00:11:38

I look like a thrifty hobo.

00:11:41

Made up of other hobos.

00:11:44

This is a hobo thrift.

00:11:48

You wouldn't understand.

00:11:49

Yeah,

00:11:49

no,

00:11:50

it's really in right now.

00:11:51

Hobo core.

00:11:52

Hobo core.

00:11:54

Hobo.

00:11:54

Hobo.

00:11:55

Hobo chic.

00:11:56

Hobo wave.

00:11:59

Yeah.

00:11:59

So that's cool.

00:12:01

Right.

00:12:01

She looks over the three of you.

00:12:03

She looks over the guy with a coat.

00:12:06

That's clearly inside out.

00:12:07

She looks at squish.

00:12:10

Who's in a white coat with his chef hats on.

00:12:13

And he's looking at triples as well.

00:12:15

Who is just like a pile of different types of clothing.

00:12:18

Um,

00:12:19

I imagine when you move,

00:12:20

it's kind of like pick pen from,

00:12:22

uh,

00:12:23

from peanuts.

00:12:24

I don't like this.

00:12:25

I don't like this idea that I'm dirty.

00:12:27

Okay.

00:12:29

So it's just,

00:12:29

and you're,

00:12:30

am I clean?

00:12:30

No.

00:12:31

Oh,

00:12:32

am I dirty?

00:12:34

Yes.

00:12:34

But please stop bringing it up.

00:12:37

Well,

00:12:38

then stop being dirty.

00:12:39

Exactly.

00:12:40

Dude.

00:12:41

I mean,

00:12:41

I didn't develop your character.

00:12:45

I didn't either.

00:12:48

I feel like I inherited all of this from a series of jokes.

00:12:51

All right.

00:12:55

Then change things.

00:12:59

Change your clothes.

00:13:00

Okay.

00:13:01

I'm wearing leather.

00:13:03

Did you clean up your room?

00:13:04

Yes.

00:13:05

That's what happened.

00:13:06

All right.

00:13:07

I got,

00:13:07

I got,

00:13:08

I got admonished by the red captain.

00:13:10

Uh,

00:13:11

he said something like,

00:13:12

boy,

00:13:12

you better clean up your room.

00:13:13

And so I did.

00:13:15

And I,

00:13:16

I found a new outfit.

00:13:18

Uh,

00:13:19

it's a leather vest,

00:13:20

uh,

00:13:22

with a white shirt,

00:13:23

a bow tie,

00:13:24

and a different color.

00:13:28

color top hat.

00:13:29

It's brass colored.

00:13:32

I'm wearing newsboy pants.

00:13:36

No,

00:13:37

scratch that.

00:13:38

I'm wearing bloomers.

00:13:39

Do adults wear bloomers?

00:13:42

What the heck are bloomers?

00:13:44

I don't know where bloomers are.

00:13:45

Is that a skirt?

00:13:47

I do.

00:13:47

No,

00:13:48

is it?

00:13:48

No,

00:13:48

they're like,

00:13:49

uh,

00:13:49

they're like old time pants.

00:13:51

Cause we're in the old times,

00:13:52

right?

00:13:54

I think bloomers are underwear.

00:13:56

No,

00:13:57

that's,

00:13:58

that's the Australian,

00:13:59

um,

00:14:00

definition.

00:14:01

Victorian bloomers.

00:14:03

Take your underground.

00:14:04

It's to the next level with these pretty lacy little bloomers.

00:14:07

Did you,

00:14:07

what do you typed in?

00:14:08

Victorian?

00:14:09

Like,

00:14:09

yeah,

00:14:11

that's the first thing I typed in was Victorian bloomers.

00:14:14

I typed in the word bloomers.

00:14:17

First is booming onions.

00:14:19

Now it's bloomers.

00:14:20

These are sexy.

00:14:21

Uh,

00:14:22

are they,

00:14:25

is it exclusively for women bloomers?

00:14:27

All right.

00:14:29

I'm thinking of something else then.

00:14:31

All right.

00:14:34

Let's scratch this.

00:14:34

This is a bad idea.

00:14:36

Why are you talking to me?

00:14:38

Skip me.

00:14:40

Let's just say I look,

00:14:41

uh,

00:14:41

better.

00:14:42

That's fine.

00:14:45

That's great.

00:14:46

Fantastic.

00:14:46

I'm glad you spent some time.

00:14:49

Oh,

00:14:49

was that one long flashback by the way?

00:14:51

I'm looking in the mirror,

00:14:54

trying new stuff on and,

00:14:56

uh,

00:14:57

I'm growing increasingly frustrated.

00:14:59

Talking to myself in the mirror.

00:15:01

But yes,

00:15:04

I still like,

00:15:05

I still like the leather,

00:15:06

the leather vest.

00:15:07

It's like a,

00:15:07

yeah,

00:15:07

I mean,

00:15:08

it kind of looks like my avatar,

00:15:09

I guess is what I was thinking.

00:15:10

Except,

00:15:11

um,

00:15:12

like a vest instead of this was like a jacket.

00:15:16

Well,

00:15:17

well,

00:15:17

so,

00:15:18

uh,

00:15:18

lady high hill continues.

00:15:19

She goes,

00:15:19

so what was your,

00:15:20

what was your plan once you got in here?

00:15:22

Were you going to try to like blend in or what's the,

00:15:26

what's,

00:15:27

what was the game plan?

00:15:27

Well,

00:15:29

the plan was not to get discovered.

00:15:31

Also,

00:15:33

we don't have a plan.

00:15:34

We're not,

00:15:36

we don't feel anything.

00:15:37

Still don't know what a harp is.

00:15:42

Yeah.

00:15:42

We don't even know what a harp is.

00:15:43

What is it?

00:15:44

Is it a weapon?

00:15:45

The black harp.

00:15:47

You've never heard of the black harp.

00:15:49

I feel like a lot of people have been trying to tell us.

00:15:52

It could,

00:15:54

it could have been someone had tried telling you what it was earlier.

00:15:57

No,

00:15:58

several,

00:15:58

several times in fact,

00:15:59

but yeah,

00:16:00

I wasn't paying attention.

00:16:03

Also,

00:16:04

I forgot.

00:16:04

It was a famous teacher of an artifact.

00:16:07

it's yeah.

00:16:09

Yeah.

00:16:11

It's you know,

00:16:12

their legend says there's once a great King who had a beautiful daughter who

00:16:16

loved to sing,

00:16:16

yada,

00:16:17

yada.

00:16:17

You've heard this all before.

00:16:18

Yes.

00:16:19

And the harp was as beautiful as your voice,

00:16:22

right?

00:16:22

Familiar.

00:16:23

I thought that they made drums to,

00:16:26

for that.

00:16:28

Oh,

00:16:28

some versions said they say made drums.

00:16:30

Some versions said they made flutes,

00:16:32

but they made a,

00:16:34

that's like the originals,

00:16:35

the black harp.

00:16:36

So they,

00:16:38

you know,

00:16:39

a harp that was so beautiful.

00:16:41

The most beautiful harp that anyone's ever seen.

00:16:44

It was hand carved or Nate.

00:16:47

It was just beautiful.

00:16:48

And the minute that you struck one of the strings,

00:16:50

it just rang out in the most pure,

00:16:52

beautiful note ever was made.

00:16:55

And it's worth a lot of money.

00:16:57

You say it is worth a lot of money.

00:17:01

Probably because it's haunted.

00:17:06

Well,

00:17:06

that's news to me.

00:17:08

Oh,

00:17:10

yeah.

00:17:10

That's like,

00:17:11

that's like the second half of the story,

00:17:13

right?

00:17:13

So they,

00:17:14

they make this beautiful harp and then the King,

00:17:16

he plays and he goes,

00:17:16

Oh,

00:17:17

what a beautiful harp.

00:17:18

He says,

00:17:18

the neck,

00:17:18

the bow so sweetly.

00:17:20

Um,

00:17:21

and the craftsman said it was made from a,

00:17:22

from the lute.

00:17:23

Uh,

00:17:24

and the strings are so soft.

00:17:25

And they said,

00:17:25

Oh,

00:17:26

it was made from the drum.

00:17:27

And they said,

00:17:27

the body of this harbett glitters in gold.

00:17:30

And they said,

00:17:30

it was made from the horn.

00:17:32

And the voice is so fine.

00:17:33

The King says,

00:17:34

plucking away at the strings.

00:17:35

And they say,

00:17:36

Oh,

00:17:36

it was made from your daughter.

00:17:37

Oh,

00:17:40

like bones.

00:17:42

All these instruments are made of the daughter.

00:17:44

Well,

00:17:47

you know,

00:17:47

it's a story.

00:17:48

It's not real.

00:17:48

Well,

00:17:50

does it look like a daughter?

00:17:51

Does it look like a harp?

00:17:52

The front of it is,

00:17:54

you know how like a ship is carved into like the face of a beautiful woman.

00:17:58

This harp,

00:17:59

which is an instrument.

00:18:00

It's a stringed instrument is,

00:18:02

uh,

00:18:02

front of it is carved.

00:18:03

Yeah.

00:18:04

No,

00:18:05

not at all.

00:18:06

Like a ukulele.

00:18:07

Although I suppose they probably play similarly.

00:18:08

Okay.

00:18:11

So can we have it?

00:18:12

Uh,

00:18:12

no,

00:18:13

you absolutely cannot have it.

00:18:15

Um,

00:18:15

I don't even think the captain should have it.

00:18:18

He is clearly up to something.

00:18:20

He just wrote my dad and said,

00:18:22

Hey,

00:18:22

my father.

00:18:23

And he said,

00:18:23

Hey,

00:18:23

uh,

00:18:24

we'd love to improve your security around this,

00:18:28

this harp.

00:18:29

And he signed it that he was from the,

00:18:30

some insurance agency.

00:18:31

And my dad is an idiot.

00:18:33

And he bought into it.

00:18:34

That's a real terrible plan.

00:18:38

How about we stop him?

00:18:39

What will you give us?

00:18:40

If we kill him,

00:18:40

we give us the heart.

00:18:41

You know who?

00:18:43

My father.

00:18:44

Well,

00:18:45

if,

00:18:45

would you pay us for that?

00:18:47

No.

00:18:48

Uh,

00:18:49

then no.

00:18:49

Uh,

00:18:50

no,

00:18:51

not,

00:18:51

that's your father.

00:18:52

Of course not.

00:18:53

The other guy,

00:18:54

the red captain.

00:18:55

You're going to kill him.

00:18:58

You want him dead?

00:18:59

No,

00:19:00

I just want him to go,

00:19:01

leave.

00:19:02

And I want the heart not to be stolen.

00:19:05

But one of you is going to,

00:19:06

I think,

00:19:07

try to do it.

00:19:08

Why?

00:19:09

Yeah,

00:19:11

I feel like,

00:19:11

because you were speaking around.

00:19:13

I was just swimming.

00:19:15

I think.

00:19:17

I was just trying to look at the kitchen and see what was going on.

00:19:22

I was probably.

00:19:23

Good whole innocent probably.

00:19:26

I think I'm just going to leave you guys in here and call,

00:19:32

call the village guard and have them take care of you.

00:19:35

What?

00:19:37

Yeah.

00:19:37

No.

00:19:37

Go ahead.

00:19:38

Oh,

00:19:38

wait,

00:19:39

wait,

00:19:39

wait,

00:19:39

wait,

00:19:40

wait,

00:19:40

wait,

00:19:40

wait,

00:19:40

wait,

00:19:40

hold on.

00:19:40

I'll kill them too.

00:19:41

Relax.

00:19:43

Juckles,

00:19:44

relax.

00:19:45

Get the red captain in here.

00:19:47

He'll vouch for us.

00:19:49

The red captain that I believe is trying to steal this is going to

00:19:53

vouch for you,

00:19:54

who I also believe is going to steal this.

00:19:56

When is he going to vouch that you aren't going to steal it?

00:19:58

Then arrest him.

00:19:59

Then arrest him.

00:20:00

Your father.

00:20:01

bring us your dad.

00:20:03

He sounds really stupid.

00:20:04

He'll believe us.

00:20:05

She disappears.

00:20:11

Uh-oh.

00:20:12

For a moment.

00:20:14

Uh,

00:20:14

when she comes back,

00:20:15

she comes back with this very short,

00:20:19

uh,

00:20:19

compared to her,

00:20:20

she's a relatively tall,

00:20:21

individual woman,

00:20:22

uh,

00:20:23

a shorter demon.

00:20:25

Oh,

00:20:27

well,

00:20:29

hello,

00:20:29

sir.

00:20:29

I love your hat.

00:20:30

Well,

00:20:32

I love your hat.

00:20:33

Thank you.

00:20:34

It's leather.

00:20:35

Leather?

00:20:37

Out of animal skin?

00:20:38

Yeah.

00:20:39

Yeah.

00:20:40

Actually.

00:20:40

Guess what this is made out of?

00:20:42

Human?

00:20:43

Human?

00:20:43

Leather!

00:20:45

From a human?

00:20:47

Well,

00:20:48

yeah.

00:20:48

Oh,

00:20:49

cool.

00:20:49

That's,

00:20:49

I don't think I like it anymore.

00:20:51

Do you want to trade?

00:20:53

Yes.

00:20:55

Yes,

00:20:56

we do.

00:20:56

No.

00:20:57

He hands,

00:20:58

he,

00:20:59

it's a,

00:20:59

it's a costume party.

00:21:00

I,

00:21:01

you have all such wonderful costumes.

00:21:03

I see we have a pirate and,

00:21:05

and a chef and,

00:21:06

and a leather vagabond.

00:21:09

Yarr.

00:21:12

this isn't a,

00:21:13

this is who I am.

00:21:14

Yarr.

00:21:15

Leather vagabond.

00:21:17

I was trying this on.

00:21:18

I thought this was going to be my new look,

00:21:20

but.

00:21:20

You're a leather vagabond.

00:21:22

Just own it.

00:21:22

Well,

00:21:22

you look wonderful.

00:21:23

Are you,

00:21:23

are you all here to attend the party?

00:21:25

Or a lovely costume party?

00:21:27

We're here,

00:21:27

we're here to work.

00:21:28

Your costume party.

00:21:29

You must be from the H&M,

00:21:33

uh,

00:21:34

insurance house.

00:21:35

The brokerage house.

00:21:37

Yeah.

00:21:37

You met,

00:21:38

you met our boss.

00:21:39

Yes,

00:21:40

absolutely.

00:21:41

Clyde.

00:21:41

Fitz Clyde.

00:21:42

Fitz Clyde.

00:21:43

Yeah.

00:21:44

Yeah.

00:21:47

You know,

00:21:48

your daughter was being real uppity earlier.

00:21:50

She's trying to arrest us.

00:21:51

You may have noticed.

00:21:52

Oh,

00:21:53

I'm sure.

00:21:54

She's just,

00:21:54

she's got so much on her head,

00:21:56

so much on her plate.

00:21:57

You know how ladies are with their parties.

00:21:59

Yeah.

00:22:00

Well,

00:22:00

actually it's my party,

00:22:01

but I told her to plan it.

00:22:02

It's going well.

00:22:03

Oh,

00:22:04

so are you wearing a costume?

00:22:05

Well,

00:22:07

yes,

00:22:07

of course.

00:22:08

I'm going as a rich aristocrat.

00:22:10

Oh,

00:22:11

so you're not a rich aristocrat?

00:22:13

You're not rich?

00:22:14

No,

00:22:14

but I'm going as one too.

00:22:15

Huh.

00:22:17

I'm very confused

00:22:20

by your

00:22:21

choice of

00:22:22

costume.

00:22:23

You,

00:22:25

um,

00:22:25

as you're talking to,

00:22:27

uh,

00:22:27

Governor High Hill,

00:22:28

you may have,

00:22:30

or hopefully have noticed that.

00:22:31

Yeah,

00:22:32

this is Governor High Hill.

00:22:33

Uh,

00:22:34

he's not quite a hundred percent here or there.

00:22:37

He's not like completely out of it where he's like,

00:22:42

doesn't know where he is,

00:22:43

but,

00:22:43

uh,

00:22:43

his,

00:22:44

he's a little dumb.

00:22:45

That works in our favor.

00:22:48

And you can tell this by the way,

00:22:50

that lady High Hill,

00:22:51

his daughter is just glaring at him.

00:22:54

She is just fuming.

00:22:55

If she,

00:22:57

she's already red,

00:22:58

but if she could get redder,

00:22:59

she would.

00:23:00

So what,

00:23:05

what do you say?

00:23:05

Grandpa,

00:23:05

you know,

00:23:06

is out of here?

00:23:06

Well,

00:23:08

I don't see any reason why you have to be in here,

00:23:11

except,

00:23:11

well,

00:23:12

my daughter says that you guys are up to something.

00:23:14

No,

00:23:15

we're good friends with your daughter.

00:23:16

I have to trust her.

00:23:17

I'm going to have all of you roll.

00:23:19

Uh,

00:23:19

cause I get the sense you're trying to persuade him.

00:23:23

You're going to,

00:23:23

everyone's going to roll their sway.

00:23:25

And then depending on how that goes,

00:23:26

we'll go from there.

00:23:28

Do you know how it's going to go,

00:23:30

Bridget?

00:23:30

Not well.

00:23:36

Hell yeah.

00:23:42

Oh,

00:23:43

wait,

00:23:43

no.

00:23:43

Oh,

00:23:44

no.

00:23:44

We all failed.

00:23:46

That's not like us.

00:23:47

Usually we roll pretty good.

00:23:49

Wait,

00:23:49

where's,

00:23:49

uh,

00:23:50

where's booze roll?

00:23:51

It's up there.

00:23:54

You got a two.

00:23:55

Patches.

00:23:56

Patches got a two.

00:23:57

Oh,

00:23:57

for some reason,

00:23:58

it didn't show up.

00:23:58

I got a one,

00:23:59

two,

00:23:59

three,

00:24:00

and you got a three.

00:24:01

Yeah.

00:24:02

Yeah.

00:24:02

You did.

00:24:02

You all failed that one.

00:24:03

Uh,

00:24:05

she looks at the three of you and she goes,

00:24:08

I don't believe for a second that you guys are here to protect anything that we're doing.

00:24:14

You don't have to.

00:24:17

Your father does.

00:24:19

Ooh.

00:24:20

Ooh.

00:24:27

So we just have to persuade him.

00:24:30

That's true.

00:24:32

I like that.

00:24:33

Uh,

00:24:35

all right,

00:24:35

let's see.

00:24:36

Is it?

00:24:41

Uh,

00:24:41

I'm going to let,

00:24:42

I'm going to let Andy roll.

00:24:43

Uh,

00:24:44

sorry.

00:24:44

I'm going to let,

00:24:44

uh,

00:24:45

squish roll again.

00:24:46

I'm going to give you a boost for that.

00:24:47

Cause you are playing to his ego.

00:24:49

And I like that.

00:24:51

Come on.

00:24:55

Um,

00:24:56

partial success.

00:24:58

Uh,

00:25:00

the,

00:25:01

the governor just is like,

00:25:03

gives us a little like,

00:25:04

excellent.

00:25:06

What,

00:25:06

what vivacious young men that you are.

00:25:08

I can't wait to have you at our party.

00:25:10

And I expect nothing will go unglad.

00:25:13

And he gives you a little wink,

00:25:14

wink.

00:25:14

Um,

00:25:15

the house is free to do yours with as you wish,

00:25:18

but I do insist just,

00:25:20

just for my own peace of mind.

00:25:22

Uh,

00:25:22

my daughter will accompany you as you,

00:25:24

uh,

00:25:25

perform your duties as you see fit,

00:25:26

just to make sure you don't scuff up the walls or break any furniture or,

00:25:30

you know,

00:25:31

disturb the party too much.

00:25:33

We,

00:25:33

we want to have a good time,

00:25:34

but not too good of a time.

00:25:35

If you understand what I'm saying,

00:25:37

um,

00:25:37

she will come with you.

00:25:39

And then I think,

00:25:40

I think that's it.

00:25:42

You boys enjoy the party.

00:25:43

I'll come back with me to me with your full report.

00:25:46

And I can't wait to hear it.

00:25:47

And he,

00:25:49

uh,

00:25:49

scuttles,

00:25:49

uh,

00:25:50

away.

00:25:50

So,

00:25:51

uh,

00:25:52

yeah.

00:25:52

So lady high hill is going to join you guys on whatever you choose to do next.

00:25:56

Right.

00:25:57

She likes us a lot.

00:25:58

I think.

00:25:59

I know.

00:26:00

Yeah.

00:26:00

Awesome.

00:26:00

It sounds like a romantic comedy.

00:26:03

She's pretty soon.

00:26:04

She's gonna be marrying all three of us,

00:26:05

which reminds me squish.

00:26:08

Yes.

00:26:10

It's me.

00:26:11

Juggles.

00:26:11

Okay.

00:26:14

I can see you.

00:26:15

What if,

00:26:16

what if you just murder her?

00:26:18

She's so hot though.

00:26:21

I'd rather just make her my wife.

00:26:23

Guys,

00:26:24

guys,

00:26:24

guys,

00:26:25

hold on.

00:26:25

Hold on.

00:26:25

Why can't you just murder her?

00:26:27

Guys,

00:26:27

hold on.

00:26:28

I'm scared.

00:26:28

Guys,

00:26:30

I got one thing to say.

00:26:31

Dibs.

00:26:34

I'm murdering her?

00:26:37

Patches.

00:26:38

She will literally eat you.

00:26:40

Yeah,

00:26:42

I'm into that.

00:26:43

What?

00:26:45

What?

00:26:46

Wait,

00:26:49

what did I say?

00:26:49

You're into her eating you?

00:26:53

Um.

00:26:57

Don't look at me like that,

00:27:00

Bridget.

00:27:01

Just want to hear what you want to say.

00:27:04

All right,

00:27:07

what's the plan?

00:27:08

Squish is going to murder her.

00:27:13

murder.

00:27:13

For what?

00:27:14

You should murder her.

00:27:16

Because it would make our lives slightly more convenient.

00:27:19

We're in a party in our own house.

00:27:21

If we murder her,

00:27:22

that sounds like a really bad idea.

00:27:24

Her dad sounds like a psycho.

00:27:26

Sounds like a board game.

00:27:28

Her dad sounds like that.

00:27:31

A board game.

00:27:35

So,

00:27:35

here is the first floor of the house.

00:27:39

All right.

00:27:39

Let me just get you guys in here.

00:27:42

Sorry about this.

00:27:44

Right.

00:27:51

So,

00:27:51

I'm going to move this guard.

00:27:53

So,

00:27:53

I'm going to move this guard.

00:27:53

If you can kind of see.

00:27:54

You guys are back here.

00:27:56

This is where you tried to,

00:27:58

I'm sorry,

00:27:58

you're back here.

00:27:59

This is where you tried to sneak in from the kitchens.

00:28:01

So,

00:28:01

in the upper left-hand corner of the screen,

00:28:04

this is the kitchen.

00:28:05

Through the kitchen down here,

00:28:10

there's this large hallway in the center with the big circle in it.

00:28:13

This is the ballroom.

00:28:17

And then over here are different,

00:28:19

like,

00:28:19

private parts of the house.

00:28:20

This is relatively blocked off.

00:28:22

I mean,

00:28:22

not saying you can't go in here,

00:28:23

but this is things like studies,

00:28:25

storerooms,

00:28:26

offices,

00:28:27

that sort of thing.

00:28:28

There is a staircase at the center of the room here where the,

00:28:33

this big circle thing is.

00:28:34

Is it a spiral staircase?

00:28:36

It is a spiral staircase.

00:28:38

And then just.

00:28:42

No.

00:28:46

Does it have nuts we can punch?

00:28:48

The staircase?

00:28:50

Why is everyone attacking me today?

00:28:53

Why is everybody picking on me?

00:29:01

And then there is an upstairs as well.

00:29:05

So,

00:29:05

we can get up there eventually.

00:29:07

But,

00:29:09

but Lady Highwater walks out of the kitchen,

00:29:11

of the pantry,

00:29:13

into the kitchen.

00:29:15

We can go there very quickly.

00:29:16

Oh,

00:29:18

you're there,

00:29:19

I guess.

00:29:19

This is where you guys were.

00:29:21

It's a full kitchen.

00:29:23

Lots of people bustling in and out.

00:29:26

There are servants.

00:29:26

There are cooks.

00:29:27

There are butlers.

00:29:28

Everyone is just,

00:29:29

it's a hub of activity because this is a party.

00:29:32

So,

00:29:32

there's lots of food and entrees going out.

00:29:35

There are a lot of drinks going out.

00:29:36

It's a real hubbub of activity.

00:29:39

Lady Highwater walks out and she goes,

00:29:43

so,

00:29:44

where will you examine first?

00:29:46

Well,

00:29:49

if our job is to protect

00:29:51

the barf barf,

00:29:53

then we should go see

00:29:55

where the room that it's in.

00:29:59

All right.

00:29:59

If you'll follow me,

00:30:01

she leads you

00:30:03

through

00:30:04

these kitchens.

00:30:05

Do,

00:30:06

do,

00:30:06

do.

00:30:06

It's a nice kitchen you have here.

00:30:10

It is very nice.

00:30:12

Are you hiring?

00:30:12

Are we hiring?

00:30:15

No,

00:30:16

I don't believe so.

00:30:17

I mean,

00:30:17

we hired a bunch of staff

00:30:18

for the party this evening.

00:30:20

There's a lot of strange

00:30:21

people here,

00:30:22

people who could just

00:30:23

slip in

00:30:24

unnoticed.

00:30:25

But,

00:30:27

right,

00:30:29

of course.

00:30:29

don't you work for an insurance company?

00:30:31

Isn't that what we're doing now?

00:30:32

you work for the insurance company.

00:30:35

Yeah.

00:30:35

And squish,

00:30:36

presumably.

00:30:37

Yeah.

00:30:39

But have you ever had

00:30:40

goo gum pork?

00:30:41

I've never had goo gum pork.

00:30:44

That sounds like something

00:30:44

poor people eat.

00:30:45

No,

00:30:47

no,

00:30:47

not the way that I make it.

00:30:50

I make it real fancy.

00:30:54

fancy.

00:30:54

But not for you anymore.

00:30:57

Yep.

00:31:01

So,

00:31:03

up the spiral staircase,

00:31:05

at the very top,

00:31:06

there's this,

00:31:06

like,

00:31:07

tower area

00:31:08

that allows you to kind of

00:31:09

look down

00:31:10

into the party below.

00:31:11

From there,

00:31:12

there's a hallway

00:31:13

out here.

00:31:14

Oh,

00:31:16

here,

00:31:16

out here.

00:31:17

There are private bedrooms

00:31:19

over here

00:31:20

and then another

00:31:21

staircase

00:31:22

up here.

00:31:23

she goes out

00:31:25

of this hallway

00:31:25

where you guys,

00:31:26

again,

00:31:26

you can look down below

00:31:28

at the party below you

00:31:29

and she points

00:31:30

to the other stairway

00:31:32

and she goes,

00:31:32

our vault is up here.

00:31:35

it's currently under

00:31:36

locked guard.

00:31:37

There's a lock,

00:31:37

there's a guard

00:31:39

at the bottom

00:31:40

of the stairs

00:31:40

and then there are guards

00:31:41

within the room

00:31:42

upstairs.

00:31:43

No,

00:31:43

I don't have the key.

00:31:45

I won't be showing you

00:31:46

where it is.

00:31:47

Well,

00:31:49

this,

00:31:49

this looks pretty good.

00:31:50

Mike,

00:31:52

yeah,

00:31:52

you did a good job

00:31:53

locking this up.

00:31:54

I'd say our,

00:31:55

our job is done.

00:31:56

I'm sorry,

00:31:57

where'd you say the key

00:31:57

was again?

00:31:58

I don't have the key.

00:32:00

I didn't say where.

00:32:01

Almost got you.

00:32:02

Yeah,

00:32:03

but where is it?

00:32:04

It's with my father.

00:32:09

It's his house.

00:32:11

It's his artifact.

00:32:12

it's his key.

00:32:13

I've insisted that he puts it

00:32:15

in a lock box in his bedroom

00:32:16

or,

00:32:17

you know,

00:32:18

gives it to one of our

00:32:19

most trusted staff.

00:32:21

But what he's done with it,

00:32:23

I'm not sure.

00:32:24

Knowing him,

00:32:24

it's probably on a necklace

00:32:26

around his neck.

00:32:27

That's smart.

00:32:29

That's good security.

00:32:31

I actually agree with your father.

00:32:34

I'd like to give him a hug.

00:32:36

I'd like to pick him up

00:32:39

and shake him around.

00:32:40

You want to talk

00:32:48

to my father again?

00:32:48

Is that what you're saying?

00:32:50

I,

00:32:51

no,

00:32:52

I just,

00:32:53

I was speaking figuratively.

00:32:54

Oh.

00:32:56

You know,

00:32:57

like he's a real cutie guy.

00:32:59

You just really want to

00:33:00

tussle his hair.

00:33:01

I would like to

00:33:04

throttle him sometimes.

00:33:05

He's,

00:33:06

I know you are all

00:33:08

playing him

00:33:09

and I,

00:33:09

I'm glad you're getting

00:33:10

a real big laugh

00:33:11

out of it,

00:33:11

but he really does

00:33:13

need like long-term care

00:33:15

and better solutions

00:33:16

than I can provide for him

00:33:17

and he's too stubborn

00:33:18

about it.

00:33:19

He thinks he can run

00:33:20

this place,

00:33:20

but he can barely

00:33:21

tie his shoes most days.

00:33:22

I don't think he has

00:33:27

to wear shoes though,

00:33:28

so that crisis

00:33:30

is a verdict.

00:33:33

because he's a goblin?

00:33:34

Because he's a goblin?

00:33:34

Goblins,

00:33:41

sir.

00:33:41

We're,

00:33:42

we're from the finest

00:33:43

families of

00:33:45

teacher-os.

00:33:45

I'm sorry.

00:33:47

You guys just

00:33:48

look like goblins.

00:33:49

I mean,

00:33:50

not you.

00:33:51

You're,

00:33:52

is offensive.

00:33:53

Well,

00:33:54

uh,

00:33:55

yeah,

00:33:56

but he's,

00:33:57

he's three feet tall

00:33:58

and green.

00:33:58

I mean,

00:33:59

she's red,

00:34:01

smoking hot,

00:34:02

but dad,

00:34:03

she might want to get

00:34:05

a paternity test.

00:34:06

I'm very much

00:34:12

my father's daughter.

00:34:13

I don't question

00:34:15

my paternity

00:34:15

or my mother's honor

00:34:16

in the slightest.

00:34:17

What is wrong with you?

00:34:19

Uh,

00:34:25

I just

00:34:26

said what I was thinking.

00:34:28

I'm sorry.

00:34:29

I get like that sometimes.

00:34:31

At the base of the stairs,

00:34:33

uh,

00:34:34

top of the stairs,

00:34:35

you see there are

00:34:36

two large portraits.

00:34:37

Uh,

00:34:38

this is clearly

00:34:39

Mr.

00:34:40

and Mrs.

00:34:40

High Hill,

00:34:41

her parents.

00:34:41

And yes,

00:34:42

as you can tell,

00:34:43

uh,

00:34:44

mom looks just like her,

00:34:46

you know,

00:34:46

smoking hot red demon.

00:34:48

And the dad is indeed

00:34:49

a slightly younger,

00:34:51

but still short green

00:34:52

demon,

00:34:53

potentially goblin.

00:34:55

Well,

00:34:57

goblin,

00:34:57

man.

00:34:58

Goblins.

00:35:00

I didn't know

00:35:02

that was offensive.

00:35:04

why would it not

00:35:06

be offensive?

00:35:06

I don't know.

00:35:07

You're,

00:35:08

you're a demon.

00:35:08

No,

00:35:10

I can't tell you.

00:35:11

I can't tell you guys.

00:35:12

We gotta talk about this later.

00:35:13

Wow.

00:35:14

Wow.

00:35:16

What?

00:35:17

No good?

00:35:17

No,

00:35:18

it keeps getting worse.

00:35:19

You said he didn't need shoes.

00:35:21

Cause he's rich.

00:35:24

And it says,

00:35:25

oh,

00:35:25

I thought you,

00:35:29

I thought,

00:35:31

uh,

00:35:31

there was something else

00:35:33

going on.

00:35:33

I'm a dirt.

00:35:36

While I'm arguing with,

00:35:37

with juggles about this,

00:35:38

I get closer to,

00:35:40

to the duchess,

00:35:41

uh,

00:35:43

or whatever.

00:35:43

Governess.

00:35:44

High hill.

00:35:45

High hill.

00:35:46

Oh,

00:35:48

she wouldn't be the governess.

00:35:49

Wouldn't the wife be the governess?

00:35:51

Oh,

00:35:51

I don't know how that works.

00:35:52

She's,

00:35:54

she's lady high hill.

00:35:55

Uh,

00:35:56

her father is governor high hill.

00:35:57

Uh,

00:35:57

he's mom is dead.

00:35:59

So there is no,

00:36:00

uh,

00:36:00

lady.

00:36:01

I'm sorry.

00:36:03

I said that thing about your mom cheating on your dad.

00:36:07

I didn't know she was dead.

00:36:09

Just shut up.

00:36:10

Out of character.

00:36:14

Do you want me to take that shovel from you?

00:36:16

It seems like you've dug yourself a pretty good hole there.

00:36:18

I'm trying.

00:36:19

I'm trying to get back in her good graces.

00:36:21

I've just,

00:36:22

I said,

00:36:22

I'm sorry.

00:36:23

If I knew she was dead,

00:36:24

I wouldn't have questioned your paternity.

00:36:25

I wouldn't have called your mom.

00:36:27

I,

00:36:31

I'm not surprised.

00:36:33

she wasn't able to resist your father's charge.

00:36:36

I'm not surprised.

00:36:37

She's dead.

00:36:38

He's very much trying to keep her cool.

00:36:46

Um,

00:36:47

she's pretty angry.

00:36:47

She was,

00:36:48

is there anywhere else in the house you need to see?

00:36:51

Yes.

00:36:52

In fact,

00:36:53

yes.

00:36:54

In fact,

00:36:55

your father's bedroom,

00:36:58

his bedroom.

00:37:00

Yes.

00:37:03

very well.

00:37:05

If he's got the key on a chain,

00:37:07

he's got to go to sleep sometime.

00:37:09

That's the perfect place for burgers to strike.

00:37:13

All right.

00:37:15

Uh,

00:37:16

she leads you down the hallway here.

00:37:18

And we're just going to say this first room with,

00:37:22

uh,

00:37:22

the three beds in it is his.

00:37:23

Uh,

00:37:24

so she opens the door,

00:37:26

uh,

00:37:26

to this very grand bedroom,

00:37:30

you know,

00:37:30

huge,

00:37:31

huge four poster bed,

00:37:32

lots of space,

00:37:34

uh,

00:37:34

lots of,

00:37:35

uh,

00:37:36

big desks and things.

00:37:39

Uh,

00:37:39

but everything in the room is really tiny.

00:37:41

So there's like a tiny pair of shoes and like a tiny,

00:37:44

like spectacles on a thing.

00:37:45

It looks like a small,

00:37:47

like a little goblin person does in fact live here,

00:37:49

but a very neat one,

00:37:50

but everything is like,

00:37:51

like hilariously small in comparison,

00:37:55

his like little clothes and his hats.

00:37:57

He's got like a little book and a little pen,

00:37:59

little toilet.

00:38:02

Yeah.

00:38:03

Yeah.

00:38:04

His bathrooms.

00:38:05

He's got an ensuite.

00:38:06

He's got a tiny toilet.

00:38:07

I would like to study around or survey.

00:38:11

Okay.

00:38:12

Well,

00:38:15

yeah.

00:38:15

So I'd like to survey,

00:38:16

see if I see any like weaknesses in the room where someone,

00:38:20

someone can come in and,

00:38:21

and steal something.

00:38:23

I'm,

00:38:27

uh,

00:38:28

checking out the bed.

00:38:28

Oh,

00:38:29

wait.

00:38:29

Oh,

00:38:29

sorry.

00:38:30

I'm finding that I fit pretty well in the,

00:38:33

on the toilet.

00:38:34

Go ahead.

00:38:40

So,

00:38:42

yeah,

00:38:42

I just want to look in like the bedside drawer or like,

00:38:45

look at the windows,

00:38:46

see if they're lashed securely.

00:38:49

see if there's like,

00:38:50

maybe he accidentally today due to dementia or whatever.

00:38:54

Hey,

00:38:55

you know,

00:38:55

older goblins get,

00:38:57

maybe forgot the key in the bedside table.

00:39:00

He's not a goblin.

00:39:02

We've,

00:39:02

how I'm saying that.

00:39:06

I'm saying that out loud.

00:39:07

Okay.

00:39:09

Just make sure you don't.

00:39:11

Why are you actually offended?

00:39:12

I really,

00:39:14

I really got admonished.

00:39:15

Like,

00:39:15

because I've grown as a person.

00:39:17

I've realized that goblin is not a nice word.

00:39:19

In three minutes?

00:39:20

Yes.

00:39:22

You guys really,

00:39:23

really yelled at me.

00:39:25

You deserved it.

00:39:26

So you look around the room.

00:39:30

And so some good things.

00:39:31

The window is like,

00:39:33

has just a standard latch on it.

00:39:34

There's no other really.

00:39:36

Like more secure provisions.

00:39:38

Okay.

00:39:39

May there's no bars on the door or anything like that.

00:39:42

This is a lock.

00:39:42

You very clearly could get into if you,

00:39:44

if you had to,

00:39:45

you don't see the key anywhere,

00:39:48

but you do see that his safe,

00:39:50

the lock box that he has under his bed is a little bit cracked open.

00:39:56

Can I open it?

00:39:58

Yeah,

00:39:59

you can.

00:40:00

It's already open.

00:40:01

Like someone forgot to shut the door.

00:40:03

Oh,

00:40:04

okay.

00:40:04

I open it.

00:40:05

It's empty.

00:40:08

Check for a false bottom.

00:40:09

I dock on the bottom.

00:40:13

Secret knock.

00:40:15

The secret knock on the bottom.

00:40:17

See if it pops open.

00:40:18

No,

00:40:19

nothing pops open.

00:40:21

Like this is,

00:40:22

there are some things in the lock box.

00:40:24

So it's not like it's been cleared out,

00:40:25

but like,

00:40:25

there's like pictures of like him and his wife and his kid.

00:40:29

There's like little like drawings that his daughter has done over time.

00:40:33

Like very sentimental items,

00:40:35

but there's nothing in there of any great value.

00:40:38

Okay.

00:40:38

All right.

00:40:39

All right.

00:40:39

Let me pull my team aside here and talk to them.

00:40:42

Yar.

00:40:44

Hey.

00:40:45

Yar.

00:40:46

Yar.

00:40:46

Hey,

00:40:46

guys,

00:40:47

this is squish.

00:40:48

Yeah.

00:40:50

Hey,

00:40:50

Chuckles,

00:40:52

do you think you can take or something to keep the door closed?

00:40:55

To keep it closed?

00:40:57

Like if we leave and we close the door,

00:41:01

can you rig something up?

00:41:02

So it can't be open from the inside.

00:41:07

You mean like a lock?

00:41:10

Yes,

00:41:12

but a lock can be open from the inside.

00:41:15

Oh,

00:41:15

you want to lock them out.

00:41:16

Yeah.

00:41:17

I want to lock her in.

00:41:18

Why don't we just jam a chair in the door?

00:41:23

Or a wedge.

00:41:24

Great.

00:41:25

Yes.

00:41:26

Tinker it.

00:41:27

Can you take us a wedge?

00:41:29

That is up to you.

00:41:31

And when do you want it to blow up?

00:41:33

Preferably after we left.

00:41:36

Well,

00:41:37

preferably not at all.

00:41:38

But if it has to,

00:41:39

which I completely understand,

00:41:40

after we leave.

00:41:43

Can you really make an exploding door wedge?

00:41:47

I can make anything explode.

00:41:49

That might be the coolest thing you've never done.

00:41:51

You want me to punch your nuts too?

00:41:53

All right.

00:41:55

So,

00:41:56

oh,

00:41:57

I see.

00:41:57

We're going to try and try to,

00:41:59

trapper in here.

00:42:00

Yes.

00:42:01

Okay.

00:42:02

Oh my God.

00:42:04

It's been a long day.

00:42:06

I was just out swimming and I got captured.

00:42:09

I'm not even going to dignify that.

00:42:12

All right.

00:42:14

Yeah,

00:42:17

I can,

00:42:18

I can try something.

00:42:19

Okay.

00:42:20

All right,

00:42:20

cool.

00:42:20

But then we all have to sneak out.

00:42:22

Wait,

00:42:22

what if,

00:42:23

what,

00:42:23

hey,

00:42:23

wait a second.

00:42:24

I got a better idea.

00:42:25

How about you guys,

00:42:28

you know,

00:42:29

sneak out and leave me locked in here with her?

00:42:32

No,

00:42:34

because then we can't tinker the door closed.

00:42:37

You guys are useless.

00:42:39

What do you want to do?

00:42:40

I just want 30 or 40 seconds along with her.

00:42:43

Yeah,

00:42:44

that's all you'll need.

00:42:45

What are you going to do?

00:42:46

This is going to get dark soon.

00:42:49

What do you want to do?

00:42:50

No,

00:42:50

it's not like that.

00:42:51

It's about love.

00:42:53

I'm just kidding.

00:42:55

I'm just kidding.

00:42:56

I'm just daydreaming.

00:42:57

Okay.

00:42:58

You just called her father a goblin.

00:43:00

Yeah.

00:43:00

But I think.

00:43:01

Told her to get a paternity test from her dead mother.

00:43:05

You really think?

00:43:06

You really think she's going to,

00:43:08

she's fallen in love with you?

00:43:10

But he put it all together.

00:43:13

Yeah,

00:43:13

I think she's into him.

00:43:14

Yeah,

00:43:15

see?

00:43:16

High Hill who is just glaring at you.

00:43:22

Just like arms crossed.

00:43:23

I wink at her.

00:43:25

I'm so glad you winked at her.

00:43:30

All right.

00:43:32

Okay.

00:43:32

Wait,

00:43:33

so how are we going to.

00:43:34

I mean,

00:43:35

I get what we're doing with the tinkering,

00:43:37

but at some point we're going to have to like rush out and like hold the door

00:43:41

closed or something.

00:43:42

She's like really watching us really close.

00:43:44

Right.

00:43:44

We're going to be really fast.

00:43:47

Yeah.

00:43:47

So.

00:43:48

Or should we push her down?

00:43:49

I'll get behind her and you push.

00:43:52

No,

00:43:54

no,

00:43:55

I don't think that's a good idea at all.

00:43:57

I think we should all go.

00:44:02

And I say it loudly enough for her to hear.

00:44:04

We have to check out that window a little bit closer.

00:44:07

That's a great idea.

00:44:09

To make sure that it is actually really secure.

00:44:12

And you stay up here and yell down at us.

00:44:16

And we'll ask you questions from down there.

00:44:18

Like,

00:44:19

can you see us?

00:44:21

What do you mean from down there?

00:44:22

No,

00:44:24

she should stay up here.

00:44:25

And we'll go down there.

00:44:27

It's one room.

00:44:29

No,

00:44:31

downstairs,

00:44:31

outside.

00:44:32

We're on the second floor.

00:44:35

So we can go down and inspect the window from the floor and she can look down and see,

00:44:40

you know,

00:44:41

how far it is or something.

00:44:44

Yeah.

00:44:46

So,

00:44:47

hey,

00:44:47

lady,

00:44:49

high hill,

00:44:50

lady,

00:44:51

bathwater.

00:44:52

we are going to go downstairs,

00:44:55

check,

00:44:56

yell up,

00:44:57

see,

00:44:57

see if there's any way we can get in through this window.

00:45:00

You stay here

00:45:00

and

00:45:02

tell us if you can hear us.

00:45:05

Stephen has to stay up here with me because I refuse to let all of three of you just leave the house without me seeing.

00:45:13

Okay.

00:45:13

All right.

00:45:14

All right.

00:45:15

You should be the insurance person.

00:45:16

You can have the gray cap.

00:45:18

Which one do you want?

00:45:21

Which one needs to stay up here?

00:45:23

The sexiest one.

00:45:25

You know what?

00:45:26

Which one do you want?

00:45:27

I don't want any of them.

00:45:30

Okay.

00:45:31

Give him the gray captain.

00:45:32

Don't give her a choice.

00:45:33

I'm trying to secretly figure out which one she likes the most.

00:45:41

I don't know.

00:45:44

Well,

00:45:44

it's me.

00:45:45

And if you let her say that,

00:45:46

then we're not going to be able to do our dastardly plan.

00:45:48

So don't let her choose.

00:45:49

I still think we should let her choose.

00:45:51

Okay.

00:45:53

All right.

00:45:54

Well,

00:45:54

it's a tiebreaker.

00:45:55

Yeah.

00:45:56

Which,

00:45:56

and then we all like look at her and try to make like impressive faces.

00:46:00

Choose who likes the best.

00:46:02

I suck in my gut and hold up my arms a little bit.

00:46:05

Which one do you choose to stay up here with you?

00:46:14

Three.

00:46:15

That's me.

00:46:15

All right.

00:46:17

You'll stay up here.

00:46:21

Nice.

00:46:22

Nice.

00:46:24

No,

00:46:25

this is not what we wanted.

00:46:26

I told you this would happen.

00:46:29

I'm sorry.

00:46:30

This is fake.

00:46:30

I did not think that that would happen.

00:46:33

It's,

00:46:33

it's love,

00:46:34

buddy.

00:46:34

You know what's great?

00:46:36

I didn't even pick.

00:46:37

You just volunteered yourself.

00:46:38

Great.

00:46:44

He just assumes three with you.

00:46:45

Three.

00:46:49

Three means chuckles.

00:46:50

It rhymes.

00:46:51

Yeah,

00:46:52

that's how tall he is.

00:46:53

Three for D.

00:46:54

This spirited one can stay up here and the two of you can do what you need to downstairs.

00:47:04

All right.

00:47:04

Good.

00:47:05

Where's your bathroom?

00:47:05

There's a tiny little goblin man toilet.

00:47:09

I'm sorry.

00:47:12

I'm sorry.

00:47:13

I mean,

00:47:14

elderly demon man.

00:47:15

I don't want to use that toilet.

00:47:18

It makes me feel weird.

00:47:21

There's another bathroom down the hall,

00:47:25

but you guys are going downstairs.

00:47:27

There'll be bathrooms on the main floor.

00:47:28

That was the main floor.

00:47:30

All right.

00:47:30

Let's go.

00:47:33

All right.

00:47:35

Me and Junko,

00:47:36

or not Junko's,

00:47:37

Cap Patches.

00:47:38

Cap Patches.

00:47:39

Close the door.

00:47:43

I'll try to tinker the lock broken.

00:47:47

Just shove a piece of wood underneath the door.

00:47:50

I'll keep them in there.

00:47:52

I don't think that's true.

00:47:54

Demons have a lot of strength.

00:47:58

They can beat door wedges?

00:48:00

Yes.

00:48:02

Okay.

00:48:05

Have you seen me do it?

00:48:07

No.

00:48:08

Oh,

00:48:11

right.

00:48:12

You aren't there.

00:48:13

for that.

00:48:14

I don't care.

00:48:15

I do need to use the bathroom.

00:48:16

Can we take a quick break?

00:48:17

Let's take a quick break.

00:48:20

Okay.

00:48:33

So,

00:48:34

Chuckles,

00:48:35

you're in the room with Lady High Water,

00:48:38

or High Hell,

00:48:39

Patches,

00:48:41

Squish.

00:48:42

You are just outside the door.

00:48:43

You have just shut the door.

00:48:44

What are you guys doing now?

00:48:47

I'm going to tinker that lock.

00:48:49

I'm going to tinker the lock to break it.

00:48:51

I'm going to play a lookout.

00:48:53

So,

00:48:55

you're

00:48:55

breaking the lock

00:48:57

to,

00:48:58

and Chuckles will be locked inside.

00:49:00

Is that

00:49:00

correct?

00:49:01

Yes.

00:49:02

Or you,

00:49:02

okay.

00:49:03

Yes.

00:49:05

He can fit out the window.

00:49:07

I assume it's a small window,

00:49:08

too.

00:49:09

Yes,

00:49:10

Goblin's.

00:49:10

It's an average.

00:49:11

Goblin's.

00:49:12

Well,

00:49:12

everything else in the room,

00:49:15

the furniture is all normal size,

00:49:17

but so is the window as well.

00:49:19

So,

00:49:19

no,

00:49:19

he,

00:49:19

they both can get out the window,

00:49:21

conceivably.

00:49:22

Okay.

00:49:24

But yeah,

00:49:25

go ahead and tinker that lock.

00:49:26

All right.

00:49:29

All right.

00:49:33

Partial success.

00:49:34

You tinker the lock.

00:49:37

Let me,

00:49:38

what do you do to it?

00:49:39

I just take a piece of

00:49:43

gum or

00:49:45

rutabaga that I have in my pocket

00:49:48

and I just shove it in there

00:49:49

really hard.

00:49:50

Is there anything you can't do?

00:49:53

It could be broke,

00:49:54

like it could be fixed very easily,

00:49:56

but it's going to take a little while

00:49:58

for them to notice that it's actually

00:50:00

been messed with.

00:50:01

Does it make much of a noise?

00:50:06

No,

00:50:07

not at all.

00:50:08

Okay.

00:50:09

So you,

00:50:09

you're not like breaking the lock to like,

00:50:11

you know,

00:50:12

like the handle's gone now.

00:50:13

No,

00:50:14

I'm just,

00:50:15

just jamming it.

00:50:16

Okay.

00:50:17

Captain,

00:50:18

so you're able to do that successfully.

00:50:21

you do not draw,

00:50:22

uh,

00:50:22

Lee high waters or high health attention.

00:50:24

God damn.

00:50:25

Um,

00:50:26

but captain,

00:50:26

you do see that there are two guards down here

00:50:29

making patrols.

00:50:30

And one of them is slowly,

00:50:32

uh,

00:50:33

walking towards you.

00:50:34

Squish,

00:50:37

squish.

00:50:38

Guard,

00:50:38

guard,

00:50:39

guard.

00:50:39

So take care of that.

00:50:41

What do you want me to do?

00:50:43

Get rid of that.

00:50:45

Murder.

00:50:49

No,

00:50:49

don't murder them.

00:50:51

Deceive them.

00:50:53

Yeah.

00:50:54

How,

00:50:55

how,

00:50:55

how close are they again,

00:50:56

Bridget?

00:50:56

No,

00:50:57

one of the,

00:50:58

you know,

00:50:59

there's two of them because you can hear them kind of like talking a

00:51:01

little bit.

00:51:02

Uh,

00:51:02

but one is just starting to come down this corridor.

00:51:06

He's taking his time.

00:51:07

It's not like he sees you and he's rushing,

00:51:09

uh,

00:51:09

but he is going to probably within the next few minutes,

00:51:12

uh,

00:51:12

be able to see you and squish outside of the governor's room.

00:51:17

Can I use,

00:51:18

uh,

00:51:18

can I use Neelix invisibly and like half of make a noise?

00:51:22

Yeah.

00:51:24

Yeah,

00:51:26

you can do that.

00:51:26

Um,

00:51:27

that's going to be your,

00:51:28

let's see.

00:51:28

You can.

00:51:29

Should have them,

00:51:32

you should have them,

00:51:33

um,

00:51:34

dress up as a female guard and try to woo him.

00:51:37

The old bugs buddy routine can't work.

00:51:41

How many times have we tried that already?

00:51:43

At least once.

00:51:46

Uh,

00:51:47

so you can.

00:51:47

A cross-dressing butler?

00:51:48

A cross-dressing.

00:51:50

Actually,

00:51:52

no,

00:51:52

I think that's what I want to do.

00:51:53

Have them dress up and make a noise.

00:51:55

Like,

00:51:56

I want you to distract these guards and make them go down the noise.

00:51:58

Okay.

00:51:59

Uh,

00:52:00

go ahead and throw your,

00:52:01

roll your command.

00:52:01

Command.

00:52:04

Any,

00:52:05

uh,

00:52:05

any modifiers?

00:52:06

No,

00:52:07

this is Neelix.

00:52:08

Uh,

00:52:08

you guys are,

00:52:09

you're pretty used to this routine at this point.

00:52:11

Hold on.

00:52:16

Uh,

00:52:23

so what is your command to,

00:52:25

to Neelix?

00:52:26

He,

00:52:27

he appears out of his bottle.

00:52:28

Yes,

00:52:29

sir.

00:52:30

Uh,

00:52:31

so there's a party going downstairs,

00:52:33

right,

00:52:33

Bridget?

00:52:33

Yes.

00:52:34

So I want you to dress like,

00:52:36

I want you to look like a,

00:52:38

uh,

00:52:38

a sexy patron of that party and lure the guards away the opposite direction.

00:52:43

They'll think you're just lost looking for the bathroom.

00:52:46

And as soon as they come up to you,

00:52:48

I want you to turn on a corner and just vanish.

00:52:50

Uh,

00:52:54

uh,

00:52:55

sexy young lady,

00:52:56

sir.

00:52:57

Yeah.

00:52:59

You know,

00:52:59

just,

00:52:59

you know,

00:53:00

don't have to go sell over to,

00:53:01

don't have to sell it too hard.

00:53:02

Just,

00:53:02

you know,

00:53:02

a nice wig and maybe,

00:53:03

you know,

00:53:04

sleek dress.

00:53:06

Uh,

00:53:06

Neelix disappears.

00:53:09

And when he comes back,

00:53:11

it's very much clear that this is a man in a wig and a very like old fashioned dress.

00:53:18

Like imagine a man in like a Marie Antoinette get up with a very large wig and like the fake little beauty mark and this voluptuous dress.

00:53:27

Um,

00:53:29

but it's just Neelix.

00:53:30

Like you can tell he's still wearing his like butler clothes underneath the dress.

00:53:36

I feel like if this is something that he could have always done,

00:53:39

that perhaps patches would have taken advantage of it earlier.

00:53:44

He's very much,

00:53:54

uh,

00:53:55

outdated.

00:53:55

And he goes,

00:53:56

I'll try my best,

00:53:57

sir.

00:53:58

And he floats away.

00:54:00

And you hear down the hallway,

00:54:03

you hear Neelix go,

00:54:05

a teehee boys.

00:54:06

And the guards start running,

00:54:12

uh,

00:54:13

and they do run,

00:54:14

uh,

00:54:15

you hear them.

00:54:16

They run in the opposite direction,

00:54:18

uh,

00:54:18

from where you guys are sitting.

00:54:19

So they're going to check out Neelix in the other corner of this room,

00:54:22

of this hallway.

00:54:24

All right,

00:54:25

quick down the stairs.

00:54:26

Scarebird.

00:54:28

We got to find.

00:54:29

The governor.

00:54:33

Uh,

00:54:33

so Captain Squish,

00:54:35

you guys are going to start,

00:54:36

you're going to run and head downstairs.

00:54:38

Uh,

00:54:38

but Chuckles,

00:54:39

you're still in the room with Lady High,

00:54:40

High Hill.

00:54:41

Uh,

00:54:42

and she's just glaring.

00:54:43

If she is as far away physically from you in the room as possible.

00:54:47

So she's like standing in the corner and just like staring you down.

00:54:50

This is a very tall,

00:54:52

relatively,

00:54:53

uh,

00:54:53

intimidating,

00:54:54

kicking woman.

00:54:56

Yeah.

00:54:56

Let me take it.

00:54:58

But sexy.

00:54:58

Uh,

00:55:00

I'm going to jump on the bed.

00:55:02

Um,

00:55:03

you'd like sitting on it with my legs dangling and just,

00:55:07

uh,

00:55:07

just sort of kicking my legs.

00:55:10

Like,

00:55:10

Oh,

00:55:10

so come here often.

00:55:13

To my father's bed chambers,

00:55:16

uh,

00:55:17

less than you may think,

00:55:18

or more than you may think.

00:55:19

I don't know what appropriate answers to that question is.

00:55:22

You're right.

00:55:23

That was really weird of me.

00:55:24

So,

00:55:26

um,

00:55:26

how long do you think it will take them to get downstairs?

00:55:29

Well,

00:55:31

it didn't seem like they're a big rush.

00:55:32

No,

00:55:33

no.

00:55:35

And they're dumb as hell.

00:55:36

Uh,

00:55:36

it's probably going to take them a while.

00:55:38

They're going to get distracted for sure.

00:55:40

By something very meaningless.

00:55:43

I know it.

00:55:44

Wow.

00:55:46

But maybe they won't.

00:55:49

And,

00:55:49

you know,

00:55:51

but don't worry.

00:55:53

You and I have plenty of time here.

00:55:54

That's what I'm concerned about.

00:55:58

Wow.

00:55:59

Do you pass the bed next to you too?

00:56:02

I'm about to.

00:56:03

That's my,

00:56:03

how'd you know my move?

00:56:05

About,

00:56:08

you just,

00:56:08

you know,

00:56:09

take,

00:56:09

take a load off.

00:56:10

Uh,

00:56:13

I prefer standing.

00:56:14

Thank you.

00:56:14

In those shoes?

00:56:15

Yes.

00:56:18

In these shoes.

00:56:18

We don't go barefoot around here.

00:56:20

I wasn't looking at your feet.

00:56:21

I just assumed you were wearing shoes.

00:56:25

You.

00:56:26

Yeah,

00:56:26

she is.

00:56:27

She's wearing,

00:56:27

uh,

00:56:28

like high heels.

00:56:28

Yeah.

00:56:30

Why don't you take a load off?

00:56:31

Then I pat on the bed.

00:56:38

I'm going to say,

00:56:39

unless you're going to try to persuade her.

00:56:40

She's not persuaded.

00:56:42

Um,

00:56:43

no,

00:56:45

I,

00:56:45

I,

00:56:45

I'm just going to save myself the embarrassment.

00:56:48

Uh,

00:56:49

she does go to the window though and opens it up.

00:56:52

Uh,

00:56:53

it's one of those that she just kind of pushes open from the bottom to the top.

00:56:57

Um,

00:56:57

and there is,

00:56:58

uh,

00:56:58

can like look over the edge.

00:57:00

There's no screen or anything.

00:57:01

And she's kind of like looking out,

00:57:04

trying to see if she can see captain or squish,

00:57:06

uh,

00:57:07

or patches and squish.

00:57:09

Can I sneak up behind her?

00:57:12

Yeah.

00:57:13

If you want to sneak,

00:57:14

you can sneak,

00:57:15

roll a sneak.

00:57:15

Isn't that,

00:57:16

is it prowlers or different sneak?

00:57:18

Nope.

00:57:19

That's prowl.

00:57:19

Night prowler.

00:57:22

You successfully sneak behind her.

00:57:28

Oh no.

00:57:29

I am considering pushing her out the window.

00:57:35

What's wrong with you?

00:57:38

You're a monster.

00:57:41

It would make all of our problems go away.

00:57:44

This is not GTA three.

00:57:46

Actually,

00:57:48

I'm kind of behind it.

00:57:49

I don't.

00:57:50

Yeah.

00:57:51

I'm sudden.

00:57:52

Surprise,

00:57:52

surprise.

00:57:53

I need some time.

00:57:56

My character to,

00:57:58

uh,

00:57:58

stew in this terrible thought.

00:58:02

Oh,

00:58:03

I thought you were about to say.

00:58:04

You think about what you're about to do.

00:58:06

Um,

00:58:07

meanwhile,

00:58:08

um,

00:58:09

you guys have made it back down to the stairs.

00:58:11

Um,

00:58:12

where would you like to go?

00:58:15

There are guards down here too.

00:58:16

Uh,

00:58:17

they're a little less obvious than the guards that were upstairs.

00:58:20

They're kind of look like they're like servants or something.

00:58:24

They,

00:58:24

they very clearly like are skate or like casing the joint or casing the joint,

00:58:29

like scanning the room,

00:58:31

keeping an eye on things,

00:58:32

but they're not sort of heavily armed guards that you saw upstairs.

00:58:37

No,

00:58:37

I would like to find the,

00:58:39

the governor.

00:58:40

Okay.

00:58:42

And ask him for the key,

00:58:44

basically.

00:58:45

Oh my God.

00:58:47

It's a party.

00:58:48

Where's the little green goblin?

00:58:50

Unhinged.

00:58:51

Hold on.

00:58:55

It's not loading for me,

00:58:56

which is weird.

00:58:57

We can't see it.

00:58:58

You guys see it?

00:58:59

Yeah.

00:59:00

Okay.

00:59:00

Well then that's fine.

00:59:01

I don't want to leave it then.

00:59:02

Um,

00:59:03

let's get him out here.

00:59:04

Hey,

00:59:06

Mr.

00:59:07

Goblin man,

00:59:08

give me your key.

00:59:11

So you walk into this ballroom and there's just a hub of activity,

00:59:15

a hive of action.

00:59:16

There are people,

00:59:17

couples dancing.

00:59:19

There are people gathering together and like laughing and talking their seats,

00:59:24

their tables.

00:59:25

There are just,

00:59:26

there's musicians in the corner.

00:59:28

It's just a ton of activity going on.

00:59:30

Um,

00:59:31

you can see,

00:59:32

uh,

00:59:32

relatively easily.

00:59:33

The,

00:59:34

uh,

00:59:34

governor,

00:59:34

he is sitting at the very end of the room on a table on a diet.

00:59:39

So he's like a little bit elevated.

00:59:40

You can see him.

00:59:41

Um,

00:59:42

actually you can just see about the top of his head.

00:59:44

Cause the table kind of goes up to his chest.

00:59:45

Um,

00:59:46

you also see in this room,

00:59:49

he is talking very,

00:59:51

uh,

00:59:52

closely with captain Fitz Klein.

00:59:53

In fact,

00:59:54

the captain's like over him talking to him.

00:59:56

Um,

00:59:57

and they're in some sort of deep conversation.

01:00:00

Well,

01:00:02

I'm going to interrupt.

01:00:03

You're just going to march on up there and interrupt.

01:00:06

Yeah.

01:00:07

Awesome.

01:00:09

Yeah.

01:00:09

You're going to be like,

01:00:11

governor,

01:00:12

pardon my interruption,

01:00:13

boss.

01:00:14

Oh,

01:00:15

oh,

01:00:16

Fitz Klein.

01:00:18

These were the boys I was telling you about.

01:00:20

We found them prowling about in our,

01:00:22

in our sewage system.

01:00:24

I think I say,

01:00:25

maybe not the best disguises,

01:00:27

but,

01:00:27

oh,

01:00:28

they're just a handsome pair of trio of folks.

01:00:31

I was not in the sewage system.

01:00:33

Oh,

01:00:35

that's right.

01:00:35

You were pretending to be a chef of some sort,

01:00:38

right?

01:00:38

snuck into the kitchen.

01:00:39

I mean,

01:00:40

not really pretending,

01:00:41

but yeah,

01:00:42

sure.

01:00:43

Let's go with that.

01:00:43

There's only two of you here.

01:00:45

I say,

01:00:46

where is,

01:00:47

uh,

01:00:47

where's the little guy?

01:00:49

Bathroom.

01:00:53

is that,

01:00:54

did you say bathroom?

01:00:55

Yeah.

01:00:56

Well,

01:00:58

diarrhea.

01:00:59

If he needs a,

01:01:00

if he needs a special,

01:01:02

a special,

01:01:03

uh,

01:01:03

you know,

01:01:04

a special commode for his little legs.

01:01:06

I've got a special commode myself upstairs,

01:01:08

just for,

01:01:09

just for us wee folk.

01:01:10

Uh,

01:01:11

but of course,

01:01:13

you're all acquainted.

01:01:14

You,

01:01:14

you,

01:01:14

you work for him,

01:01:15

correct?

01:01:15

You work for H&M?

01:01:16

Yeah,

01:01:17

yeah,

01:01:19

exactly.

01:01:20

That's boss man right there.

01:01:22

Boss man.

01:01:25

And he kind of hits cap,

01:01:26

the captain,

01:01:27

like on his like chest,

01:01:28

just kind of flips a hand.

01:01:30

And he laughs.

01:01:31

Uh,

01:01:32

the captain smiles.

01:01:33

He is as pleasant as always.

01:01:36

Um,

01:01:36

he's giving you no signs that he doesn't like this guy or that there's any problems wrong.

01:01:41

Uh,

01:01:41

he kind of laughs too.

01:01:43

And he claps the,

01:01:44

the governor on the,

01:01:45

uh,

01:01:46

shoulder.

01:01:46

And he says,

01:01:46

ah,

01:01:47

I told you these,

01:01:48

but these are my best boys.

01:01:49

They know exactly what they're doing.

01:01:51

Right.

01:01:51

We do.

01:01:52

Yes,

01:01:53

sir.

01:01:53

Boss.

01:01:55

Yeah.

01:01:55

Hey,

01:02:00

governor.

01:02:01

Yes.

01:02:03

I was wondering,

01:02:04

we checked out the outside of the,

01:02:06

the safe and it all looks really good,

01:02:09

but we need to get inside.

01:02:11

Inside the vault.

01:02:14

Yes.

01:02:15

Well,

01:02:18

I,

01:02:18

I suppose that would make sense,

01:02:20

but well,

01:02:22

I can't just let anyone inside the vault.

01:02:24

The vault can only be opened,

01:02:25

uh,

01:02:26

with the express permission of the governor or my daughter.

01:02:28

She,

01:02:29

you know,

01:02:29

real mad queen on most of these matters.

01:02:32

She's the one that sent,

01:02:34

sent me here to get the key.

01:02:35

She's upstairs.

01:02:36

Wait,

01:02:36

I didn't want to make her walk in the high heels.

01:02:39

I told her those things are completely unfashionable.

01:02:43

In fact,

01:02:44

in my own home,

01:02:45

I don't even wear shoes.

01:02:46

Uh,

01:02:47

and you see that he's got just little green goblin feet kicking off the side of the table.

01:02:52

Oh,

01:02:52

cute.

01:02:53

He's not a goblin.

01:02:54

Exactly.

01:02:57

Exactly.

01:02:57

This is your house.

01:02:58

You don't need to wear shoes,

01:02:59

but.

01:03:00

I don't think I'm comfortable.

01:03:04

You quite understand me.

01:03:06

He says to the captain.

01:03:06

Don't think I'm quite comfortable just giving,

01:03:08

uh,

01:03:09

my key to my family's precious heirlooms to just the men I just met.

01:03:13

Uh,

01:03:13

no offense.

01:03:14

I trust you all,

01:03:15

but that's just,

01:03:16

I feel like that's,

01:03:18

if they can't get the key,

01:03:20

then it's not really a problem.

01:03:21

Right.

01:03:22

I mean,

01:03:23

we have to go in there.

01:03:25

We have to go in there and see if maybe like there's easy accessibility to a tunnel of some sort.

01:03:32

Well,

01:03:33

I mean,

01:03:34

if there was,

01:03:34

you wouldn't need the key,

01:03:35

would you?

01:03:36

Well,

01:03:37

no,

01:03:37

but that's why I need to get in there is to check for those kinds of things.

01:03:41

I just,

01:03:42

uh,

01:03:42

just talk to our boss.

01:03:43

Fitz Clyde,

01:03:44

you explain.

01:03:45

Uh,

01:03:47

Fitz Clyde's kind of got a look at the two of you.

01:03:49

Like,

01:03:49

uh,

01:03:50

may I have a word with,

01:03:53

with my two charming companions here?

01:03:55

Uh,

01:03:56

one second.

01:03:56

Uh,

01:03:57

and he pulls you guys over and he's like,

01:03:59

I don't think convincing him to take,

01:04:02

to steal his key is going to be ideal.

01:04:04

Also,

01:04:05

where's chuckles.

01:04:07

Don't worry about chuckles.

01:04:09

He's got massive diarrhea.

01:04:12

Well,

01:04:16

be that as it may,

01:04:18

uh,

01:04:18

I'm playing kind of a long con game here.

01:04:20

I know you guys just got here.

01:04:22

Where,

01:04:22

where were you?

01:04:23

Did you not just follow me in?

01:04:24

No,

01:04:25

you didn't give us invites.

01:04:28

Oh,

01:04:30

well,

01:04:31

I figured if you just walked in behind me,

01:04:32

we all could have just gone in together.

01:04:34

Yeah,

01:04:34

I think we tried that.

01:04:36

It didn't work.

01:04:37

Oh,

01:04:38

I'm sorry about that boys.

01:04:39

well,

01:04:39

you guys made yourself,

01:04:40

made your way in here anyway.

01:04:42

And I'm proud of you for that.

01:04:43

That showed real ingenuity.

01:04:44

What did you do?

01:04:45

Did you sneak in through the sewers?

01:04:47

Sure.

01:04:48

Oh,

01:04:49

explains the smell.

01:04:51

No,

01:04:53

that's just us.

01:04:54

Um,

01:04:55

all right.

01:04:55

Well,

01:04:56

is there like,

01:04:56

we need that key.

01:04:58

I agree,

01:05:00

but straight up,

01:05:01

just,

01:05:01

it's a subtle game we're playing here.

01:05:04

Um,

01:05:05

you know,

01:05:05

uh,

01:05:06

a real cat and mouse,

01:05:07

a real tit and tat sort of thing.

01:05:09

It took me a long time for them to even accept my,

01:05:12

my personal,

01:05:13

you know,

01:05:13

self invitation to this party.

01:05:15

I wrote a lot of letters.

01:05:18

Have you considered pushing him out the window?

01:05:20

You're not here.

01:05:23

Oh,

01:05:24

that's right.

01:05:31

I think I can convince this guy to give us the key.

01:05:34

Okay.

01:05:38

Okay.

01:05:39

You know what?

01:05:40

I don't want to tell you,

01:05:41

no,

01:05:41

let's see you do it.

01:05:43

All right.

01:05:45

I know governor,

01:05:47

you don't want to give us the key,

01:05:50

but it really is imperative that we have it.

01:05:54

So we can get inside to look for crevices or holes that a thief.

01:06:00

Thieves are tricky.

01:06:01

They can get in.

01:06:02

So we really need to look for those.

01:06:04

Let's roll and see how you do.

01:06:09

All right.

01:06:10

I'm going to take a strain.

01:06:11

Okay.

01:06:12

To push yourself.

01:06:14

Yeah.

01:06:14

All right.

01:06:17

I succeeded.

01:06:18

He is hesitant at first and he kind of just clutches at the key.

01:06:27

But the captain kind of just like gives him a real good,

01:06:31

like nod,

01:06:32

like you could trust them.

01:06:34

I promise.

01:06:35

And so the captain,

01:06:37

the governor takes the key off of his head and he hands it to you.

01:06:45

And he goes,

01:06:45

now there are armed guards up there.

01:06:48

I want you to know this and no feeling.

01:06:51

Fooling.

01:06:51

If you start acting up in there,

01:06:53

they will shoot to kill you.

01:06:55

I've given them express permission.

01:06:58

Yeah.

01:06:59

No,

01:06:59

we're not going to act up in there.

01:07:01

Well,

01:07:03

you better not.

01:07:03

We're not going to.

01:07:05

I promise you,

01:07:06

sir.

01:07:07

By the way,

01:07:08

can I have your hat?

01:07:09

I'll trade you.

01:07:11

Oh,

01:07:12

transies.

01:07:13

Sure.

01:07:14

And he takes off his hat.

01:07:15

Do you have a hat?

01:07:16

I put on my chef hat that I had in my pocket.

01:07:20

You traded your chef hat?

01:07:22

Yeah.

01:07:23

I can get another one of those,

01:07:24

but it's a top hat made out of human flesh.

01:07:27

How do you know the chef hat's not made out of human flesh?

01:07:29

Because it's mine.

01:07:31

Good point.

01:07:33

He takes your hat and he puts it on his head.

01:07:39

It's a little big.

01:07:39

So it kind of like full,

01:07:40

well,

01:07:41

it comes down right around his ears.

01:07:42

And he's like,

01:07:44

oh,

01:07:44

look,

01:07:45

no,

01:07:46

the chef.

01:07:46

I forgot what he said.

01:07:54

I forgot what he said.

01:07:55

His aristocrat.

01:07:56

Yes.

01:07:57

Now you're an aristocrat chef.

01:07:59

Aristocratic chef.

01:08:01

Because if an aristocrat would ever have to make their own dinner.

01:08:04

What foolishness.

01:08:07

It's what makes it a good costume.

01:08:09

And then I just walk away.

01:08:10

You're right.

01:08:10

It's a great costume.

01:08:11

Captain,

01:08:12

what have you been doing?

01:08:13

Patches?

01:08:14

I've been standing idly by.

01:08:17

Idly by?

01:08:20

Yeah.

01:08:20

Okay.

01:08:22

Yeah.

01:08:24

Go ahead.

01:08:25

Go ahead.

01:08:27

Okay.

01:08:27

We're going to hop right back up to.

01:08:30

Oh,

01:08:33

fuck.

01:08:33

Upstairs.

01:08:34

Can I do a flashback?

01:08:37

Yes.

01:08:39

So I'm sneaking up behind Lady High Hill very successfully considering pushing her out.

01:08:46

But I have this attack of a memory.

01:08:49

And it's a scene of Juckles.

01:08:52

He's four years old.

01:08:54

He comes running home and he knocks on the door.

01:08:56

And Uncle Shklok opens the door.

01:08:59

And he says,

01:09:00

Oh,

01:09:00

Juckles,

01:09:01

my boy.

01:09:01

I don't actually remember how he talked.

01:09:03

No,

01:09:04

that's good.

01:09:04

Juckles,

01:09:06

um,

01:09:07

says,

01:09:07

Uncle Shklok,

01:09:09

I brought you a present.

01:09:10

And he says,

01:09:12

Oh,

01:09:13

Juckles,

01:09:13

thank you so much.

01:09:14

And he pulls from behind his back.

01:09:15

He has his hands behind his back the whole time.

01:09:17

It's a,

01:09:18

it's a dead bird.

01:09:19

And he said,

01:09:20

I brought you this,

01:09:21

this dead bird.

01:09:22

Um,

01:09:23

Shklok says,

01:09:25

Juckles,

01:09:26

where did you get that dead bird?

01:09:28

I,

01:09:29

I made it.

01:09:30

I took a live bird and I killed it.

01:09:33

And Uncle Shklok says,

01:09:34

Juckles,

01:09:36

murder is wrong.

01:09:38

You should never murder anything.

01:09:41

Never murder anything.

01:09:44

Never murder anything.

01:09:46

And then snaps back and he's behind.

01:09:48

And I say out loud,

01:09:50

never murder anything.

01:09:53

And I changed my mind and I.

01:09:56

Walk back.

01:09:58

I sneak back to the bed.

01:09:59

Who says you need the Bible for a moral barometer?

01:10:03

Dead bird.

01:10:06

You just need someone to tell you to never do it.

01:10:08

Never murder anyone.

01:10:11

Never murder anyone.

01:10:14

Yeah.

01:10:18

So she turns around and she sees you still sitting on the,

01:10:20

bed and,

01:10:21

uh,

01:10:22

she's like,

01:10:22

this is ridiculous.

01:10:24

They,

01:10:24

they should have made it downstairs by now.

01:10:25

I know there's something wrong.

01:10:26

I just know there's something wrong.

01:10:28

All right.

01:10:29

Well,

01:10:30

let's,

01:10:30

let's go,

01:10:30

let's go get them.

01:10:31

Uh,

01:10:33

they go to the door and,

01:10:35

uh,

01:10:35

she tries to open it and find,

01:10:37

finds that it's locked or,

01:10:39

or jammed in some way.

01:10:40

And she rattles the handle and she rattles and she rattles and she goes,

01:10:43

what,

01:10:43

what is this?

01:10:44

And she starts banging on the door.

01:10:46

Wait,

01:10:47

my lady,

01:10:47

calm.

01:10:49

I start smelling the lock and I,

01:10:53

rutabagas.

01:10:54

And then,

01:10:57

uh,

01:10:57

can I tinker the lock?

01:10:58

Yeah.

01:11:00

Okay.

01:11:01

Um,

01:11:06

tinker.

01:11:10

let's see.

01:11:11

I think,

01:11:12

um,

01:11:12

do you,

01:11:14

do you want to tinker to keep it locked?

01:11:15

I was,

01:11:16

I don't know.

01:11:17

I was just considering maybe I should tinker to break it more.

01:11:20

And you,

01:11:28

holy crap.

01:11:30

Well,

01:11:32

you gotta pick one.

01:11:32

Wow.

01:11:34

Break it more.

01:11:39

Uh,

01:11:40

yeah.

01:11:41

Well,

01:11:42

lady,

01:11:42

hi,

01:11:43

hill.

01:11:43

I've got some good news and I've got some bad news.

01:11:45

Uh,

01:11:46

it's mostly bad news.

01:11:46

It's a very little amount of good news.

01:11:48

Good news is I've gotten the rutabaga out of the lock.

01:11:51

The rutabaga in the lock?

01:11:54

Yeah.

01:11:55

You see this sometimes.

01:11:56

Mice,

01:11:56

they build nests with rutabagas.

01:11:58

It's a dastardly,

01:11:59

dastardly vegetable.

01:12:00

Um,

01:12:01

so,

01:12:02

would you like some?

01:12:04

Yes.

01:12:09

Rutabaga.

01:12:10

You know,

01:12:12

rutabagas are,

01:12:13

she's,

01:12:14

she,

01:12:14

at this moment,

01:12:15

she's so amazed that you are not only,

01:12:17

she believes you're telling the truth because I'm imagining in your hand,

01:12:20

you put,

01:12:20

well,

01:12:21

there was a rutabaga on there,

01:12:22

ma'am.

01:12:22

Uh,

01:12:23

and you're holding the rutabaga.

01:12:24

I took a bite out of it.

01:12:25

It's rutabaga.

01:12:26

Yeah.

01:12:27

That you're telling the truth and that this is actually what's happened,

01:12:31

that she's actually like,

01:12:33

kind of like slightly now less displeased by your presence.

01:12:37

And she's like,

01:12:37

I,

01:12:39

I do enjoy rutabaga,

01:12:41

but what's the bad news?

01:12:43

Oh,

01:12:44

uh,

01:12:45

bad news is it's way more broken now.

01:12:48

Um,

01:12:48

yeah,

01:12:49

we're going to be stuck in here for a while.

01:12:51

Probably.

01:12:57

she's kind of flabbergasted.

01:12:58

And then she looks to the window,

01:13:00

which is open.

01:13:01

Uh,

01:13:02

and if you guys remember,

01:13:03

uh,

01:13:04

hold on.

01:13:09

Yeah,

01:13:13

there you go.

01:13:13

If you guys remember from,

01:13:14

uh,

01:13:15

earlier,

01:13:16

this is the outside of the house and there are like areas where you can like

01:13:19

get out and like onto the rooftop from the windows of the house.

01:13:23

Um,

01:13:24

and you had just remembered this chuckles as lady.

01:13:27

high hill,

01:13:28

uh,

01:13:29

high up her skirts and,

01:13:31

uh,

01:13:31

starts bustling towards the window.

01:13:34

And she's like,

01:13:34

I have to go warn my father.

01:13:36

I knew it.

01:13:36

I knew those men were,

01:13:37

were up to no good.

01:13:38

Wait,

01:13:39

are you talking about me?

01:13:40

I,

01:13:42

I don't know what to believe about you,

01:13:43

but will you help me?

01:13:45

And she,

01:13:46

uh,

01:13:46

looks at you with like all of the earnest that she can muster.

01:13:49

And now this woman,

01:13:51

no,

01:13:53

she's not reached out to your hair.

01:13:55

Cause she's got her hands on her skirts.

01:13:57

Just like with one leg over the ledge.

01:13:59

Um,

01:14:00

okay.

01:14:01

Are you great?

01:14:02

Are you a true man?

01:14:03

Oh,

01:14:04

I'm glad you asked.

01:14:07

I am.

01:14:08

Well,

01:14:10

and she slides out of the window and gets onto the rooftop.

01:14:14

Are you following her?

01:14:16

All right,

01:14:18

ma'am.

01:14:18

Yeah,

01:14:19

I'll be on the roof.

01:14:19

Okay.

01:14:22

Uh,

01:14:22

we'll come back to that in a second.

01:14:24

Uh,

01:14:25

meanwhile,

01:14:27

squish captain.

01:14:30

Captain,

01:14:30

what's up with you?

01:14:31

I would like to give the key to patches.

01:14:35

I'm sorry.

01:14:36

Go.

01:14:37

Take this,

01:14:39

go to the vault,

01:14:40

get in.

01:14:42

I am going to go make it appear that we're doing what we're going to be,

01:14:45

what we said we were going to be doing and scale the wall.

01:14:49

Distract them.

01:14:51

I love it.

01:14:51

I'm all right.

01:14:52

And I scan far away.

01:14:54

Well,

01:14:55

that took very little convincing.

01:14:57

Patches.

01:15:00

you in a second squish.

01:15:02

Where are you going from,

01:15:03

uh,

01:15:03

the bottom floor?

01:15:04

I'm going to go outside and then find out.

01:15:08

Cause I know roughly where that window is.

01:15:11

Well,

01:15:12

you are supposed to be going there to go look up at the window.

01:15:15

Right.

01:15:17

Yeah.

01:15:17

So I go out there and I find it.

01:15:19

And then I'm going to start scaling the wall.

01:15:21

To,

01:15:23

to get up.

01:15:24

While you're scaling the wall to get up,

01:15:29

uh,

01:15:30

Chuckles and Lady High Hill are like trying to get down.

01:15:34

Yeah.

01:15:37

And we're going to like run into each other.

01:15:40

Um,

01:15:42

I'm going to have her start coming down.

01:15:43

Uh,

01:15:43

you see now.

01:15:44

Yeah.

01:15:45

So squish,

01:15:45

you see Lady Highwater.

01:15:46

She's got like this bustle dress.

01:15:48

So she's pretty obviously like coming down.

01:15:51

Like it's,

01:15:52

there's no,

01:15:52

she's not being stealthy at all.

01:15:54

I can see.

01:15:55

I can see right up.

01:15:57

Right.

01:15:57

Yeah,

01:15:59

sure.

01:15:59

You can see right up there.

01:16:00

You can see her bloomers.

01:16:01

Yeah.

01:16:03

You can see her white bloomers.

01:16:05

Um,

01:16:05

and chuckles.

01:16:06

You are,

01:16:07

uh,

01:16:07

coming down.

01:16:08

I imagine it's like some sort of wall or drain pipe or something that you guys are kind

01:16:12

of like scaling down.

01:16:17

So I just want to like keep climbing up.

01:16:19

But I see that and go,

01:16:20

Hey,

01:16:21

I was on my way up to prove that I can get in.

01:16:23

What did you do to the door?

01:16:26

I didn't do anything to the door.

01:16:28

We know about you and your,

01:16:29

your rutabagas.

01:16:31

It's a delicious vegetable.

01:16:34

Also,

01:16:38

what does that have to do with me?

01:16:41

I know that you blocked the door that you,

01:16:43

you stopped me from getting out.

01:16:45

I don't know what you've done with the guards,

01:16:47

but I I'm going to tell my father about all of this and explain to them.

01:16:51

And I'm going to have him throw you out.

01:16:52

You evil,

01:16:53

evil man.

01:16:54

We're going to turn you in.

01:16:57

The whole time I'm,

01:16:59

I keep climbing up.

01:17:00

Can I climb it up to like get by your feet?

01:17:03

Uh,

01:17:05

yeah,

01:17:05

you guys are like within like touching distance at this point.

01:17:09

Like you can reach her.

01:17:11

Cause it is only a floor.

01:17:13

Okay.

01:17:16

I would like to push her off.

01:17:18

The wall.

01:17:20

Um,

01:17:24

Hey,

01:17:25

uh,

01:17:26

are you going to try,

01:17:30

you're trying to like,

01:17:30

you're trying to like,

01:17:31

never murder anyone.

01:17:34

That's not for me.

01:17:37

Never murder.

01:17:38

It's only a floor.

01:17:41

She'll survive.

01:17:42

I'm going to say it's a skirmish attempt.

01:17:44

Uh,

01:17:45

cause you're trying to kind of grapple with her while she's on the,

01:17:48

uh,

01:17:48

while you're on the ledge.

01:17:49

Oh my.

01:17:50

I'm going to push myself again.

01:17:55

Oh,

01:18:00

fuck.

01:18:01

Uh,

01:18:02

you go to like reach for her ankle and she just kicks you really hard right in

01:18:07

the head,

01:18:07

like right in the face.

01:18:08

Uh,

01:18:09

let's see.

01:18:10

You're going to take one harm,

01:18:11

a bloody nose.

01:18:15

Let me see.

01:18:16

Cause I think I'm,

01:18:17

I'm tough as nails,

01:18:18

so I don't actually get any damage from it.

01:18:20

Yes.

01:18:21

Yeah.

01:18:22

All right.

01:18:25

Level four is still fatal.

01:18:31

Yeah.

01:18:31

So,

01:18:31

uh,

01:18:32

yeah,

01:18:32

maybe just instead of like taking any serious harm,

01:18:35

you can just take,

01:18:35

I don't know one.

01:18:37

No,

01:18:37

I'll have you take like two stress instead.

01:18:39

How about that?

01:18:40

All right.

01:18:41

And I already added my other one.

01:18:43

Yeah.

01:18:44

So,

01:18:44

uh,

01:18:45

you managed,

01:18:45

she kicks you.

01:18:46

You managed,

01:18:47

maybe you're not getting a bloody nose,

01:18:48

but she's definitely stung your face.

01:18:50

Chuckles.

01:18:50

Uh,

01:18:51

she looks off at you and she goes,

01:18:52

you have to help me.

01:18:53

Yeah.

01:18:54

Anything.

01:18:54

What do you need?

01:18:55

What do you want me to kick?

01:18:57

You want me,

01:18:58

you want me to kick them too?

01:18:59

Get to here.

01:19:01

Uh,

01:19:03

I'm going to kick swish.

01:19:06

What the fuck?

01:19:08

You're tough as nails.

01:19:09

Uh,

01:19:13

okay.

01:19:14

I've got a plan.

01:19:16

I'm playing the long game.

01:19:18

I wink at you as I kick you.

01:19:19

Just like captain.

01:19:21

The captain.

01:19:23

What captain?

01:19:24

Oh yeah.

01:19:25

Right.

01:19:25

The real captain.

01:19:26

Oh yeah.

01:19:27

I wasn't there.

01:19:29

This is not the time for this discussion.

01:19:31

Are you trying to actually hurt him?

01:19:35

Are you just trying to like make it look like you're hurting him?

01:19:38

No,

01:19:39

I really have to try to hurt him.

01:19:42

I need her to believe that I'm trying to,

01:19:44

uh,

01:19:45

kick him in the head.

01:19:47

Okay.

01:19:49

Same thing.

01:19:49

Uh,

01:19:50

it'll be a skirmish.

01:19:53

I probably am not very good.

01:19:55

Kick him in the head.

01:19:57

Good.

01:20:07

You go to kick,

01:20:08

uh,

01:20:08

squish,

01:20:09

but unfortunately you kind of like lose your grip as you do.

01:20:12

So you kind of like kick too hard.

01:20:14

Uh,

01:20:14

and you're actually going to fall down to the first floor.

01:20:17

Oh no.

01:20:18

Me?

01:20:18

Am I dead?

01:20:19

No,

01:20:20

no,

01:20:21

no,

01:20:21

you're not dead.

01:20:22

Uh,

01:20:22

but you are going to take another level of harm.

01:20:24

Uh,

01:20:25

or actually,

01:20:25

you know what?

01:20:26

just,

01:20:26

uh,

01:20:26

just take one,

01:20:27

one chunk of health.

01:20:28

You have four.

01:20:29

I'm going to have you take one.

01:20:30

Uh,

01:20:31

you hit the ground pretty hard.

01:20:32

Did you change it?

01:20:33

Uh,

01:20:35

I was,

01:20:35

yeah,

01:20:36

I think I hit it for you.

01:20:37

Hold on.

01:20:37

Yeah.

01:20:38

Oh,

01:20:38

that's harm.

01:20:39

Oh boy.

01:20:39

Yeah.

01:20:41

Yeah.

01:20:42

So you fall,

01:20:43

uh,

01:20:44

she knocked the wind out of you.

01:20:45

Uh,

01:20:46

lady high hill,

01:20:47

uh,

01:20:48

screams.

01:20:48

She's like,

01:20:49

you know,

01:20:50

she's seen you like,

01:20:51

she assumes that you like,

01:20:53

you know,

01:20:54

didn't mean to actually,

01:20:55

you know,

01:20:56

die or anything.

01:20:57

Um,

01:20:58

she screams squished.

01:20:59

You now have a screaming woman kicking you.

01:21:01

Oh,

01:21:02

I'm definitely going to pull her,

01:21:04

try to pull her off again.

01:21:06

Excuse me.

01:21:07

Pull her off.

01:21:12

Sure.

01:21:14

Yeah.

01:21:15

You want to try again?

01:21:17

I'm going to strain myself again.

01:21:21

How many strains do you have left?

01:21:24

You strained yourself.

01:21:25

This is like your fourth time streaming.

01:21:27

Don't.

01:21:28

Don't.

01:21:29

Yes.

01:21:30

It was almost a two.

01:21:31

Tell me what you do next to her.

01:21:34

So you're able to grab onto her and now you can do what,

01:21:37

you need to,

01:21:38

to her.

01:21:39

I'm actually like,

01:21:40

you know,

01:21:40

in those old timey dresses,

01:21:42

they had like that wire cage around them.

01:21:44

Yeah.

01:21:44

The bustle.

01:21:45

Yeah.

01:21:46

I grab that and I tug it really hard and throw her down.

01:21:49

On top of squish.

01:21:51

On top of juckles.

01:21:53

Yeah.

01:21:54

I mean,

01:21:54

on top of juckles.

01:21:55

Right on top of juckles.

01:21:56

In a sexy way.

01:21:57

All right.

01:21:58

Hold on.

01:22:00

Let me.

01:22:00

Guys,

01:22:03

I'm really sorry.

01:22:04

I have to use the bathroom again.

01:22:05

Okay.

01:22:05

I'll be right back.

01:22:08

Nothing.

01:22:08

I did not want to take squish.

01:22:10

Hold on.

01:22:10

Let me try that again.

01:22:11

I'm going to object to this.

01:22:16

Okay.

01:22:16

It's fine.

01:22:17

Okay.

01:22:18

Yeah.

01:22:18

No.

01:22:20

Well,

01:22:20

if it ended up being like a success,

01:22:22

I'm like,

01:22:22

I should have taken.

01:22:23

No,

01:22:24

no,

01:22:24

this is,

01:22:24

this is,

01:22:25

this was meant for chuckles.

01:22:26

Um,

01:22:26

she lands fully clothed on top of you.

01:22:29

Um,

01:22:30

just right on,

01:22:31

right on top.

01:22:32

Uh,

01:22:33

she's pretty much not winded at this point.

01:22:36

Um,

01:22:36

let's see.

01:22:39

Uh,

01:22:39

maybe we'll just pause there for a second.

01:22:43

Wait for Brandon to come back,

01:22:44

but yeah.

01:22:45

Uh,

01:22:46

yeah.

01:22:46

What is he doing?

01:22:46

Well,

01:22:47

that's what we're going to find out.

01:22:49

Probably just standing by idly.

01:22:52

No,

01:22:53

I hope he's going to the,

01:22:55

the vault.

01:22:56

Oh,

01:22:57

that's where you're supposed to be.

01:22:58

That's right.

01:22:59

He ran off.

01:22:59

The,

01:23:06

the role was to see if her clothes fell off.

01:23:08

Oh,

01:23:10

he doesn't,

01:23:13

doesn't failure mean her clothes failed?

01:23:17

No,

01:23:18

that was for you.

01:23:19

Oh,

01:23:19

you know,

01:23:22

you have a more anyway.

01:23:24

Um,

01:23:25

uh,

01:23:26

so captain just to,

01:23:27

or pack is just to get you where we are.

01:23:29

Uh,

01:23:29

squish was able to pull lady high hill off of the,

01:23:32

uh,

01:23:33

off the wall.

01:23:33

Uh,

01:23:34

she landed on triples.

01:23:36

And now we're going to go to you.

01:23:38

All right.

01:23:40

I am casually,

01:23:41

very casually walking up to the vault.

01:23:44

Are you upstairs?

01:23:46

Uh,

01:23:47

where is the vault?

01:23:48

Is it upstairs?

01:23:50

So hold on.

01:23:51

Let me probably should have asked this before you ran off.

01:23:53

No,

01:23:53

she showed us.

01:23:55

Yeah.

01:23:56

She showed us where it was before.

01:23:57

So,

01:23:58

uh,

01:23:59

captain,

01:24:02

do you see where this hallway where you're at?

01:24:03

Yeah.

01:24:04

Um,

01:24:05

as you go down this hallway,

01:24:07

there is a set of stairs that lead up there.

01:24:10

We're going to pretend that these are the stairs right here.

01:24:12

Um,

01:24:12

and as you lead up those stairs,

01:24:14

there is one guard there and he stops you as you go up and he's like,

01:24:17

Oh,

01:24:17

sir.

01:24:20

nobody's allowed up here tonight.

01:24:21

Uh,

01:24:22

I've got the key.

01:24:23

I've got the,

01:24:24

uh,

01:24:24

permission from the governor.

01:24:25

Here's the key.

01:24:27

And I dangle it right in front of him.

01:24:29

Sorry.

01:24:29

I'm just checking out security,

01:24:31

uh,

01:24:31

security check.

01:24:32

Um,

01:24:33

though that uniform,

01:24:35

is that a regulation?

01:24:36

Uh,

01:24:37

yes,

01:24:38

sir.

01:24:38

And he like touched down his,

01:24:39

uh,

01:24:39

uniform form.

01:24:40

It absolutely is,

01:24:41

sir.

01:24:41

Yeah.

01:24:42

I see you standing at ease.

01:24:43

I expect you to stand a little bit more,

01:24:45

uh,

01:24:46

you know,

01:24:46

not at ease.

01:24:48

Uh,

01:24:48

these things can get,

01:24:50

uh,

01:24:50

out of control.

01:24:51

Sometimes we need to be at attention at all times.

01:24:54

Oh,

01:24:55

I absolutely agree,

01:24:56

sir.

01:24:56

And he salutes you and he goes in and what company are you with?

01:24:59

Uh,

01:25:00

uh,

01:25:01

Kahuna wave company.

01:25:02

Kahuna wave company.

01:25:04

Uh,

01:25:05

I've never heard of it.

01:25:06

Uh,

01:25:06

who's your acting captain for tonight?

01:25:08

Fitz Clyde.

01:25:09

Captain Fitz Clyde.

01:25:13

The famous.

01:25:14

Uh,

01:25:14

you know,

01:25:16

well,

01:25:16

you might have,

01:25:17

you might've heard of him.

01:25:18

Some from like,

01:25:18

some like backwater,

01:25:20

you know,

01:25:20

bar.

01:25:21

He's kind of,

01:25:22

kind of picking up a name.

01:25:23

I,

01:25:23

you know,

01:25:23

really,

01:25:24

you should be looking out for that new captain patches,

01:25:26

the new,

01:25:27

uh,

01:25:27

new pirate captain arch in the sea.

01:25:29

Never heard it.

01:25:31

Never heard of a captain patches.

01:25:32

Nope.

01:25:33

Yep.

01:25:34

I know.

01:25:34

I know.

01:25:34

Uh,

01:25:35

anyway,

01:25:35

I gotta go check on this harp deal.

01:25:37

Uh,

01:25:37

you stand,

01:25:38

you stand at a guard.

01:25:39

They do a walk,

01:25:40

talking to me so much.

01:25:41

You get distracted.

01:25:42

So easily.

01:25:43

he doesn't quite believe you.

01:25:45

Um,

01:25:45

and he's not going to just let you walk past.

01:25:48

Um,

01:25:49

because it's a little strange that this guy who he's never met,

01:25:52

uh,

01:25:52

suddenly has a key to this place.

01:25:54

and he goes,

01:25:55

I better check with the governor before I allow you up there.

01:25:58

Uh,

01:25:58

one second,

01:25:59

let me just call one of the other guards to take my place.

01:26:01

If you don't mind,

01:26:02

sir.

01:26:02

Um,

01:26:03

what do you do?

01:26:06

Uh,

01:26:06

what do you do?

01:26:06

Uh,

01:26:07

I mean,

01:26:08

I did get permission from the governor,

01:26:09

so this is just a waste of my time and his.

01:26:11

So how are you,

01:26:14

what are you going to,

01:26:15

you have a couple of options.

01:26:16

Are you going to try and like persuade him?

01:26:18

Are you going to command him?

01:26:19

Uh,

01:26:20

what are you going to do?

01:26:21

Command,

01:26:21

command,

01:26:22

command.

01:26:22

I'm going to raise,

01:26:23

I'm going to become a leader right now.

01:26:25

He,

01:26:25

this is my two character development.

01:26:27

listen,

01:26:27

son,

01:26:27

I am the captain of this ship right now.

01:26:30

And I need to get into this vault to make sure it's,

01:26:32

everything is safe and protected.

01:26:35

All right.

01:26:37

Roll to command him.

01:26:38

Roll to command.

01:26:39

Ooh.

01:26:42

Oh,

01:26:43

partial.

01:26:43

Uh,

01:26:46

he,

01:26:47

he,

01:26:47

he does say,

01:26:48

oh,

01:26:48

yes,

01:26:49

sir.

01:26:49

Of course I,

01:26:49

I understand.

01:26:50

And,

01:26:51

uh,

01:26:51

right this way,

01:26:52

sir.

01:26:53

Uh,

01:26:53

and he points towards the,

01:26:55

uh,

01:26:55

to the vault,

01:26:56

allowing you to go,

01:26:57

past,

01:26:57

uh,

01:26:58

but he does follow up behind you.

01:27:00

Um,

01:27:01

so he is keeping an eye on you as you approach the vault.

01:27:04

You see something you like,

01:27:09

sir?

01:27:09

Sir,

01:27:12

I'm just making sure everything's in order.

01:27:13

That's all.

01:27:14

It's,

01:27:14

it's time for our,

01:27:15

our hourly guard change anyway.

01:27:17

So let me hold on.

01:27:21

These guys.

01:27:23

Okay.

01:27:25

Uh,

01:27:26

okay.

01:27:27

Do you see the vault room?

01:27:28

Yeah.

01:27:29

Okay.

01:27:30

Perfect.

01:27:30

I just want to make sure I got all that fixed.

01:27:32

Uh,

01:27:32

so captain,

01:27:33

you walk up these stairs into this wall and it's pretty much what you see in this,

01:27:36

uh,

01:27:37

image.

01:27:38

It is a,

01:27:39

uh,

01:27:39

somewhat circular room.

01:27:41

There are lots of chests and,

01:27:43

uh,

01:27:43

treasure up here.

01:27:45

Um,

01:27:45

but there are also a large number of guards and these are heavily armed,

01:27:50

very dangerous looking men.

01:27:53

Um,

01:27:53

these are also demon men too.

01:27:55

Um,

01:27:55

these are also demon men too.

01:27:56

Um,

01:27:56

so they're not exactly,

01:27:57

you know,

01:27:59

they're not anything you'd want to mess with offhand.

01:28:00

Um,

01:28:00

you can tell that they have,

01:28:01

uh,

01:28:02

guns and they have swords.

01:28:04

They're very strong.

01:28:05

There's four of them in the room.

01:28:06

Um,

01:28:07

and while there is a lot of like stuff on the walls and,

01:28:10

you know,

01:28:11

paintings and books and,

01:28:12

and chests full of,

01:28:14

uh,

01:28:14

whatever.

01:28:15

Um,

01:28:15

it's very,

01:28:16

very clear that the centerpiece is right in the middle.

01:28:20

And it's this very large chest,

01:28:22

um,

01:28:23

that looks like it's been inscribed with some sort of ruins that you don't,

01:28:26

you,

01:28:27

you personally can't read off.

01:28:29

Um,

01:28:29

it's some sort of like language and it's just the,

01:28:33

it's got a very like intense vibe.

01:28:35

It's very clear that this is what they're guarding.

01:28:38

Okay.

01:28:39

Can I summon Neelix again?

01:28:41

You can.

01:28:44

Can I have him do the same thing he did before?

01:28:46

Uh,

01:28:49

you want him,

01:28:51

you want to command him to spook these guys away?

01:28:53

As a sexy woman.

01:28:56

Yeah,

01:28:57

as a sexy woman.

01:28:58

Okay.

01:29:01

Yeah.

01:29:02

I mean,

01:29:02

okay.

01:29:03

Okay.

01:29:03

Okay.

01:29:03

How about this?

01:29:04

Can I summon the hot men to make a fire and distract these guys to go away?

01:29:07

And burn the harp?

01:29:09

No,

01:29:10

I'm going to steal the harp.

01:29:11

I'm going to burn down the castle.

01:29:13

The castle is made of stone.

01:29:16

Never stopped fire before.

01:29:20

I actually don't know if it's made of stone.

01:29:24

I just don't want to burn the harp.

01:29:25

The harp is probably not made of stone.

01:29:28

No,

01:29:28

my plan is to distract them with fire.

01:29:30

Fire,

01:29:31

fire,

01:29:31

fire.

01:29:32

And then they run off to go deal with the fire.

01:29:33

And I casually stroll in and swap.

01:29:36

All right.

01:29:37

Well,

01:29:37

just don't tell him to go nuts.

01:29:39

Because that's what you always tell him.

01:29:40

Oh,

01:29:43

what do you think,

01:29:44

Bridget?

01:29:45

Yeah.

01:29:47

If you want to try and,

01:29:49

and call Kaboom out and have him set fire to it.

01:29:52

So the,

01:29:53

the castle is made of stone.

01:29:54

So I'll just need a little bit more detail on where you're starting the fire.

01:29:57

Um,

01:29:58

but yeah,

01:30:00

if you want to,

01:30:02

I want to,

01:30:02

you can.

01:30:02

Yeah.

01:30:03

I'll roll for that.

01:30:04

I want him to start a fire in the room behind me.

01:30:06

Like the room I just came from.

01:30:08

Okay.

01:30:09

Yeah.

01:30:09

You mean your escape,

01:30:11

your escape route?

01:30:13

Well,

01:30:14

where else am I supposed to send these people?

01:30:16

I don't know.

01:30:16

I'm just saying you don't want to start a fire.

01:30:18

So you're stuck in the treasure room.

01:30:19

No,

01:30:20

well,

01:30:21

I'll start a fire and then I'll run away.

01:30:23

With the heart,

01:30:26

right?

01:30:27

Yeah.

01:30:27

Okay.

01:30:28

Making sure you don't forget that vital part.

01:30:31

What should I roll,

01:30:33

huh?

01:30:33

Oh,

01:30:35

you're going to command,

01:30:36

uh,

01:30:37

Kaboom.

01:30:37

Sorry.

01:30:38

For some reason,

01:30:39

Kaboom's,

01:30:39

uh,

01:30:39

image is not correct,

01:30:40

but pretend Baz here is Kaboom.

01:30:42

Quick,

01:30:43

quick question.

01:30:44

Yeah.

01:30:45

This is like,

01:30:47

is this a good idea?

01:30:48

No,

01:30:49

that too.

01:30:50

But,

01:30:50

uh,

01:30:51

it's like a big harp,

01:30:52

right?

01:30:53

It's,

01:30:54

it's,

01:30:55

it's not like one of those little ones you see,

01:30:56

like the cherubs play.

01:30:57

No,

01:30:58

no,

01:30:59

it's a relatively large harp.

01:31:00

Like one person can hold the harp,

01:31:03

uh,

01:31:03

by themselves.

01:31:04

It's not like it's a two person instrument,

01:31:05

but it's not something small.

01:31:07

You can just like tuck into your jacket.

01:31:08

It's,

01:31:09

it's,

01:31:09

it's a big harp.

01:31:11

I can't carry,

01:31:12

carry and run,

01:31:13

right?

01:31:13

You would really struggle with it.

01:31:16

There's a reason it's in a carrying case.

01:31:18

All right,

01:31:19

cool.

01:31:19

So roll for power.

01:31:21

Roll for power.

01:31:25

Uh,

01:31:26

yeah,

01:31:26

you're,

01:31:26

so you're going to command him to blow some stuff up.

01:31:28

Any modifiers?

01:31:30

Uh,

01:31:33

hold on,

01:31:34

let's take a look.

01:31:35

Up too late.

01:31:36

Okay.

01:31:37

So,

01:31:41

so you want him to start a fire behind you,

01:31:43

right?

01:31:43

Yeah.

01:31:45

Okay.

01:31:47

what do you tell him?

01:31:47

Uh,

01:31:49

flameo.

01:31:50

I know I've told you to cut loose before.

01:31:53

I need you to cut loose just a tiny bit and distract these guards enough.

01:32:00

And I'm whispering really quietly.

01:32:02

Like I'm coughing.

01:32:02

Like,

01:32:03

flameo.

01:32:03

I need to go.

01:32:04

She's gone.

01:32:09

I'm like looking at the.

01:32:10

I mean,

01:32:13

it was partially.

01:32:14

Um,

01:32:17

so.

01:32:18

You say that as you're coughing.

01:32:20

Which is a little suspicious.

01:32:23

That's subjective.

01:32:27

And,

01:32:28

uh,

01:32:28

and,

01:32:29

uh,

01:32:29

as you start lighting,

01:32:31

uh,

01:32:32

flameo turns around,

01:32:34

hotman turns around and he's like,

01:32:36

yes,

01:32:36

sir.

01:32:36

And he starts like,

01:32:37

he appears.

01:32:38

As a,

01:32:40

as a ghostly specter of flame and starts calling fireballs down,

01:32:46

uh,

01:32:46

the,

01:32:47

uh,

01:32:47

down the alley or down the,

01:32:49

uh,

01:32:50

staircase behind you.

01:32:51

Uh,

01:32:52

they do catch,

01:32:53

they do start a light.

01:32:54

They,

01:32:55

they don't like engulf the room and fire,

01:32:57

but he does start setting things on fire.

01:32:58

Um,

01:32:59

but an alarm goes off around you.

01:33:02

Uh,

01:33:03

like,

01:33:04

you know,

01:33:04

like a fire alarm.

01:33:05

Uh,

01:33:05

these are magical alarms.

01:33:08

that you have now tripped the door to the vault slam shut.

01:33:13

Uh,

01:33:13

and you are now trapped in there with five other guards.

01:33:16

Oh,

01:33:17

do I still have flame?

01:33:19

Oh,

01:33:19

Nope.

01:33:20

Flame.

01:33:20

He was on the other side of the room,

01:33:22

setting,

01:33:22

setting things ablaze.

01:33:23

You told him to cut loose.

01:33:25

I,

01:33:27

um,

01:33:27

hold on.

01:33:28

I got it.

01:33:28

Did you see that?

01:33:29

Uh,

01:33:31

demon,

01:33:31

demon,

01:33:32

demon.

01:33:33

We all see that,

01:33:38

sir.

01:33:38

Our job is to protect the black harp until the very end.

01:33:41

And they all pull out their swords.

01:33:42

All right.

01:33:44

Or go into formation around the,

01:33:46

uh,

01:33:47

around the,

01:33:47

uh,

01:33:49

can I like join them in formation?

01:33:51

All right.

01:33:51

I get it.

01:33:51

I will protect this thing with our lives.

01:33:53

Yes.

01:33:54

You can join them in formation.

01:33:56

What's your cool.

01:33:57

Yeah.

01:33:58

I have a sword.

01:33:59

Do you have a sword?

01:34:01

I thought I did.

01:34:02

Cannon.

01:34:02

I don't remember you ever having.

01:34:04

Never used it.

01:34:06

Strangely enough.

01:34:06

A lightning hook.

01:34:09

You have a spirit mask.

01:34:11

You have some bottles.

01:34:12

Uh,

01:34:12

I do not.

01:34:13

Do you want to add a sword?

01:34:14

No,

01:34:15

no,

01:34:15

no.

01:34:15

If I don't have it,

01:34:16

I'm not going to use it.

01:34:17

I have a,

01:34:17

I have a lightning hook.

01:34:18

I'm just like spinning it around.

01:34:19

Like,

01:34:19

uh,

01:34:22

all right.

01:34:24

Uh,

01:34:25

I think we're going to stop there.

01:34:26

As you set a fire.

01:34:27

Hail the junk fort boys.

01:34:30

In the night they roam.

01:34:32

Solving wolves with fire and cruel.

01:34:35

With a clash and a crash and a twist of fate.

01:34:39

Explosions mark the hours never late.

01:34:42

Man,

01:34:54

just started the fire.

01:34:56

It was always the world's return.

01:34:59

And,

01:35:00

and,

Small Little Goblin Person